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In keeping with the first two issues of the Journal of Surrealism and the Americas, this third issue aims to broaden the horizon of critical concerns to which the publication

In keeping with the first two issues of the Journal of Surrealism and the Americas, this third issue aims to broaden the horizon of critical concerns to which the publication is dedicated, turning our attention here to photographic contributions to the discourse of Surrealism and the Americas. Photography, of course, played a central role in surrealist practices since the movement’s inception, as the plethora of scholarship on the topic has underscored.

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