ASU Electronic Theses and Dissertations
This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.
In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.
Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.
Displaying 1 - 3 of 3
Filtering by
- All Subjects: pedagogy
Description
The purpose of this project was to: (1) describe a brief history of Salvation Army works for euphonium and piano that are relevant to the larger euphonium repertoire, and (2) produce a professional-quality compact disc recording of these works for study and reference. Part I of this project is an annotated bibliography discussing selected works for euphonium and piano written exclusively by Salvation Army composers. Each bibliographic entry is accompanied by a brief annotation, including information on each composer, hymn tunes used in each work, and difficulties encountered in performance. Part II of this project consists of a professional-level recording of these works. The recording and bibliography is intended to serve as a reference guide for students and teachers of Salvation Army euphonium literature, and is also intended to serve as a pedagogical tool utilized in the development of high school and university-level euphonium students. Five solos and one duet with piano accompaniment were selected for this project, works that represent a wide variety of Salvation Army compositional styles. The works also cover a wide range of technical and musical challenges, and are appropriate for study by both undergraduate and graduate students of music. All of the works are currently in publication as of this writing. The following works are included in this project: "The Song of the Brother" by Erik Leidzén, "Ransomed" by George Marshall, "Ochills" by Ernest Rance, "The Better World" by Norman Bearcroft, "Symphonic Rhapsody for Euphonium" by Edward Gregson, and "Timepiece" by Norman Bearcroft.
ContributorsDraper, Andrew (Author) / Pilafian, Samuel (Thesis advisor) / Hickman, David (Committee member) / Mook, Richard (Committee member) / Humphreys, Jere (Committee member) / Hill, Gary (Committee member) / Arizona State University (Publisher)
Created2012
Description
Until the second half of the 20th century, publications on breathing techniques for woodwinds have been scarce and often failed to adequately address this aspect of performance and pedagogy. It is through various sensory experiences and because of recent technological advances that academics recognize a gap in the existing literature and have since included studies using various methods, as well as modern technical devices and experiments into the woodwind literature and teaching. These studies have proven to be of great importance to confirm ideas and hypotheses on the matter.
The aim of this project is to collect woodwind journal publications into a meta-analysis, focusing specifically on the breathing techniques for woodwind instruments and provide a comprehensive annotated bibliography on the topic and its application. The project is limited to journal articles on breathing techniques applied for woodwinds only, and will not review literature discussing breathing from other perspectives or in a broader sense.
Major findings show that misconceptions and contradictions on the subject still exist. At the same time, they also highlight unique approaches used to help the learner overcome general and specific challenges while mastering the art of breathing.
The project highlights areas where future research on breathing would be encouraged and should be complemented by measured data. Such studies might include a woodwind specific examination of the relationship between the tongue and the soft palate, or analysis of how tension in the torso muscles influences the movement of the diaphragm, or how rhythmical breathing affects breath control and capacity, and finally a discussion on how larynx influences the air stream.
The aim of this project is to collect woodwind journal publications into a meta-analysis, focusing specifically on the breathing techniques for woodwind instruments and provide a comprehensive annotated bibliography on the topic and its application. The project is limited to journal articles on breathing techniques applied for woodwinds only, and will not review literature discussing breathing from other perspectives or in a broader sense.
Major findings show that misconceptions and contradictions on the subject still exist. At the same time, they also highlight unique approaches used to help the learner overcome general and specific challenges while mastering the art of breathing.
The project highlights areas where future research on breathing would be encouraged and should be complemented by measured data. Such studies might include a woodwind specific examination of the relationship between the tongue and the soft palate, or analysis of how tension in the torso muscles influences the movement of the diaphragm, or how rhythmical breathing affects breath control and capacity, and finally a discussion on how larynx influences the air stream.
ContributorsJevtic-Somlai, Csaba (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Humphreys, Jere (Committee member) / Suzuki, Kotoka (Committee member) / Arizona State University (Publisher)
Created2019
Description
The present study aims to gain deeper insights into language attitudes in the educational context while contributing to the emerging field of advanced mixed, second language and heritage language (HL) courses. Considering that the majority of heritage language learners (HLLs) and second language learners (L2s) in the United States (US) are enrolled in mixed classrooms (Beaudrie, 2012; Carreira, 2016a, 2016b), the study of language attitudes regarding monolingual varieties, bilingual varieties, and L2 varieties is crucial to inform pedagogical best practices that serve both types of learners. Additionally, by analyzing the language attitudes of both types of students toward these three Spanish language varieties, this study demonstrates the importance of incorporating linguistic variation into the classroom to address the linguistic hierarchies that exist in such a context. Thus, the results are relevant to the fields of sociolinguistics, L2 and HL pedagogy.
The study employs matched-guise tasks at two points during the semester, as well as end-term semi-structured interviews. As different linguistic components of a language trigger different attitudes, the findings show that native-like phonetic and phonological features of Spanish speakers afford positive attitudes, as do a formal lexicon and academic register. However, morphosyntactic features do not have any effect on forming an individual’s language attitudes.
To illustrate, the results of the matched-guise tasks show that native and HL varieties were generally evaluated positively, while L2 varieties were evaluated negatively. Interviews revealed native-like accent and pronunciation as the detrimental cause of negative attitudes toward the L2 variety. In contrast to the phonetic/phonological evaluations made by participants, both HLLs and L2s did agree that L2s speak a “proper” and “professional” Spanish. Furthermore, heritage Spanish was described as the “least formal” and “incorrect” Spanish variety in comparison to the L2 variety due to dominant stereotypes and ideologies and the incorporation of lexical characteristics of US Spanish.
Based on these findings, this study has the potential to make an invaluable contribution to understanding how language attitudes and instructional practices in the classroom context intersect with a social justice movement to improve mixed courses in a social, critical, and conscious way.
The study employs matched-guise tasks at two points during the semester, as well as end-term semi-structured interviews. As different linguistic components of a language trigger different attitudes, the findings show that native-like phonetic and phonological features of Spanish speakers afford positive attitudes, as do a formal lexicon and academic register. However, morphosyntactic features do not have any effect on forming an individual’s language attitudes.
To illustrate, the results of the matched-guise tasks show that native and HL varieties were generally evaluated positively, while L2 varieties were evaluated negatively. Interviews revealed native-like accent and pronunciation as the detrimental cause of negative attitudes toward the L2 variety. In contrast to the phonetic/phonological evaluations made by participants, both HLLs and L2s did agree that L2s speak a “proper” and “professional” Spanish. Furthermore, heritage Spanish was described as the “least formal” and “incorrect” Spanish variety in comparison to the L2 variety due to dominant stereotypes and ideologies and the incorporation of lexical characteristics of US Spanish.
Based on these findings, this study has the potential to make an invaluable contribution to understanding how language attitudes and instructional practices in the classroom context intersect with a social justice movement to improve mixed courses in a social, critical, and conscious way.
ContributorsVana, Rosti Frank (Author) / Beaudrie, Sara (Thesis advisor) / Cerron-Palomino, Alvaro (Thesis advisor) / Gradoville, Michael (Committee member) / Carreira, Maria (Committee member) / Arizona State University (Publisher)
Created2020