Saxophonists regularly transcribe works from the 19th and 20th centuries in order tobolster our repertoire from those eras. As one of the youngest concert instruments, few substantial works exist for the instrument prior to the mid 20th century. By regularly transcribing works that are standards in other instruments’ repertoires, we have perpetuated the historical underrepresentation of female composers from the same time period. In answer to this, I have researched, analyzed, transcribed, and recorded four works originally for violin and piano written by female composers born in the 19th century. This program represents differing styles and nationalities, while being a cohesive program of works. The repertoire consists of a set of character pieces by Ika Peyron, sonatas by Dora Pejačević and Germaine Tailleferre, and finally a theme and variations by Teresa Milanollo to serve as a closer. Each chapter provides insights into my transcription process and tables of the alterations made to the original material, as well as short analyses of each piece. i