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Jonathan Eburne's essay, "Leonora Carrington, Mexico, and the Culture of Death," studies Carrington's written work from the mid-1950s, when she collaborated with avant-garde groups in Mexico City, including the Poesía

Jonathan Eburne's essay, "Leonora Carrington, Mexico, and the Culture of Death," studies Carrington's written work from the mid-1950s, when she collaborated with avant-garde groups in Mexico City, including the Poesía en Voz Alta theater group (1956-57) and the journal S.NOB (1962). In particular, it examines Carrington's adaptation of the contemporary Mexican interest in pre-Columbian cultures of death; Carrington's midcentury work, Eburne argues, develops this Mexican "culture of death" as both a response and a contribution to European existentialist and surrealist systems of ethics.

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