Phoebus 3: A Journal of Art History

Phoebus 3: A Journal of Art History - Table of Contents

“Preface” by Jack Breckenridge, p. 5.

“A Possible Interpretation of the Bird-man Figure Found on Objects Associated with the Southern Cult of the Southeastern United States, A.D. 1200 to 1350” by Lee Anne Wilson, p. 6-18.

“John Milton’s ‘Unholy Trinity’: (Satan, Sin, and Death)” by Anthony Gully, p. 19-36.

“Arizona Portfolio” p. 38-84.

          “Voyage of the Sesostris: Elihi Vedder in Egypt” by Hugh Broadley, p. 39-51.

          “Theodore Roszak’s ‘Emergence: Transition I’ at Arizona State University” by Joan
          Seeman Robinson, p. 52-53.

          “‘La peur donnant des ailes au courage by Jean Cocteau: a Drawing in the Phoenix Art
          Museum” by Anne Gully and Susan Benforado Gunther, p. 54-63.

          “John Mix Stanley, a ‘Hudson River’ Painter in Arizona” by James K. Ballinger, p. 64-72.

          “‘Corn Husking’ by Winslow Homer” by Gerald Eager, p. 73-79.

          “A Plate from the Meissen Swan Service in the Phoenix Art Museum” by Barbara
          Nachtigall, p. 80-84.

“Death in the Darkroom: Poisonings of Nineteenth Century Photographers” by Bill Jay, p. 85-98.

“Oral History in Art: A New Tool” by Winberta Yao, p. 99-108.

“A Note from a Reader” p. 109. 

“Contributors” p. 110-112