ETDs

This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.

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Afrofuturism, Womanist Phenomenology, and The Black Imagination of Independent Comicons: A Liberative Revisioning of Black Humanity

Description
The world of speculative fiction infuses the soul with the hope of the imaginary. My dissertation examines Afrofuturistic liminal imaginary space and the ways it is experienced as life-giving spaces. The imaginary and the aesthetics it births are formularies for art forms that speak to the hope of a transformed…

The world of speculative fiction infuses the soul with the hope of the imaginary. My dissertation examines Afrofuturistic liminal imaginary space and the ways it is experienced as life-giving spaces. The imaginary and the aesthetics it births are formularies for art forms that speak to the hope of a transformed future. Speculative fiction, although in the realm of the imaginary, is an enlivened approach to express in the present collective possibilities and hopes of the people within those very imagined futures. During the past three decades, particularly, Black speculative fiction has been increasingly at the core of the new cultural productions of literature, film, horror, comics, fantasy, and music which tell the story of African descendant people. Afrofuturism is an analytic for exploration of the liberative revisioning of Black humanity in the face of persistent practices of structural injustice. My project presents the phenomenological exploration of Black Speculative Thought (ST) as it comes alive through artistic liminal spaces of Afrofuturist comic and science fiction conventions. I argue that Black imaginary liminal spaces such as Comicon Culture offer respite, renewal, and locales for creative resistance to thwart persistent alienation and nihilism of Black humanity. Furthermore, it is within these spaces where intersubjective agency can be taken up as a countermeasure to the existential realities and dominant hegemonic existences of everyday life. I examine the process, events, and experience of Black imaginary as it comes alive as potentiated hope for alternative futures. My intention is to marshal the theoretical specters of Critical Afrofuturism, Africana Philosophy, and Womanist Thought in this task.
ContributorsYoung-Scaggs, Sakena De (Author) / Martinez, Jacqueline M (Thesis advisor) / Anderson, Lisa M. (Committee member) / Anokye, Akua D (Committee member) / James, Stanlie M (Committee member) / Arizona State University (Publisher)
Created2019
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Magic and Divination in Jamaica's Freedom Struggle, 1728-1824

Description
Magic, divination, and obeah appear in some form in almost all of Jamaica’s near-continuous revolts from the time the British took the island in 1655 to the decades following the abolition of slavery in 1834. Although discussions of African diasporic spiritual systems were very much alive in the early modern…

Magic, divination, and obeah appear in some form in almost all of Jamaica’s near-continuous revolts from the time the British took the island in 1655 to the decades following the abolition of slavery in 1834. Although discussions of African diasporic spiritual systems were very much alive in the early modern centuries, the forms that emerged in early colonial Jamaica have received little scholarly treatment. This study is an attempt to inject culture into the story of African resistance to slavery and colonialism in Jamaica by reconceptualizing three major rebellions as cultural rather than military histories and by highlighting the role of magic and divination in the genesis of these freedom struggles. The First Maroon War, Tacky’s Revolt, and the 1823 Boxing Day Conspiracy illuminate a clear system of supernatural understanding that came to include a definite link to political resistance and rebellion. These understandings were recognized by enslaved or formerly enslaved Africans as well as the British in Jamaica and abroad. Some work must be done to delineate what European settlers were responding to as the idea of obeah—and how it was related to European ideas about witchcraft and illicit magic—from the ideas held among African peoples. This is especially significant following Tacky’s Revolt, when the first anti-obeah laws in the Caribbean made obeah an explicitly political action. Europeans were clearly wrapped up in the politics of obeah to a degree that did not concern Africans. However, Africans also used obeah as a crucial form of political resistance. Thus, these three cases allow both British and African ideas about obeah to be traced over a century to reinject a cultural history of African-derived spirituality into an otherwise political narrative.
ContributorsBussey, Max (Author) / Barnes, Andrew (Thesis advisor) / Alexander, Leslie (Committee member) / Usman, Aribidesi (Committee member) / Arizona State University (Publisher)
Created2021