This collection consists of articles, papers, keynote and other major speeches, reviews, and responses, mostly related to music education, but some to arts education and arts business, in some cases with reference to emerging countries. A number of these items appeared in difficult-to-access publications such as foreign journals and foreign and domestic proceedings. A few are translations of English-language articles that appeared in foreign language journals, and a few others are in English with accompanying foreign language abstracts.

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The purposes of this study were to examine relationships between three listener characteristics (college major, sex, school music performance experience) and college students' (N = 300) attitudes toward nine types and styles of music. Significant differences (p < .05) were found in favor of music majors (n = 100) toward

The purposes of this study were to examine relationships between three listener characteristics (college major, sex, school music performance experience) and college students' (N = 300) attitudes toward nine types and styles of music. Significant differences (p < .05) were found in favor of music majors (n = 100) toward classical and contemporary classical music, and in favor of non-music majors (n = 200) toward rock music. Females expressed significantly more favorable attitudes than males toward country and spiritual music. Rap received significantly higher ratings from male music majors than from female music majors, and music major and non-music major males gave significantly higher ratings to rock than did their female counterparts. Subjects with high levels of school music ensemble experience exhibited significantly more positive altitudes toward jazz than did those with less experience. In addition, females with high levels of school music performance experience expressed significantly less favorable attitudes toward rap than did less experienced females, and female non-music majors expressed significantly more positive attitudes than male non-music majors toward classical, spiritual, and country music.
ContributorsBuzarovski, Dimitrije (Author) / Humphreys, Jere Thomas (Author) / Wells, Barrie (Author)
Created1995 to 1996
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DescriptionThe results of a survey of American music teacher educators regarding their relationship to the Society for Music Teacher Education are presented in this article.
ContributorsWells, Barrie (Author) / Humphreys, Jere Thomas (Author)
Created1991-10
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Abstract: The purpose of this study was to examine relationships between pitch-matching and grade level, sex, ethnicity, and classroom teachers’ use of music among K-3 students (N = 289) taught by the same general music teacher. Portions of the data from a pitch-matching exercise that functioned as the music teacher’s

Abstract: The purpose of this study was to examine relationships between pitch-matching and grade level, sex, ethnicity, and classroom teachers’ use of music among K-3 students (N = 289) taught by the same general music teacher. Portions of the data from a pitch-matching exercise that functioned as the music teacher’s roll-taking procedure during the 2005-06 school year were treated as pre- and post-tests. There were no significant pretest differences between ethnic groups (Hispanic, White, Other). There were significant pretest differences among classes taught by different classroom teachers, as well as the female students scoring significantly higher than males. Covariance analysis (pretest as covariate) revealed significant improvement by girls over boys on the posttest. There were no significant pretest differences among grade levels, suggesting a lack of carryover of pitch-matching skills from previous years, despite significant improvement (pre-post) for every grade level during the year under study. The boys performed poorly relative to girls in higher grades, though the interaction was not significant. Finally, the study revealed relationships between classroom teachers’ reported use of music and student gain scores (pre-post) in pitch-matching.

||VEZA IZMEĐU REPRODUKOVANJA ZADATOG TONSKOG NIZA I RAZREDA, POLA, ETNIČKE PRIPADNOSTI I METODA KORIŠĆENJA MUZIKE U NASTAVI NA PREDŠKOLSKOM UZRASTU I U PRVA TRI RAZREDA OSNOVNE ŠKOLE
Cilj rada je bio da se ispita veza između reprodukovanja zadatog tonskog niza i razreda koje dete pohađa, pola, etničke pripadnosti i načina na koji nastavnici razredne nastave koriste muziku u nastavi kod predškolske grupe i učenika od prvog do trećeg razreda (N = 289) kojima predaje isti nastavnik muzike opšteg smera. Podaci dobijeni na bazi vežbe za reprodukovanje zadatog tonskog niza koje je nastavnik muzike koristio u procesu prozivke učenika tokom školske 2005/06. godine su delom iskorišćeni kao predtestiranje i post-testiranje. U predtestiranju nije bilo značajnijih razlika među etničkim grupama (Hispanjolci, belci, ostali). Značajne razlike u predtestiranju evidentirane su između odeljenja kojima su predavali različiti nastavnici razredne nastave, a bilo je primetno i da su rezultati devojčica bili značajno viši u odnosu na dečake. Analizom kovarijanse (sa predtestiranjem kao kovarijantom) u post-testiranju je utvrđeno značajno poboljšanje kod devojčica u odnosu na dečake. U predtestiranju nije bilo značajnijih razlika između različitih razreda, što je sugerisalo da nije bilo prenošenja veštine reprodukovana zadatog tonskog niza iz prethodnih razreda, i pored značajnog poboljšanja (predtestiranje – post testiranje) u svakom razredu tokom referentne godine. Dečaci su imali slabije rezultate u odnosu na devojčice u višim razredima, iako interakcija nije bila važna. Konačno, studija je ukazala na vezu koja postoji između načina na koji su nastavnici razredne nastave koristili muziku u nastavi i napretka koji su učenici pokazali u pogledu reprodukovanja zadatog tonskog niza (predtestiranje – post-testiranje).

ContributorsCooper, Shelly C. (Author) / Humphreys, Jere Thomas (Author)
Created2016-12-22