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Preface

ContributorsChou, Ju-hsi (Author)
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Preface

ContributorsChou, Ju-hsi (Author)
Arizona Portfolio

Arizona Portfolio

ContributorsGully, Anthony (Author) / Chou, Ju-hsi (Author) / Dowden, Robin (Author)

Phoebus 6, Number 1: Chinese Painting under the Qianlong Emperor

Description

Phoebus 6, Number 1: A Journal of Art History - Table of Contents

“Preface” p. 7-8.

“The Time of Qianlong (1736-1795)” by Wen Fong, p. 9-16.

“The Intellectual Climate in Eighteenth-century China: Glimpses of Beijing, Suzhou, and Yangzhou in the Qianlong Period” by Frederick Mote, p. 17-55.

“The Qianlong Emperor’s Skill in the Connoisseurshi…

Phoebus 6, Number 1: A Journal of Art History - Table of Contents

“Preface” p. 7-8.

“The Time of Qianlong (1736-1795)” by Wen Fong, p. 9-16.

“The Intellectual Climate in Eighteenth-century China: Glimpses of Beijing, Suzhou, and Yangzhou in the Qianlong Period” by Frederick Mote, p. 17-55.

“The Qianlong Emperor’s Skill in the Connoisseurship of Chinese Painting” by Kohara Hironobu, p. 56-73.

“An Overview of Stylistic Development in the Qianlong Painting Academy” by She Cheng, p. 74-90.

“Document and Portrait: the Southern Tour Paintings of Kangxi and Qianlong” by Maxwell Hearn, p. 91-131.

“Tangdai: A Biographical Sketch” by Ju-hsi Chou, p. 132-140. 

“For the Love of God: Castiglione at the Qing Imperial Court” by Howard Rogers, p. 141-160.

“Approaches to Painting at the Qianlong Court” by Claudia Brown, p. 163-168.

“Notes” p. 169-198. 
ContributorsFong, Wen (Author) / Mote, Frederick (Author) / Hironobu, Kohara (Author) / Cheng, She (Author) / Hearn, Maxwell (Author) / Chou, Ju-hsi (Author) / Rogers, Howard (Author) / Brown, Claudia (Author)
Created1988

Phoebus 6, Number 2: Chinese Painting Under the Qianlong Emperor

Description

Phoebus 6, Number 2: A Journal of Art History - Table of Contents

“Preface” p. 207.

“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.

“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.

“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü,…

Phoebus 6, Number 2: A Journal of Art History - Table of Contents

“Preface” p. 207.

“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.

“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.

“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü, p. 261-271.

“Jin Nong: The Eccentric Painter with a Wintry Heart” by Marshall P. S. Wu, p. 272-294.

“An Overview of Li Jian’s Painting” by Christina Chu, p. 295-315.

“Eighteenth-century Foundations in Modern Chinese Painting” by Chu-tsing Li, p. 316-327. 

“Rubric and Art History: The Case of the Eight Eccentrics in Yangzhou” by Ju-hsi Chou, p. 329-350.

“Notes” p. 351-379.

“Glossary” p. 381-391.

“Index” p. 393-418
ContributorsVinograd, Richard (Author) / Murck, Alfreda (Author) / Hsu, Ginger Cheng-chi (Author) / Wu, Marshall P. S. (Author) / Chu, Christina (Author) / Li, Chu-tsing (Author) / Chou, Ju-hsi (Author)
Created1991

Phoebus 8: Art at the Close of China's Empire

Description

Phoebus 8: A Journal of Art History - Table of Contents

“Preface” by Ju-hsi Chou, p. 9-10. 

“The Significance of the Nineteenth Century for Modern Chinese History” by Stephen R. Mackinnon, p. 11-17. 

“Looking at Late Qing Painting with New Eyes” by Chu-Tsing Li, p. 18-37. 

“Qian Du to Zhang Jing: The Artist and…

Phoebus 8: A Journal of Art History - Table of Contents

“Preface” by Ju-hsi Chou, p. 9-10. 

“The Significance of the Nineteenth Century for Modern Chinese History” by Stephen R. Mackinnon, p. 11-17. 

“Looking at Late Qing Painting with New Eyes” by Chu-Tsing Li, p. 18-37. 

“Qian Du to Zhang Jing: The Artist and the Patron” by Ju-hsi Chou, p. 38-66.

“Zhou Xian's Fabulous Construct: The Thatched Cottage of Fan Lake” by Britta Erickson, p. 67-93.

“A Forgotten Celebrity: Wang Zhen (1867-1938), Businessman, Philanthropist, and Artist” by Hsing-yuan Tsao, p. 94-109.

“Satire and Situation: Images of the Artist in Late Nineteenth-Century China” by Richard Vinograd, p. 110-133. 

“Painters and Publishing in Late Nineteenth-century Shanghai” by Jonathan Hay, p. 134-188.

“Calligraphy at the Close of the Chinese Empire” by Lothar Ledderose, p. 189-207. 

“Glossary of Chinese Names and Terms” p. 211-219
ContributorsChou, Ju-hsi (Author) / MacKinnon, Stephen R. (Author) / Li, Chu-tsing (Author) / Erickson, Britta (Author) / Tsao, Hsing-yuan (Author) / Vinograd, Richard (Author) / Hay, Jonathan (Author) / Ledderose, Lothar (Author)
Created1998

Phoebus 2: A Journal of Art History

Description

Phoebus 2: A Journal of Art History - Table of Contents

“Preface” by Jack Breckenridge, p. 3.

“Contributors” p. 4-5.

“Table of Contents” p. 6-7.

“The Problem of Antisolimenismo in Neapolitan Baroque Painting” by Donald Rabiner, p. 8-16.

“Mid-Fourteenth Century Painting in Suchou: Some Lesser Masters” by Claudia Brown, p. 17-30.

“A Re-Examination of the Cult…

Phoebus 2: A Journal of Art History - Table of Contents

“Preface” by Jack Breckenridge, p. 3.

“Contributors” p. 4-5.

“Table of Contents” p. 6-7.

“The Problem of Antisolimenismo in Neapolitan Baroque Painting” by Donald Rabiner, p. 8-16.

“Mid-Fourteenth Century Painting in Suchou: Some Lesser Masters” by Claudia Brown, p. 17-30.

“A Re-Examination of the Cult of Demeter and the Meaning of the Eleusinian Mysteries” by Sherly Farness, p. 31-38. 

“Arizona Portfolio” p. 39-53. 

          “Wooden Cross” by Mildred Monteverde, p. 40-43.

          “Le Petit Tablier” by Rosalind Robinson, p. 44-47.

          “La Réunion des plus Célèbres Monuments Antiques de la France” by Vicki C. Wright, p.
          48-53. 

“An Unpublished Rowlandson Sketchbook” by Anthony Gully, p. 54-74.

“Are We Ready for Shih-T'ao?” by Ju-hsi Chou, p. 75-87. 

“A Conversation Between Adolph Gottlieb and Jack Breckenridge” transcribed by Jack Breckenridge, p. 88-96. 

“Three Recent Art Reference Books” by Winberta Yao, p. 97-102
ContributorsBreckenridge, Jack (Author, Transcriber) / Rabiner, Donald, 1949- (Author) / Brown, Claudia (Author) / Farness, Sherly (Author) / Monteverde, Mildred (Author) / Robinson, Rosalind (Author) / Wright, Vicki C. (Vicki Christine) (Author) / Gully, Anthony (Author) / Chou, Ju-hsi (Author) / Yao, Winberta M. (Author)
Created1979

Phoebus 1: A Journal of Art History

Description

Phoebus 1: A Journal of Art History - Table of Contents 

“Preface” by Ju-hsi Chou, p. 4-6. 

“Dedication” by Harry Wood, p. 7-8.

“Style and Symbolism in the Awatobi Kiva Mural Paintings” by Marvin Cohodas, p. 9-21.

“Mr. B and the Cherubim: A Critical Examination of William Blake's 'A Descriptive Catalogue' of 1809” by…

Phoebus 1: A Journal of Art History - Table of Contents 

“Preface” by Ju-hsi Chou, p. 4-6. 

“Dedication” by Harry Wood, p. 7-8.

“Style and Symbolism in the Awatobi Kiva Mural Paintings” by Marvin Cohodas, p. 9-21.

“Mr. B and the Cherubim: A Critical Examination of William Blake's 'A Descriptive Catalogue' of 1809” by Anthony Gully, p. 23-46. 

“Arizona Portfolio” p. 47-64.

          “La Muse de Guillaume Apollinaire (The Muse of Guillaume Apollinaire)” by Anthony
          Gully, p. 48-51.

          “Wild Geese, Flowering Plants, and Tall Reeds” by Ju-hsi Chou, p. 52-55.

          “Ting” by Ju-hsi Chou, p. 56-59.

          “Homage to Watteau” by Robin Dowden, p. 60-64.

“A Note on a Letter from Roger Hilton to Terry Frost” by Jack Breckenridge, p. 65-74.

“Ming Idealism and Landscape Painting” by Ju-hsi Chou, p. 75-92.

“Classic Maya Elements in the Iconography of Rulership at El Tajin, Veracruz, Mexico” by Michael Kampen, p. 93-104. 

“Anne de Coursey Clapp, Wen Cheng-ming, ‘The Ming Artist and Antiquity’” by Anne de Coursey Clapp and Wen Cheng-ming, p. 105-108.

“‘7+5 Sculptors in the 1950s’: An Exhibition in the Phoenix Art Museum” 108-113.

“List of Contributors” by 114-116.
ContributorsWood, Harry, 1910- (Author) / Chou, Ju-hsi (Author) / Cohodas, Marvin (Author) / Gully, Anthony (Author) / Dowden, Robin (Author) / Breckenridge, Jack (Author) / Kampen, Michael (Author) / Clapp, Anne de Coursey (Author) / Cheng-ming, Wen (Author)
Created1978
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Distinguishing Land Change from Natural Variability and Uncertainty in Central Mexico with MODIS EVI, TRMM Precipitation, and MODIS LST Data

Description
Precipitation and temperature enact variable influences on vegetation, impacting the type and condition of land cover, as well as the assessment of change over broad landscapes. Separating the influence of vegetative variability independent and discrete land cover change remains a major challenge to landscape change assessments. The heterogeneous Lerma-Chapala-Santiago watershed…

Precipitation and temperature enact variable influences on vegetation, impacting the type and condition of land cover, as well as the assessment of change over broad landscapes. Separating the influence of vegetative variability independent and discrete land cover change remains a major challenge to landscape change assessments. The heterogeneous Lerma-Chapala-Santiago watershed of central Mexico exemplifies both natural and anthropogenic forces enacting variability and change on the landscape. This study employed a time series of Enhanced Vegetation Index (EVI) composites from the Moderate Resolution Imaging Spectoradiometer (MODIS) for 2001–2007 and per-pixel multiple linear regressions in order to model changes in EVI as a function of precipitation, temperature, and elevation. Over the seven-year period, 59.1% of the variability in EVI was explained by variability in the independent variables, with highest model performance among changing and heterogeneous land cover types, while intact forest cover demonstrated the greatest resistance to changes in temperature and precipitation. Model results were compared to an independent change uncertainty assessment, and selected regional samples of change confusion and natural variability give insight to common problems afflicting land change analyses.
ContributorsChristman, Zachary (Author) / Rogan, John (Author) / Eastman, J. Ronald (Author) / Turner II, B. L. (Author) / College of Liberal Arts and Sciences (Contributor) / School of Geographical Sciences and Urban Planning (Contributor)
Created2016-06-07
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Fire Data as Proxy for Anthropogenic Landscape Change in the Yucatán

Description
Fire is one of the earliest and most common tools used by humans to modify the earth surface. Landscapes in the Yucatán Peninsula are composed of a mosaic of old growth subtropical forest, secondary vegetation, grasslands, and agricultural land that represent a well-documented example of anthropogenic intervention, much of which…

Fire is one of the earliest and most common tools used by humans to modify the earth surface. Landscapes in the Yucatán Peninsula are composed of a mosaic of old growth subtropical forest, secondary vegetation, grasslands, and agricultural land that represent a well-documented example of anthropogenic intervention, much of which involves the use of fire. This research characterizes land use systems and land cover changes in the Yucatán during the 2000–2010 time period. We used an active fire remotely sensed data time series from the Moderate Resolution Imaging Spectroradiometer (MODIS), in combination with forest loss, and anthrome map sources to (1) establish the association between fire and land use change in the region; and (2) explore links between the spatial and temporal patterns of fire and specific types of land use practices, including within- and between-anthromes variability. A spatial multinomial logit model was constructed using fire, landscape configuration, and a set of commonly used control variables to estimate forest persistence, non-forest persistence, and change. Cross-tabulations and descriptive statistics were used to explore the relationships between fire occurrence, location, and timing with respect to the geography of land use. We also compared fire frequencies within and between anthrome groups using a negative binomial model and Tukey pairwise comparisons. Results show that fire data broadly reproduce the geography and timing of anthropogenic land change. Findings indicate that fire and landscape configuration is useful in explaining forest change and non-forest persistence, especially in fragmented (mosaicked) landscapes. Absence of fire occurrence is related usefully to the persistence of spatially continuous core areas of older growth forest. Fire has a positive relationship with forest to non-forest change and a negative relationship with forest persistence. Fire is also a good indicator to distinguish between anthrome groups (e.g., croplands and villages). Our study suggests that active fire data series are a reasonable proxy for anthropogenic land persistence/change in the context of the Yucatán and are useful to differentiate quantitatively and qualitatively between and within anthromes.
ContributorsMillones, Marco (Author) / Rogan, John (Author) / Turner II, B. L. (Author) / Parmentier, Benoit (Author) / Clary Harris, Robert (Author) / Griffith, Daniel A. (Author) / College of Liberal Arts and Sciences (Contributor) / School of Geographical Sciences and Urban Planning (Contributor) / Julie Ann Wrigley Global Institute of Sustainability (Contributor) / School of Sustainability (Contributor)
Created2017-09-12