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Aaron_McWatt_Thesis_Abstract_Spring_2019.pdf … Full metadata Title Aaron_McWatt_Thesis_Abstract_Spring_2019.pdf Resource Type … 9 months ago Additional Formats OAI Dublin Core MODS XML … Aaron McWatt, Dario Soldan Thesis Abstract April 7th, 2019 …
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This project is a feminist exploration of the muse as a cultural icon, and of the relationship dynamic between artists and their muses, using specific twentieth century photographers and their models as examples. The pairs discussed are Lee Miller and Man Ray, Georgia O'Keeffe and Alfred Stieglitz, and Charis Wilson

This project is a feminist exploration of the muse as a cultural icon, and of the relationship dynamic between artists and their muses, using specific twentieth century photographers and their models as examples. The pairs discussed are Lee Miller and Man Ray, Georgia O'Keeffe and Alfred Stieglitz, and Charis Wilson and Edward Weston.
ContributorsFanguy, Rachel Marie (Author) / Dove-Viebahn, Aviva (Thesis director) / Fahlman, Betsy (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor)
Created2015-05
… discussed are Lee Miller and Man Ray, Georgia O'Keeffe and Alfred Stieglitz, and Charis Wilson and Edward Weston. Date … they inspired: Lee Miller and Man Ray, Georgia O’Keeffe and Alfred Stieglitz, and Charis Wilson and Edward Weston. … Photography. New York: Bloomsbury, 2014. Print. Atsma, Aaron J. “Mousai.” Theoi. n.p., n.d. Web. 10 Feb. 2015. …
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Photovoltaic (PV) modules appear to have three classifications of failure: Infant mortality, normal-life failure, and end-of-life failure. Little is known of the end-of-life failures experienced by PV modules due to their inherent longevity. Accelerated Life Testing (ALT) has been at the crux of this lifespan prediction; however, without naturally failing

Photovoltaic (PV) modules appear to have three classifications of failure: Infant mortality, normal-life failure, and end-of-life failure. Little is known of the end-of-life failures experienced by PV modules due to their inherent longevity. Accelerated Life Testing (ALT) has been at the crux of this lifespan prediction; however, without naturally failing modules an accurate acceleration factor cannot be determined for use in ALT. By observing modules that have been aged in the field, a comparison can be made with modules undergoing accelerated testing. In this study an investigation on about 1900 aged (10-17 years) grid-tied PV modules installed in the desert climatic condition of Arizona was undertaken. The investigation was comprised of a check sheet that documented any visual defects and their severity, infrared (IR) scanning, and current-voltage (I-V) curve measurements. After data was collected on modules, an analysis was performed to classify the failure modes and to determine the annual performance degradation rates.
ContributorsSuleske, Adam Alfred (Author) / Tamizhmani, Govindasamy (Thesis advisor) / Rogers, Bradley (Committee member) / Macia, Narciso (Committee member) / Arizona State University (Publisher)
Created2010
… rates. Date Created 2010 Contributors Suleske, Adam Alfred (Author) Tamizhmani, Govindasamy (Thesis advisor) … Statement of Responsibility by Adam Alfred Suleske Description Source Viewed on Sept. 28, 2012 … Photovoltaic Modules in a Desert Climatic Condition by Adam Alfred Suleske A Thesis Presented in Partial Fulfillment of …
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ABSTRACT This document introduces singers and voice teachers to Dr. Alfred A. Tomatis's listening training method with a particular emphasis on its relevance to singers. After presenting an overview of Tomatis's work in the field of audio-psycho-phonology (circa 1947 through the 1990s) and specific ways that aspects of his theory

ABSTRACT This document introduces singers and voice teachers to Dr. Alfred A. Tomatis's listening training method with a particular emphasis on its relevance to singers. After presenting an overview of Tomatis's work in the field of audio-psycho-phonology (circa 1947 through the 1990s) and specific ways that aspects of his theory are relevant to singers' performance skills, this project investigates the impact of listening training on singers by examining published research. The studies described in this document have investigated the impact of listening training on elements of the singer's skill set, including but not limited to measures of vocal quality such as intonation, vocal control, intensity, and sonority, as well as language pronunciation and general musicianship. Anecdotal evidence, presented by performers and their observers, is also considered. The evidence generated by research studies and anecdotal reports strongly favors Tomatis-based listening training as a valid way to improve singers' performance abilities.
ContributorsHurley, Susan Lynn (Author) / Doan, Jerry (Thesis advisor) / Dreyfoos, Dale (Committee member) / Kopta, Anne (Committee member) / Norton, Kay (Committee member) / Thompson, Billie M (Committee member) / Arizona State University (Publisher)
Created2012
… This document introduces singers and voice teachers to Dr. Alfred A. Tomatis's listening training method with a … This document introduces singers and voice teachers to Dr. Alfred A. Tomatis’s listening training method with a … 1 Brief Overview of Tomatis’s Work…………………………………. 5 Alfred Tomatis: Brief Biography and Career …
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Portrayals of the US Southwest's Native American inhabitants as “primitive” relics have been shaped by the intertwining practices of archaeological collection and museum display. Focusing on the Pueblo Grande Museum in Phoenix, Arizona, this essay analyzes the interpellation of museum visitors as citizen archaeologists, a process that re/produces racialized discourses

Portrayals of the US Southwest's Native American inhabitants as “primitive” relics have been shaped by the intertwining practices of archaeological collection and museum display. Focusing on the Pueblo Grande Museum in Phoenix, Arizona, this essay analyzes the interpellation of museum visitors as citizen archaeologists, a process that re/produces racialized discourses through rhetorics of science and time. It is argued that as visitors excavate remnants of the past they engage an archaeological vision that reinforces dominant constructions of “modern” citizenship. This vision maintains colonial histories by disallowing Native peoples both authorship of the past and belonging in the present.

Created2015-06-01
… 2015-06-01 Contributors Chevrette, Roberta (Author) Hess, Aaron (Author) New College of Interdisciplinary Arts and … - 10:50 Preferred Citation Chevrette, Roberta, & Hess, Aaron (2015). Unearthing the Native Past: Citizen … of an article published as Chevrette, Roberta, & Hess, Aaron (2015). Unearthing the Native Past: Citizen …
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Emily Dickinson is a well-known American poet of the nineteenth century, and her oeuvre consists of nearly 2,000 posthumously published poems. Written largely in hymn form with unique ideas of punctuation and grammar, her poetry attracts composers with its inherent musicality. The twentieth-century American composers Aaron Copland, Ernst Bacon, Lee

Emily Dickinson is a well-known American poet of the nineteenth century, and her oeuvre consists of nearly 2,000 posthumously published poems. Written largely in hymn form with unique ideas of punctuation and grammar, her poetry attracts composers with its inherent musicality. The twentieth-century American composers Aaron Copland, Ernst Bacon, Lee Hoiby, and Gordon Getty have created song settings of Dickinson's poetry. Copland's song cycle Twelve Poems of Emily Dickinson (1949-50) is admired by many as an illustration of poetry; however, the Dickinson cycles by Bacon, Hoiby, and Getty are also valuable, lesser-known representations of her writing. Settings of one poem, "There came a Wind like a Bugle--", are common among Copland's Twelve Poems, Bacon's cycle Songs from Emily Dickinson: Nature, Time, and Space (1930), Hoiby's Four Dickinson Songs (1988), and Getty's The White Election (1982). These latter three settings have previously undergone some theoretical analysis; however, this paper considers a performance analysis of these songs from a singer's point of view. Chapter 1 provides background for this study. Chapter 2 consists of a biographical overview of Dickinson's life and writing style, as well as a brief literary analysis of "There came a Wind like a Bugle--". Chapters 3, 4, and 5 discuss Ernst Bacon, Lee Hoiby, and Gordon Getty, respectively; each chapter consists of a short biography of the composer and a discussion of his writing style, a brief theoretical analysis of his song setting, and commentary on the merits of his setting from the point of view of a singer. Observations of the depiction of mood in the song and challenges for the singer are also noted. This paper provides a comparative analysis of three solo vocal settings of one Emily Dickinson poem as a guide for singers who wish to begin studying song settings of this poem. The Bacon and Hoiby settings were found to be lyrical, tonal representations of the imagery presented in "There came a Wind like a Bugle--". The Getty setting was found to be a musically starker representation of the poem's atmosphere. These settings are distinctive and worthy of study and performance.
ContributorsCastellone, Amanda Beth (Author) / Doan, Jerry (Thesis advisor) / Kopta, Anne E (Thesis advisor) / Dreyfoos, Dale (Committee member) / Mills, Robert (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2011
… musicality. The twentieth-century American composers Aaron Copland, Ernst Bacon, Lee Hoiby, and Gordon Getty have … musicality. The twentieth-century American composers Aaron Copland, Ernst Bacon, Lee Hoiby, and Gordon Getty have … bells in this poem is, according to Vendler, borrowed from Alfred, Lord Tennyson's "wild bells," found in In Memoriam, …
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Alfred de Musset (1810-1857) is one of the greatest playwrights of the Romantic era. The most attractive fact of his work is the diversity of topics, genres, tones, opinions and styles. Musset's theater was created in the romantic drama period, which was influenced by abroad. He sought freedom of creation

Alfred de Musset (1810-1857) is one of the greatest playwrights of the Romantic era. The most attractive fact of his work is the diversity of topics, genres, tones, opinions and styles. Musset's theater was created in the romantic drama period, which was influenced by abroad. He sought freedom of creation and sometimes showed independence from writers taking his own initiatives to change and mix different writing styles. Throughout the different parts of this thesis, I analyzed in detail the dramatic work of Musset, especially through his two plays, Les Caprices de Marianne (1833) and On ne Badine pas avec l'Amour (1834), to study the artistic originality of such an exceptionally talented artist. He lived in the Romantic period but never forgot his predecessors to whom he paid tribute. He was influenced by them while preserving his work's originality. This thesis consists of two chapters, the first is devoted to the Romanticism and its influence on Musset's dramatic work, and the second is about the different literary doctrines that have left their mark on Musset's theater. By studying them, I show how Musset used his talent to mix and match these several types of doctrines to create a unique artwork that is still alive and interesting today.
ContributorsAlavi, Azadeh (Author) / Canovas, Frédéric (Thesis advisor) / Cruse, Markus (Committee member) / Gallais, Sylvain (Committee member) / Arizona State University (Publisher)
Created2011
… de Marianne et On ne badine pas avec l'Amour Description Alfred de Musset (1810-1857) is one of the greatest … Gallais ARIZONA STATE UNIVERSITY December 2011 ABSTRACT Alfred de Musset (1810-1857) is one of the greatest … interesting today. i RÉSUMÉ De toute l’œuvre littéraire d’Alfred de Musset (1810-1857), le théâtre reste aujourd’hui …
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The purpose of this article is to describe the links between late nineteenth-century psychological research and the early musical aptitude research of Carl Emil Seashore (1866-1949). The primary link was the music-related research of the leader of the mental testing movement during the 1890s, Columbia University psychologist James McKeen Cattell

The purpose of this article is to describe the links between late nineteenth-century psychological research and the early musical aptitude research of Carl Emil Seashore (1866-1949). The primary link was the music-related research of the leader of the mental testing movement during the 1890s, Columbia University psychologist James McKeen Cattell (1860-1944). German psychologist Wilhelm Wundt instructed Cattell in the German scientific tradition, and English researcher Francis Galton encouraged Cattell's research on individual differences and introduced him to statistical methods.

During the 1890s, Cattell conducted a longitudinal study, the hypothesis for which was that tests of sensory discrimination ability, including musical discrimination, would correlate with undergraduates' academic grades. After his study failed to produce the expected results, the mental testing movement followed Alfred Binet and Victor Henri of France, and Cattell turned to other activities. However, in the meantime, Cattell influenced many other important psychologists, including Edward W. Scripture, Carl Seashore's doctoral mentor at Yale University, and eventually Seashore himself. Despite the mental testing movement's shift to Binet and Henri's cognitive-type testing, Seashore continued his conservative, sensory approach to the testing of musical aptitude.

ContributorsHumphreys, Jere Thomas (Author)
Created1998-06
… the expected results, the mental testing movement followed Alfred Binet and Victor Henri of France, and Cattell turned … the expected results, the mental tqting movesrent followed Alfred Bindt and Victor Henri of Fran'ce,"na GEefr tumed to …
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In September 2013, civilian contractor Aaron Alexis entered the Washington Navy Yard and murdered twelve people before being fatally shot by police. This incident, together with an incident three months earlier involving Edward Snowden, caused the U.S. government to critically examine their background investigation (BI) process; because both Snowden and

In September 2013, civilian contractor Aaron Alexis entered the Washington Navy Yard and murdered twelve people before being fatally shot by police. This incident, together with an incident three months earlier involving Edward Snowden, caused the U.S. government to critically examine their background investigation (BI) process; because both Snowden and Alexis had supposedly slipped through the cracks of their investigations, there must be some flaw in the BI procedure. The U.S. Committee on Oversight and Reform concluded that rules forbidding “background checkers from looking at the Internet or social media when performing checks” was one of the main factors contributing to defective BIs (Report, 2014). Since the report’s release, the Director of National Intelligence has been debating and trialing whether information from the Internet should be used to form a data double for BIs (Kopp, 2014; Rockwell, 2014). Using this conversation as a discussion catalyst, I argue that due to the nature of the data double, if the United States were to adopt the use of social networking sites (SNSs) for security clearance purposes, neglecting to take into account basic principles of SNSs into the process of BIs may lead to misinformation and unfavorable adjudication. Ultimately, being literate about the social practices involved in SNSs and surveillance would benefit not only investigators, but anyone, including academics, looking at individuals in online spaces.

ContributorsYoung, Sarah (Author) / College of Liberal Arts and Sciences (Contributor)
Created2015-09-30
… Description In September 2013, civilian contractor Aaron Alexis entered the Washington Navy Yard and murdered … 2015 Abstract In September 2013, civilian contractor Aaron Alexis entered the Washington Navy Yard and murdered … In 2013 after government contractors Edward Snowden and Aaron Alexis used their security clearances for purposes …
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This research evaluates a cyber test-bed, DEXTAR (Defense Exercises for Team Awareness Research), and examines the relationship between good and bad team performance in increasingly difficult scenarios. Twenty-one computer science graduate students (seven three-person teams), with experience in cybersecurity, participated in a team-based cyber defense exercise in the context of

This research evaluates a cyber test-bed, DEXTAR (Defense Exercises for Team Awareness Research), and examines the relationship between good and bad team performance in increasingly difficult scenarios. Twenty-one computer science graduate students (seven three-person teams), with experience in cybersecurity, participated in a team-based cyber defense exercise in the context of DEXTAR, a high fidelity cybersecurity testbed. Performance measures were analyzed in addition to team process, team behavior, and workload to examine the relationship between good and bad teams. Lessons learned are reported that will inform the next generation of DEXTAR.
ContributorsBradbury, Aaron (Author) / Cooke, Nancy J. (Thesis advisor) / Branaghan, Russell (Committee member) / Roscoe, Rod (Committee member) / Arizona State University (Publisher)
Created2016
… of DEXTAR. Date Created 2016 Contributors Bradbury, Aaron (Author) Cooke, Nancy J. (Thesis advisor) Branaghan, … Statement of Responsibility by Aaron Bradbury Description Source Viewed on September 8, … Team Cognition: A Team-Based Cybersecurity Simulation by Aaron Bradbury Thesis Presented in Partial Fulfillment of …