Description
This dissertation explores complex representations of spiritual, social and cultural ways of knowing embedded within engraved ivory drill bows from the Bering Strait. During the nineteenth century, multi-faceted ivory drill bows formed an ideal surface on which to recount life events and indigenous epistemologies reflective of distinct environmental and socio-cultural relationships.
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Contributors
- Chan, Amy (Author)
- Duncan, Kate (Thesis advisor)
- Toon, Richard (Committee member)
- Parezo, Nancy (Committee member)
- Serwint, Nancy (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2013
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Note
- Partial requirement for: Ph. D., Arizona State University, 2013Note typethesis
- Includes bibliographical references (p. 478-507)Note typebibliography
- English and InuitNote typelanguage
- Field of study: Art
Citation and reuse
Statement of Responsibility
by Amy Chan