
Description
This thesis is an account and reading of the taking-place of revolutionary art in Cairo accentuating the affective power of revolutionary spaces, specifically Tahrir and Etehadeya Square(s). In analyzing Cairo's street art in terms of its affective force, this paper illustrates the interconnectivity of place, art and event within a revolutionary context.
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Contributors
- Friend, Olivia Louise (Author)
- McHugh, Kevin (Thesis director)
- Graff, Sarah (Committee member)
- Barrett, The Honors College (Contributor)
- School of Geographical Sciences and Urban Planning (Contributor)
- WPC Graduate Programs (Contributor)
- School of Art (Contributor)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2015-05
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