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- Genre: Masters Thesis
- Creators: Arizona State University
- Resource Type: Text
Description
This thesis examines the advent of the Egyptian women's movement from the late nineteenth century until the middle of the twentieth century. Continuous negotiations for control between the secular and the religious institutions of Egypt led to the state's domination over the public jurisdiction and the Islamists maintaining a grip over the Egyptian private sphere, which includes family laws and matters of the home. The Egyptian women's movement contested and resisted against the secular nationalists (the state) and conservative Islamists for just and equal society in general, and political rights, and educational, marriage, and divorce reform specifically, which were assurances made to the women's movement by both. Groups formed within the movement joined together and converged to collaborate on key concerns that involved Egyptian women as a collective group such as education and political rights. Using the written works of scholars and leaders of these movements, this study investigates and observes the unique unity achieved through the diversity and disunity of the Egyptian women's movement; as well as explores the individual activism of significant leaders and pioneers of the movement in the midst of cultural encounters resulting from imperialism, political revolutions, and other major societal and political developments of nineteenth and twentieth century Egypt. It explores the ideas and actions of the Egyptian women as they emerged from a veil of silence which shadowed women's existence in Egypt's crucial years of nationalization eventually leading to a unique emergence of an incorporation of Islamism and feminism.
ContributorsJazzar, Ream (Author) / El Hamel, Chouki (Thesis advisor) / Gallab, Abdullahi (Committee member) / Stoner, Kathryn (Committee member) / Arizona State University (Publisher)
Created2011
Description
In this paper, I explore the ways in which the radical feminist activist group W.I.T.C.H. (Women’s International Terrorist Conspiracy from Hell) uses the figure of the witch to establish a collective identity as a social movement by using the theoretical framework of identity work. I first draw on the existing scholarship surrounding the history of witchcraft, witch persecution, and radical feminism, and I then apply this history in conjunction with identity work theory to analyze the public persona of the recently revived W.I.T.C.H., specifically the group that brought this movement back: W.I.T.C.H. PDX. By looking at the strategies that W.I.T.C.H. employs in their protest, social media presence, website, and interviews, I examine how W.I.T.C.H. has historically and currently built a collective identity despite being a loosely-connected network of local groups.
ContributorsSchweigert, Laisa (Author) / Fahs, Breanne (Thesis advisor) / Swank, Eric (Committee member) / Kirsch, Sharon J. (Committee member) / Arizona State University (Publisher)
Created2018
Description
Through critical discourse analysis, this thesis explores the construction of poverty and development within and across the United Nations Millennium Development Goals and the proposed post-2015 Sustainable Development Goals texts. The proposed post-2015 Sustainable Development Goals frame the international development landscape for the next 15 years, therefore it becomes imperative for civil society to understand their dominant economic schemes for poverty alleviation in order to adopt or oppose similar methods of poverty abatement. Deductively, this thesis investigates Keynesianism and neoliberalism, the dominant economic discourses whose deployments within the goals have shaped transnational frameworks for interpreting and mitigating poverty. It assesses the failures of the Millennium Development Goals, as articulated both by its creators and critics, and evaluates the responsiveness of the United Nations in the constitution of the proposed post-2015 Sustainable Development Goals in relation to these critiques through the lens of liberal feminist and World Social Forum discourses. These activist and oppositional social discourses embody competing values, representations, and problem-solution frames that challenge and resist the dominant economic discourses in both sets of goals. Additionally, this thesis uses an inductive approach to critically analyze both sets of goals in order to identify any emergent discursive frameworks grounded in each text that assist in understanding the problems of, and solutions to, poverty.
ContributorsBriant, Janie (Author) / Nadesan, Majia (Thesis advisor) / Kelley, Douglas L. (Committee member) / Keahey, Jennifer (Committee member) / Arizona State University (Publisher)
Created2015
Description
June Cleaver, and the women who attempted to emulate her perfectly dressed, “happy homemaker” ideal, were considered the epitome of “womanhood” in the 1950s. However, the image of the quintessential domestic diva, in pearls and floral dress is surely a tired and no longer relevant label for the modern woman, right? This research aims to examine whether the “domesticated woman” is still the prevalent social script provided by American advertisers and to determine if there has been a significant change in how often women are portrayed as having an existence not predicated on the home or domestic duties over time. To accomplish this 1,250 American television commercials, spanning from 1970 to 2016, were gathered and analyzed using critical content analysis via a specially designed test, The June Cleaver Test.
The commercials garnered were further broken down into 11 pertinent categories (Food, Household Goods, ect.) and results from each of these categories were also tracked. The overall results showed that 54.4 percent of commercials failed to show women outside of domestic or caregiving roles. When broken down by decade, not a single decade managed to pass over 50 percent of those commercials sampled using The June Cleaver Test. This means at no point over nearly 5 decades were the sampled commercials able to show women outside of domestic role more than 50 percent of the time. The implications the continued failure rate above 50 percent across the decades shows is that the trope of women as homemakers and caretakers, instead of employed or having other demands outside of the home, is still being mass produced as a cultural norm. Pertinent and prevalent trends, tropes and stereotypes about women and domestic throughout the sample were also noted and discussed. These findings have significant implications for not only the options available to women in society, but also in moving towards a place where women find economic equity and fight for equal respect in their chosen vocations. June Cleaver has not so much left the kitchen; instead she has just updated her wardrobe.
The commercials garnered were further broken down into 11 pertinent categories (Food, Household Goods, ect.) and results from each of these categories were also tracked. The overall results showed that 54.4 percent of commercials failed to show women outside of domestic or caregiving roles. When broken down by decade, not a single decade managed to pass over 50 percent of those commercials sampled using The June Cleaver Test. This means at no point over nearly 5 decades were the sampled commercials able to show women outside of domestic role more than 50 percent of the time. The implications the continued failure rate above 50 percent across the decades shows is that the trope of women as homemakers and caretakers, instead of employed or having other demands outside of the home, is still being mass produced as a cultural norm. Pertinent and prevalent trends, tropes and stereotypes about women and domestic throughout the sample were also noted and discussed. These findings have significant implications for not only the options available to women in society, but also in moving towards a place where women find economic equity and fight for equal respect in their chosen vocations. June Cleaver has not so much left the kitchen; instead she has just updated her wardrobe.
ContributorsHawn, Allison (Author) / Mean, Lindsey (Thesis advisor) / Nadesan, Majia (Committee member) / Sanderson, James (Committee member) / Arizona State University (Publisher)
Created2017
Description
In what has been coined the postfeminist era, successes of the second wave feminist movement have been distorted by sociopolitical and economic structures to proclaim that sexism and inequality no longer exist within liberal American society, and thus feminism as a movement is no longer necessary. While theoretical and quantitative work has examined women’s relationship with feminist identity, limited research exists on women’s subjective, qualitative accounts of feminist identity. Furthermore, there is a dearth of research on women’s subjective identification across the spectrum of feminist identity, particularly from non-college and non-white populations. Using thematic analysis this study critically analyzed 20 qualitative interviews from a community sample of women in a large Southwest city (Age range: 18-52; Mean age: 35.35, SD: 12.0). Narratives revealed four themes surrounding women’s identification with feminism and conceptions of sexuality: 1) Feminist self-labeling associated with a collective identity 2) Empowerment as a personal endeavor 3) Female empowerment and relationships with men and 4) Investments in femininity and sexual empowerment. This data supports the notion that feminist ideals of equality and agency have been distorted by postfeminist and neoliberal ideology to prevent women from identifying as feminists. Additionally, data postulate that this distortion has permeated ideologies of feminist women, thereby discouraging collective action for change.
ContributorsCarlyle, Madison S (Author) / Fahs, Breanne (Thesis advisor) / Swank, Eric (Committee member) / Przybylo, Ela (Committee member) / Arizona State University (Publisher)
Created2017
Description
The horror genre contains a broad spectrum of tropes and archetypes surrounding gender. There is an increasing body of films involving the adolescent girl who embodies the monstrous-feminine, and whose will is tied to supernatural and often destructive powers, which has not been thoroughly explored by feminist film theory. Enough recurring themes exist to merit the definition of a trope, the Willful Girl. Framed using the Brothers Grimm fairytale “The Willful Child,” this trope can be seen in films such as Carrie (1976) and The Witch (2015), among others. Through a close reading of both films, similarities are uncovered. These similarities not only support the trope’s themes, but also provide insight to persistent ideologies, struggles, and prejudices against the adolescent girl throughout the decades. Acknowledging these ongoing issues, and their representation in horror films over the years, challenges the “waves” or “progress” model of feminism and begs the question of how “feminist” films should be defined.
ContributorsHawkes, Audrey J (Author) / Anderson, Lisa (Thesis advisor) / Ward, Mako (Committee member) / Vlahoulis, Michelle (Committee member) / Arizona State University (Publisher)
Created2019
Description
This thesis argues that celebrities and celebrity studies should be taken more seriously in writing studies as productive sites for writing instruction in the composition classroom. Historically, celebrity culture has been overlooked for ostensibly lacking in substance or relevance to critical thought. However, academic disciplines, such as cultural studies and celebrity studies, are paving the way for celebrities having a more significant rhetorical relevance as figures in the public. This thesis explores celebrities as cultural figures who are advantageously positioned in the public realm as rhetorical agents. Their increased visibility and the increase in observation of celebrity culture in the public sphere are contributing to how people form opinions and make judgments about the world around them. Yet, despite some of the connections between the public, writing, and celebrity rhetoric, there has been little work in the field aligning celebrity rhetoric as a site for public writing instruction within academia. This thesis seeks to address this gap by aligning celebrity rhetoric with scholarship on public writing pedagogy in composition studies. To model how students might approach analyzing and writing about celebrity rhetoric in the composition classroom, this thesis offers a critical look at the celebrity rhetoric of Taylor Swift. The case study rhetorically analyzes sites of public writing that work intertextuality across various mediums to construct her celebrity as a representation of modern feminism. This thesis concludes with a discussion about the pedagogical implication of implementing celebrity rhetoric in the composition classroom. It concludes that celebrity rhetoric is useful for students in composition classrooms for making personal connections with their work, negotiating an understanding about culture and public issues, and influencing the production of rhetoric, writing and their own identity as scholars.
ContributorsHorton, Kathryn (Author) / Daly Goggin, Maureen (Thesis advisor) / Long, Elenore (Committee member) / Hannah, Mark (Committee member) / Arizona State University (Publisher)
Created2021
Description
This paper examines the intersections of faith, patriarchy, feminism, and institutional failure in the Church of Jesus Christ of Latter-Day Saints. Members of the faith believe the paternal structure of the organization is God's plan. The paper focuses on home, church, and the public sphere to provide a more complete understanding of the ways in which the practices of the Church of Jesus Christ of Latter-Day Saints blur the lines between public and private and asks how women, most centrally the author, navigate contradictions in the doctrine and the institution of the Church of Jesus Christ of Latter-Day Saints. Finally, this paper examines the tension between critical thought from a feminist perspective and being a devout member in the eyes of the church.Data was collected and presented using interpretivist methodology, ethnography and autoethnography. The author draws upon her experience as a member of the Church of Jesus Christ of Latter-Day Saints and examines the ways power is layered and instrumental to the patriarchal teachings which are often contradictory and in tension with women developing full personhood.
ContributorsLunt, Sue (Author) / Colbern, Allan (Thesis advisor) / Goksel, Nisa (Committee member) / Behl, Natasha (Committee member) / Arizona State University (Publisher)
Created2021
Description
It is extraordinarily well-documented that death, physical assault, rape, and psychological trauma are common to those working in the sex industry. This is true around the world, despite the varying laws of different countries. 20 years ago, two opposing policies were introduced in an attempt to end abuse and provide support to those in the industry: the Nordic Model of partial decriminalization, and legalization with regulation. Both models were created with the intention to decrease abuse of the vast number of primarily women and girls in the industry and increase their freedom and protection, as they are some of the most vulnerable and marginalized of society. However, these models approach the issue from conflicting views on the nature of the industry itself and use criminal justice approaches without connecting rights, resulting in unreliable means of protecting the rights of those in the sex industry. This paper utilizes a rights-based framework grounded in criminal race theory (CRT) and feminist rights-based literature in conversation with the reality of working within criminal justice systems to understand how fundamental understandings of the sex industry influence policy making, what the presence or absence of government involvement does to the protection and freedom of sex workers, and what kind of government involvement helps or hinders sex worker’s rights. This will be seen in a case comparison of how both policies have succeeded and failed to provide basic human rights to those in the sex industry in the Nordic Model of partial decriminalization in Stockholm, Sweden, and the legalization model of Amsterdam in the Netherlands.
ContributorsDauster-Anderson, Jessica (Author) / Colbern, Allan (Thesis advisor) / Behl, Natasha (Thesis advisor) / Smith-Cannoy, Heather (Committee member) / Arizona State University (Publisher)
Created2021