James Turrell’s Roden Crater Student Projects
ASU launched an academic partnership in 2018 with the internationally acclaimed light and space artist James Turrell, placing Roden Crater at the center of learning and innovation. Roden Crater is an unprecedented large-scale artwork created within a volcanic cinder cone near Flagstaff in the Painted Desert region of Northern Arizona. Within this volcano, Turrell is sculpting discrete viewing spaces and chambers in which individuals may experience the light from celestial objects and observe the cosmos.
Based in the Herberger Institute for Design and the Arts, ASU’s Roden Crater academic programs aim to provide educational experiences for learners of all ages. Field labs, design studios, internships, and virtual and embodied learning opportunities are designed by faculty working across ASU’s 17 colleges. This archive is dedicated to the preservation of the student projects created in the multi-disciplinary academic programs connected to Roden Crater.
Filtering by
- Creators: Wasserman, Sherri
- Creators: Knowles, Lucas J.
Glass jars with natural specimens, handmade book (cyanotypes, watercolor paint, paper, colored pencil, vellum, linen thread), single layer screen prints with etched acrylic, postcards of three-dimensional imagery, narrated story and site-specific field recordings on cassette, cassette case with printed image, cassette player, Quartz crystal radio antenna, labels made of watercolor paper, red-blue glasses, handmade sleeves and boxes.
Spring 2019 Course: Approaches, to Light (Taught by Edward Finn)
Approaches to Light traced the fundamental questions of James Turrell’s work to their origins in philosophy, literature, physics, and art. By engaging with light as a medium for human imagination, we explored the ways in which we make meaning from the physical universe and the aesthetic frames we impose on it. Students created their own artistic expressions of light, landscape, and imagination in the form of physical artifacts, audiovisual experiences, and other vessels of meaning that responded to the work of Turrell and Roden Crater.
Spring 2019 Course: Approaches, to Light (Taught by Edward Finn)
Approaches to Light traced the fundamental questions of James Turrell’s work to their origins in philosophy, literature, physics, and art. By engaging with light as a medium for human imagination, we explored the ways in which we make meaning from the physical universe and the aesthetic frames we impose on it. Students created their own artistic expressions of light, landscape, and imagination in the form of physical artifacts, audiovisual experiences, and other vessels of meaning that responded to the work of Turrell and Roden Crater.
Spring 2019 Course: Approaches, to Light (Taught by Edward Finn)
Approaches to Light traced the fundamental questions of James Turrell’s work to their origins in philosophy, literature, physics, and art. By engaging with light as a medium for human imagination, we explored the ways in which we make meaning from the physical universe and the aesthetic frames we impose on it. Students created their own artistic expressions of light, landscape, and imagination in the form of physical artifacts, audiovisual experiences, and other vessels of meaning that responded to the work of Turrell and Roden Crater.
Spring 2019 Course: Approaches, to Light (Taught by Edward Finn)
Approaches to Light traced the fundamental questions of James Turrell’s work to their origins in philosophy, literature, physics, and art. By engaging with light as a medium for human imagination, we explored the ways in which we make meaning from the physical universe and the aesthetic frames we impose on it. Students created their own artistic expressions of light, landscape, and imagination in the form of physical artifacts, audiovisual experiences, and other vessels of meaning that responded to the work of Turrell and Roden Crater.
Image depicts nearly ten glass specimen jars, but centers on three in the front. One contains small rocks or pebbles, and the other two contain dried plant matter. Each jaw has a handwritten blue tag tied to the top of the bottle with blue string.
Spring 2019 Course: Approaches, to Light (Taught by Edward Finn)
Approaches to Light traced the fundamental questions of James Turrell’s work to their origins in philosophy, literature, physics, and art. By engaging with light as a medium for human imagination, we explored the ways in which we make meaning from the physical universe and the aesthetic frames we impose on it. Students created their own artistic expressions of light, landscape, and imagination in the form of physical artifacts, audiovisual experiences, and other vessels of meaning that responded to the work of Turrell and Roden Crater.
Acrylic, tactile transducer, wood, mp3.
Spring 2019 Course: Art and Sensory Acuity (taught by Christine Lee)
For the course Art and Sensory Acuity, we looked at how our perception and ability to experience a range of sensation can inform the creation of artistic and design based work. We explored perception through the lens of artist James Turrell’s Roden Crater, under which specific materials, environment, and conditions present, shaped our sensory experience. Concurrently we expanded our sensory acuity through engagement with guest speakers ASU Assoc. Professor Patrick Young and Assist. Professor Christy Spackman, Ed Krupp Director of Griffith Observatory, and writer Lawrence Weschler, to develop a deeper sensibility across media, time and space. The resulting sculptural forms/prototypes, performance, and installations were designed and constructed in response to the collective experience.