Description
The combination of soprano, trumpet, strings and continuo was used with much frequency by Baroque composers in their cantatas, oratorios and operas of the time, giving the trumpet a very important place as a solo instrument from 1600 to 1750.
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Contributors
- Araya, Luis Miguel (Author)
- Hickman, David R (Thesis advisor)
- Pilafian, Samuel (Committee member)
- Hill, Gary W. (Committee member)
- Rogers, Rodney (Committee member)
- Bailey, Wayne A (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2011
Subjects
- Music
- Baroque
- Classical
- Eighteenth century
- Performance edition
- soprano
- Trumpet
- Operas--18th century--Excerpts--Analysis, appreciation.
- Operas
- Operas--18th century--Excerpts--Scores.
- Operas
- Songs (High voice) with instrumental ensemble--Analysis, appreciation.
- Songs (High voice) with instrumental ensemble
- Songs (High voice) with instrumental ensemble--Scores.
- Songs (High voice) with instrumental ensemble
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Note
- Partial requirement for: D.M.A., Arizona State University, 2011Note typethesis
- Includes bibliographical references (page 121)Note typebibliography
- Field of study: Music
- Contains: Sarro, Domenico, 1679-1744. Partenope. Per abbattere il mio core
- Contains: Manna, Gennaro, 1715-1779. Tuba sonora exclama
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by Luis M. Araya