This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.

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Description
Research regarding graduate teaching assistant (TA) training in the composition practicum is a popular topic in composition scholarship, covering topics about TA resistance, theory and practice, and reflective practices; but research about international TAs (ITAs) has not been frequently discussed. Research about ITAs exists in the university at large; however,

Research regarding graduate teaching assistant (TA) training in the composition practicum is a popular topic in composition scholarship, covering topics about TA resistance, theory and practice, and reflective practices; but research about international TAs (ITAs) has not been frequently discussed. Research about ITAs exists in the university at large; however, it does not specifically address the needs of ITAs in a composition practicum, where training is typically longer and is specific to writing pedagogy. To meet this need, this dissertation employed a qualitative interview study with semi-structured interviews and surveys to discover how TA mentors who teach ITAs and ITAs themselves view the composition practicum and how it can be improved for ITAs. Through participants’ stories and experiences, this dissertation highlights ways writing programs might rethink their composition practicum for ITAs and offers a starting point for researching ITAs in composition TA training. Ultimately, this project uses ITAs’ and TA mentors’ voices to offer programmatic suggestions that benefit ITAs in the composition practicum.
ContributorsDevey, Alyssa (Author) / Saidy, Christina (Thesis advisor) / Rose, Shirley K (Committee member) / Matsuda, Paul K. (Committee member) / Arizona State University (Publisher)
Created2023
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Description
Scholars of rhetoric, critical intercultural communication, and gender studies have offered productive analyses of how discourses of terror and national security are rooted in racialized juxtapositions between "East" against "West, or "us" and "them." Less frequently examined are the ways that the contemporary marking of terrorist bodies as "savage" Others

Scholars of rhetoric, critical intercultural communication, and gender studies have offered productive analyses of how discourses of terror and national security are rooted in racialized juxtapositions between "East" against "West, or "us" and "them." Less frequently examined are the ways that the contemporary marking of terrorist bodies as "savage" Others to whiteness and western modernity are rooted in settler colonial histories and expansions of US and Anglo-European democracy. Informed by the rhetorical study of publics and public memory, critical race/whiteness studies, and transnational and Indigenous feminisms, this dissertation examines how memoryscapes of civilization and its Others circulate to shape geopolitical belongings in three cases: (1) public memory places in the US Southwest; (2) pro-Israel rhetorics enacted by the US organization Christians United for Israel; and (3) the embodied and mediated protests of European feminist organization FEMEN. In bringing these seemingly unrelated cases together as elements of a larger assemblage, I draw attention to their symbolic and material connectivities, examining the racialized, gendered, national, and imperial logics that move between these sites to shore up the frontiers of whiteness. Specifically, I argue for conceptualizing whiteness as a global assemblage that territorializes through settler colonial memoryscapes that construct "modern" national and global citizen-subjects as those deemed worthy of rights, protection, land, and life against the threatening bodies of Otherness seen to exist outside of the shared times and places of normative democratic citizenship. In doing so, I also examine, more broadly, how assemblage theory extends current approaches to studying rhetoric, public memory, and intercultural communication in global, trans
ational, and (post)colonial contexts.
ContributorsChevrette, Roberta (Author) / Brouwer, Daniel C. (Thesis advisor) / Leong, Karen J. (Committee member) / Hess, Aaron (Committee member) / Nakayama, Thomas (Committee member) / Arizona State University (Publisher)
Created2016