Journal of Surrealism and the Americas, Cinema Issue (2016)

This paper deals with a version of Surrealism that emerged in San Francisco in the late 1940s, and its influence on Wallace Berman’s film Aleph (1966) and Harry Smith’s Early Abstractions.

Reuse Permissions
  • application/pdf

    Download count: 2


    Date Created
    • 2017-08-07
    Resource Type
  • Text
  • Identifier
    • Identifier Type
      International standard serial number
      Identifier Value

    Citation and reuse

    Cite this item

    This is a suggested citation. Consult the appropriate style guide for specific citation guidelines.

    Journal of Surrealism and the Americas 9:1 (2016), 40-61

    Machine-readable links