Journal of Surrealism and the Americas, Cinema Issue (2016)
This paper deals with a version of Surrealism that emerged in San Francisco in the late 1940s, and its influence on Wallace Berman’s film Aleph (1966) and Harry Smith’s Early Abstractions.
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- Identifier TypeInternational standard serial numberIdentifier Value2326-0459
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Journal of Surrealism and the Americas 9:1 (2016), 40-61