Ian Walker, At Rich Hill, Arizona, With Frederick Sommer’s Camera, Showing the Terrain Depicted in ‘Arizona Landscape, 1943.'
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Surrealism and Photography: Introduction
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'Surrealistic and Disturbing': Timothy O’Sullivan as Seen by Ansel Adams in the 1930s
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‘As if One’s Eyelids Had Been Cut Away’: Frederick Sommer’s Arizona Landscapes
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Clarence John Laughlin, Regionalist Surrealist
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A Swimmer Between Two Worlds: Francesca Woodman’s Maps of Interior Space
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Remembering Anne D’Harnoncourt
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"The 1930s: The Making of the 'New Man'"
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Beyond Bridges: The Cinema of Jean Rouch
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Review of Kirby Olson, 'Andrei Codrescu and the Myth of America'
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Review of Sally Price, 'Paris Primitive: Jacques Chirac's Museum on the Quai Branly'
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