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This essay is an excerpt from Fuera de campo: Literatura y arte argentinos después de Duchamp (Edition Anagrama, 2006). The book opens with a reconstruction of Duchamp's nine months stay

This essay is an excerpt from Fuera de campo: Literatura y arte argentinos después de Duchamp (Edition Anagrama, 2006). The book opens with a reconstruction of Duchamp's nine months stay in Buenos Aires in 1918. Proposing a “Duchamp effect” on Argentine literature and arts as a kind of narrative thread, the book then focuses on three central transformations in the arts of the twentieth century: the impact of reproduction, the conceptual turn, and the interaction of visual and verbal representations in literature and the visual arts.

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