Electroacoustic Works for the Solo Bassoon with Varying Compositional Techniques and Mediums by Bolaños, Mellits, and Neuwirth

In the not-so-distant past, bassoon music that required electroacoustic techniques and technology was a niche genre. The knowledge and accessibility required to use such equipment and develop the skills needed to perform electroacoustic music can present significant challenges. This project aims to highlight a variety of electroacoustic techniques used in electroacoustic music for solo bassoon, the ways that the electronics are generated as it relates to liveness, and how they interact with the performer. To do this, I will explore the inner workings of the hardware and software needed to perform electroacoustic music. The three works use contrasting methods of liveness: fixed media, live processing, and a mixture of both. This project is intended to help educate bassoonists on the topic, identify barriers to entry, and provide them with key information to broaden their musical palate. Each piece has been recorded and is included with this document.