This collection consists of articles, papers, keynote and other major speeches, reviews, and responses, mostly related to music education, but some to arts education and arts business, in some cases with reference to emerging countries. A number of these items appeared in difficult-to-access publications such as foreign journals and foreign and domestic proceedings. A few are translations of English-language articles that appeared in foreign language journals, and a few others are in English with accompanying foreign language abstracts.

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The purposes of this study were to examine relationships between three listener characteristics (college major, sex, school music performance experience) and college students' (N = 300) attitudes toward nine types and styles of music. Significant differences (p < .05) were found in favor of music majors (n = 100) toward

The purposes of this study were to examine relationships between three listener characteristics (college major, sex, school music performance experience) and college students' (N = 300) attitudes toward nine types and styles of music. Significant differences (p < .05) were found in favor of music majors (n = 100) toward classical and contemporary classical music, and in favor of non-music majors (n = 200) toward rock music. Females expressed significantly more favorable attitudes than males toward country and spiritual music. Rap received significantly higher ratings from male music majors than from female music majors, and music major and non-music major males gave significantly higher ratings to rock than did their female counterparts. Subjects with high levels of school music ensemble experience exhibited significantly more positive altitudes toward jazz than did those with less experience. In addition, females with high levels of school music performance experience expressed significantly less favorable attitudes toward rap than did less experienced females, and female non-music majors expressed significantly more positive attitudes than male non-music majors toward classical, spiritual, and country music.
ContributorsBuzarovski, Dimitrije (Author) / Humphreys, Jere Thomas (Author) / Wells, Barrie (Author)
Created1995 to 1996
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Description

The purpose of this study was to examine relationships between school music participation and a composite measure of academic achievement in American schools. The authors examined the first (baseline) year of a longitudinal study commissioned by the National Center for Education Statistics, conducted in 1988 (NELS:88/94 Data Analysis system, with

The purpose of this study was to examine relationships between school music participation and a composite measure of academic achievement in American schools. The authors examined the first (baseline) year of a longitudinal study commissioned by the National Center for Education Statistics, conducted in 1988 (NELS:88/94 Data Analysis system, with Additional Systems for High School and Beyond and the National Longitudinal Study of 1972, NCES, 1996). The data set contains information on more than 23,000 American middle school students, and is thought to be representative of the national as a whole.

Several previous researchers employing causal modeling techniques have found relationships between extracurricular activities and education attainment as measured by standardized academic achievement tests. In music, students with school band and orchestra experience make significantly higher grades in high school mathematics, English, and social science than do non-performing students, and instrumental music instruction seems to improve scores on tests of spatial-temporal ability, which is thought to correlate with ability in mathematics.

The present study confirmed previous findings on relationships among music participation and academic achievement. Significantly more students in school music choral or instrumental groups ranked above the 50th percentile in academic grades than did other students (p < .05). For instrumental students, these results held true for all four socioeconomic quartiles, for both boys and girls, and for all races/ethnicities. For choral students, only students in the third and fourth quartiles and Caucasian students ranked significantly higher than other students.

ContributorsBush, Jeffrey E. (Author) / Humphreys, Jere Thomas (Author) / Allen, Douglas (Author) / Lohr, Sharon (Author)
Created2000
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DescriptionThe purpose of this study was to examine relationships between school music participation in choral and instrumental ensembles--by socioeconomic status, gender, and race--and a composite measure of academic achievement.
ContributorsBush, Jeffrey E. (Author) / Humphreys, Jere Thomas (Author) / Allen, Douglas (Author) / Lohr, Sharon (Author)
Created2001
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DescriptionThe results of a survey of American music teacher educators regarding their relationship to the Society for Music Teacher Education are presented in this article.
ContributorsWells, Barrie (Author) / Humphreys, Jere Thomas (Author)
Created1991-10