ETDs

This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.

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Grade inflation in English 102: thirty years of data

Description
Abstract: This study investigates grades from 1980 to 2010 in English 102 at Arizona State University Tempe Campus to see if grade inflation has taken place. It concludes it has and then goes on to study the causes. The data was collected from existing data held in the archives of…

Abstract: This study investigates grades from 1980 to 2010 in English 102 at Arizona State University Tempe Campus to see if grade inflation has taken place. It concludes it has and then goes on to study the causes. The data was collected from existing data held in the archives of the Registrar's Office, collated into proper order and saved in proper numerical format for analysis. After analysis, the data was reviewed to establish whether or not as consumer demands rise, measured by student responses to evaluation questions, grade point averages rise as well, and whether demands for adequate performance in classrooms have declined. This study statistically analyzes students' final grades in ENG102 for thirty years and concludes that grade compression at the top of the grading scale exists. This study discusses the implications of that compression at length.
ContributorsSimmons, Cynthia Anne (Author) / Gelderen, Elly van (Thesis advisor) / Gillon, Carrie (Committee member) / Lockard, Joe (Committee member) / Arizona State University (Publisher)
Created2015
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Construction and conceptualization of identities in Turkish Prime Minister Erdogan's speeches: Turkish membership in the European Union (EU) as a symbol of the alliance of civilizations

Description
While Huntington’s (1996) theory of “The Clash of Civilizations” illuminated the concept of the gap between the Western and non-Western cultures, the framework of an opposite approach, which intensively emphasizes and strives for mutual understanding, cooperation and solidarity towards peace, has created a new and vital discursive perspective and practice…

While Huntington’s (1996) theory of “The Clash of Civilizations” illuminated the concept of the gap between the Western and non-Western cultures, the framework of an opposite approach, which intensively emphasizes and strives for mutual understanding, cooperation and solidarity towards peace, has created a new and vital discursive perspective and practice through the establishment of The United Nations Alliance of Civilizations (UNAOC). As the domain of UNAOC has not received linguistic attention yet, the goal of the current dissertation is to investigate and reveal the notions and messages conveyed in the related context of Turkey’s accession to the EU by the Turkish Prime Minister (2003-2014) and the co- founder of the Alliance of Civilizations, Recep Tayyip Erdogan. It seeks answers to the following questions: How does Mr. Erdogan conceptualize Turkey, which has geopolitically bridged the Western and non-Western cultures throughout the centuries, and which borders the boiling pot of the Middle East? How does the Prime Minister construct identities in the context of the Western and non-Western countries especially in his discussion of Turkey’s accession to the EU? How does the Prime Minister further reconceptualize the urgent need for global peace and stability in the world, contributing to the UNAOC directly and indirectly? This dissertation employs a cognitive framework approach which entails speech act theory and analogical reasoning, in addition to Reisigl and Wodak’s (2001) Discourse-Historical Approach (DHA) to analyze Prime Minister Erdogan’s speeches in the international context. In conclusion, the discourse of UNAOC gives rise to new discursive practices for global peace, “countering the forces that fuel polarization and extremism” (http://www.unaoc.org/about/). The discursive construction of global phenomena, events and actions as defined in Erdogan’s speeches are reconceptualized on the basis of non-Western but secular pro-Western intertextuality and perspectivization.
ContributorsTumay, Jale (Author) / Adams, Karen L. (Thesis advisor) / Gelderen, Elly van (Committee member) / Prior, Matthew (Committee member) / Arizona State University (Publisher)
Created2016
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The Rhetorics of Political Graffiti on A Divisive Wall

Description
This study contributes to the literature of the Israeli-Palestinian conflict by offering rhetorical and discourse analysis of political graffiti on a wall built by Israel in Palestine. The analysis attempts to answer the urgent questions of why, who, when, how and for whom these graffiti exist. The data collected…

This study contributes to the literature of the Israeli-Palestinian conflict by offering rhetorical and discourse analysis of political graffiti on a wall built by Israel in Palestine. The analysis attempts to answer the urgent questions of why, who, when, how and for whom these graffiti exist. The data collected for the analysis consists of personal photos of graffiti taken randomly in 2010 and 2013 in Bethlehem, on the Palestinian side of the massive wall. Several theories in rhetoric and discourse analysis were consulted to perform the technical rhetorical and linguistic analyses of the graffiti utterances, images, and messages in selected photos of the graffiti. Social, physical, psychological and political factors that affect communication between the wall graffitists and their readers is discussed to assist in the interpretation of the messages of these graffiti from a Palestinian perspective. The findings of this qualitative study show that graffiti on such a high profile site are not typical of violent gang graffiti as commonly interpreted in the US, but rather contribute a universal interactive rhetorical mode employed by local and international graffitists to show their solidarity and demands for basic human rights for a misrepresented culture. Moreover, the wall graffiti function as evidence that graffiti has evolved into a formal performing art that can be found in respected art galleries. The wall graffiti create a dialogue between uncoordinated actors who come from different orientations to produce an array of positions not usually present in corporate media outlets. The analysis of the wall shows that these graffiti promote deep cultural and historical understanding, as well as break down boundaries and stereotypes. The collective threefold result of the analysis is the following: First, graffiti on the wall have a collective universal motive; second, the graffiti give voice to the voiceless; and third, the graffiti can prompt a sociopolitical change that can lead to a long overdue peaceful resolution to the conflict.

Keywords: Political rhetoric, discourse analysis, Burke, Halliday, Banksy, political graffiti, street art, Arab graffiti, rhetorical and linguistic patterns, dramatistic, identification, universality, Palestine divisive wall, intertextuality
ContributorsDahdal, Sylvia Hanna (Author) / Adams, Karen L (Thesis advisor) / Gelderen, Elly van (Committee member) / Miller, Keith D. (Committee member) / Arizona State University (Publisher)
Created2017