This collection consists of articles, papers, keynote and other major speeches, reviews, and responses, mostly related to music education, but some to arts education and arts business, in some cases with reference to emerging countries. A number of these items appeared in difficult-to-access publications such as foreign journals and foreign and domestic proceedings. A few are translations of English-language articles that appeared in foreign language journals, and a few others are in English with accompanying foreign language abstracts.

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The purposes of this study were to examine relationships between three listener characteristics (college major, sex, school music performance experience) and college students' (N = 300) attitudes toward nine types and styles of music. Significant differences (p < .05) were found in favor of music majors (n = 100) toward

The purposes of this study were to examine relationships between three listener characteristics (college major, sex, school music performance experience) and college students' (N = 300) attitudes toward nine types and styles of music. Significant differences (p < .05) were found in favor of music majors (n = 100) toward classical and contemporary classical music, and in favor of non-music majors (n = 200) toward rock music. Females expressed significantly more favorable attitudes than males toward country and spiritual music. Rap received significantly higher ratings from male music majors than from female music majors, and music major and non-music major males gave significantly higher ratings to rock than did their female counterparts. Subjects with high levels of school music ensemble experience exhibited significantly more positive altitudes toward jazz than did those with less experience. In addition, females with high levels of school music performance experience expressed significantly less favorable attitudes toward rap than did less experienced females, and female non-music majors expressed significantly more positive attitudes than male non-music majors toward classical, spiritual, and country music.
ContributorsBuzarovski, Dimitrije (Author) / Humphreys, Jere Thomas (Author) / Wells, Barrie (Author)
Created1995 to 1996
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Description

The purpose of this study was to examine the effects of school enrollment, distance to audition site, sex of auditionees, and instrument type on the results of the 1992-97 South Dakota all-state band auditions. Results include the following:

1. Total audition scores were better for students from larger schools and for

The purpose of this study was to examine the effects of school enrollment, distance to audition site, sex of auditionees, and instrument type on the results of the 1992-97 South Dakota all-state band auditions. Results include the following:

1. Total audition scores were better for students from larger schools and for those who traveled a shorter distance to the audition.
2. Female students' scores were significantly better than those of male students, but there was no significant difference in the percentages of successful auditions between males and females.
3. Scores differed significantly between instrument groups, with flutes and double reeds receiving the best scores, followed by saxophones, trumpets and French horns, low brass and string basses, and clarinets.
4. The variables of distance to audition site, instrument group, and sex accounted for 11% of the variance in total audition scores.

ContributorsLien, Joelle (Author) / Humphreys, Jere Thomas (Author)
Created2001-07
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DescriptionThe results of a survey of American music teacher educators regarding their relationship to the Society for Music Teacher Education are presented in this article.
ContributorsWells, Barrie (Author) / Humphreys, Jere Thomas (Author)
Created1991-10