Phoebus 5: A Journal of Art History

Phoebus 5: A Journal of Art History - Table of Contents

“Editor’s Note” by Anthony Gully, p. 5-6.

“Preface” by Lucinda H. Gedeon, p. 9-12.

“Hiram Power’s Bust of George Washington: The President as an Icon” by Vivien Green Fryd, p. 14-28.

“A Sky After El Greco, An Early Homage by Demuth” by Marie Timberlake, p. 29-44.

“Ben Shahn’s ‘Mine Building: A Symbol of Disaster’” by Carolyn Robbins, p. 45-60.

“Georgia O’Keeffe’s ‘Horse’s Skull on Blue’: A Dedicatory Essay” by Barbara Spies, p. 61-65.

“Eastman Johnson's Cranberry Pickers” by Joseph Lamb, p. 66-74. 

“Dull Knife’s Defiance” by Maria Leone, p. 75-79. 

“A Designer of Dreams: Arthur B. Davies’ ‘Dawn, Mother of Night’” by Anne Gully, p. 80-87.

“Death and Mystical Liberation in John B. Flannagan’s ‘Beginning’” by Timothy Norris, p. 88-92.

“Architecture that Speaks: Edward Hopper's Cottage, Cape Cod” by William Laubach, p. 93-95.

“Behind the Mask: Walt Kuhn’s ‘Young Clown’” by Richard Raymond, p. 96-101.

“George Elbert Burr: A Sometimes Master” by Thomas van der Meulen, p. 102-109.

“‘Parade’ in Review, an Interview with Philip C. Curtis” by Dawne Walczak, p. 110-124.

“Notes” p. 125-143.