Matching Items (94)
Description
This research covers the relationship between popular electronic dance music (EDM) and the seasons and climate. The precedence and relevance of the research is outlined through prior research initiatives by Karen Aplin and Paul Williams on the effect of weather on classical music. The hypothesis is that the climate will affect how music by artists residing within the climate and the seasons will affect the popularity of certain genres. Warmer climates will produce songs that are more upbeat and energetic while colder climates will result in songs that are more complex and heavy. The analysis of this hypothesis will be performed in two parts. The first will be a data driven analysis from Beatport.com's Top 100 EDM charts to observe the season's impact on genre popularity. The second will be a case study analysis of a number of artists from around the world to observe climate impact on EDM. From the analysis, we are able to draw the connection that climate does in fact have an impact on the types of music produced. Likewise, we are able to conclude that there is a distinct variation in deep house, techno/tech house, and house as a result of the seasons shifting. Techno/tech house is more popular in the warmer spring and summer months and house and deep house have a higher standing in the colder fall and winter months.
ContributorsMuzzy, Bryce Richard (Author) / Feisst, Sabine (Thesis director) / Tobias, Evan (Committee member) / Industrial, Systems (Contributor) / Barrett, The Honors College (Contributor) / School of Music (Contributor) / WPC Graduate Programs (Contributor)
Created2015-05
Description
This theoretical inquiry is a response to the apparent need for resources on providing music therapy for LGBTQ adolescents, a population facing systematic oppression in their respective homes and communities. Since there are no published research studies on actual clinical work with this population, I investigated the literature of queer theory, an interdisciplinary field that destabilizes sexual categories and challenges the concept of normal and fixed identities, and applied its theoretical concepts to develop music therapy interventions. I was especially influenced by the ideas of foundational queer theorists Michel Foucault, Eve Sedgwick, and Judith Butler, among others. Their perspectives can advance how music therapists currently approach working with this population and interpret music therapy experiences with LGBTQ clients. The theoretical insights of these fields can be applied to impact the LGBTQ movement for social justice by empowering queer youth using music within a therapeutic environment. This interdisciplinary project incorporates queer theory with music therapy theory to develop evidence-based interventions and open up new perspectives in music therapy practice with LGBTQ clients.
ContributorsBain, Candice Lanell (Author) / Crowe, Barbara (Thesis director) / Grzanka, Patrick (Committee member) / Barrett, The Honors College (Contributor) / School of Music (Contributor) / Department of Psychology (Contributor)
Created2014-12
Description
We endeavored to begin the process of writing a musical. We composed a total of three songs, 30 pages of script (non-consecutive) with an outline summarizing the remaining uncompleted pages, seven character summaries/analyses, and a reflection on the process and next steps, and presented them in a “Producer Pitch” format to our readers. In our paper we discuss the birth of inspiration for Girls And Boys—namely philosophical conflicts about the role of biology vs. society in gender identity and real, local events of public districts reevaluating their sex education program—as well as the challenges we experienced during the process and our intentions for continued work towards the completion of the material. In our written script we span the opening of the show to the climax through sporadically completed scenes, with the outline serving to fill in the blanks. In our music, we composed three pieces—a solo ballad, an ensemble number, and an emotional trio—that we converted into an audio file format, and performed live for a small audience. Ultimately, we seek to use the elevated drama of a musical to convince the audience that empathy is the truest, ageless, and genderless expression of humanity.
ContributorsDoering, Emilie (Co-author) / Moylan, Megan (Co-author) / Yatso, Toby (Thesis director) / Mills, Robert (Committee member) / Harper, Robert (Committee member) / Barrett, The Honors College (Contributor) / School of Music (Contributor) / School of Politics and Global Studies (Contributor)
Created2015-05
Description
"Chronos" is a composition by the great jazz pianist, Aaron Parks. Originally arranged for a quartet consisting of piano, upright bass, drums and tenor saxophone, I sought to arrange the piece for a sextet consisting of trombone, alto saxophone, tenor saxophone, guitar, upright, bass, and drums. This thesis outlines my process as I transcribed "Chronos" from the original recording and then arranged it for a new ensemble. It also discusses the difficulties faced in all the phases of the project from transcribing to rehearsing and performing the work. My arrangement is included with the thesis for those who wish to analyze the music as well as a recording of a live performance of my arrangement at The Nash in downtown Phoenix on April 7th, 2015.
ContributorsMcdaniel, Sean Wesley (Author) / Kocour, Michael (Thesis director) / Haines, Ryan (Committee member) / Barrett, The Honors College (Contributor) / School of Music (Contributor)
Created2015-05
Description
This document is a proposal for a research project, submitted as an Honors Thesis to Barrett, The Honors College at Arizona State University. The proposal summarizes previous findings and literature about women survivors of domestic violence who are suffering from post-traumatic stress disorder as well as outlining the design and measures of the study. At this time, the study has not been completed. However, it may be completed at a future time.
ContributorsKunst, Jessica (Author) / Hernandez Ruiz, Eugenia (Thesis director) / Belgrave, Melita (Committee member) / School of Music (Contributor) / Dean, W.P. Carey School of Business (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
In this thesis, I will be discussing the similarities between Stoicism (as both an ancient Greek and Roman philosophy, as well as how it is interpreted in the modern age) and modern therapeutic methods; However, I will not be developing any type of novel theory as to how Stoicism can be used as one of those therapeutic methods by itself. That would require a degree of psychological and medical knowledge that I, as an undergraduate student, do not yet possess and do not have the authority to expand upon in a safe manner. What the goal of this thesis is, instead, is to draw and explore parallels between the ideals and principles of stoicism (such as eudaimonia, ethics, and relative asceticism) as compared to modern therapeutic techniques, like cognitive-behavioral and dialectical-behavioral therapies. I will draw direct parallels between Stoic philosophy and the therapeutic treatments commonly used to address the symptoms of two psychiatric issues (Bipolar Mood Disorder and Obsessive Compulsive Disorder). I will also be addressing a third psychiatric case study, as relating to Stoic philosophy - suicide, and how our view of it has changed and progressed,both through a Stoic lens as well as from a contemporary psychological viewpoint.
As a result of drawing these parallels, this thesis will also explore some of the more modern uses of Stoicism - for example, those discussed in A Guide To The Good Life by William B Irvine, and Stoic Warriors by Nancy Sherman. Irvine focuses primarily on the use of Stoicism to avoid the factors of“chronic dissatisfaction” that afflict much of our modern-day lives - an absence of control, unhappiness, and erroneous personal values, to name a few. Sherman takes a more targeted approach - the application of Stoic philosophy to the workings of the military mentality and instinct. Sherman explores how being “Stoic” is taught as a part of military bearing, specifically when serving in the American forces. Stoic values are used to create a culture of discipline and self-control in the military - as Sherman puts it, “The idea that one’s happiness could depend solely on one’s own virtue, and that one’s agency and control might be bulletproof, appealed to [them]” (Sherman, 11). These authors’ perspectives are just two examples of how Stoicism can be applied in the modern age, as will be shown in further detail in subsequent sections.
As a result of drawing these parallels, this thesis will also explore some of the more modern uses of Stoicism - for example, those discussed in A Guide To The Good Life by William B Irvine, and Stoic Warriors by Nancy Sherman. Irvine focuses primarily on the use of Stoicism to avoid the factors of“chronic dissatisfaction” that afflict much of our modern-day lives - an absence of control, unhappiness, and erroneous personal values, to name a few. Sherman takes a more targeted approach - the application of Stoic philosophy to the workings of the military mentality and instinct. Sherman explores how being “Stoic” is taught as a part of military bearing, specifically when serving in the American forces. Stoic values are used to create a culture of discipline and self-control in the military - as Sherman puts it, “The idea that one’s happiness could depend solely on one’s own virtue, and that one’s agency and control might be bulletproof, appealed to [them]” (Sherman, 11). These authors’ perspectives are just two examples of how Stoicism can be applied in the modern age, as will be shown in further detail in subsequent sections.
ContributorsSimpson, Naomi (Author) / Lynch, John (Thesis director) / O'Neill, Joseph (Committee member) / School of Music (Contributor) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
This paper describes the development of a mobile application aimed at facilitating the communication and collaboration of roommates with regards to grocery shopping, food-sharing, and cost-splitting. The approach involves several methods of user-informed design. First, I conducted an analysis of user needs, interviewing potential end-users to gauge shopping habits and behaviors. Second, using iterative wireframing and a design tool called Figma, I constructed a working prototype of the design. Third, the prototype was used in a usability study, focused on uncovering pain points and other insights regarding the performance of the app. The usability tests were designed to simulate tasks that users might reasonably encounter when using the app. Finally, a second analysis of user needs was conducted, this time on a much larger scale. These methods were used to develop several informed design decisions that could improve the overall usability in future iterations of the design.
ContributorsDabundo, Scott (Author) / Branaghan, Russell (Thesis director) / Roscoe, Rod (Committee member) / School of Music (Contributor) / Human Systems Engineering (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
This thesis explores virtuosity as it applies to the following five clarinet works: Grand Duo Concertant by Carl Maria von Weber, Solo de Concours by André Messager, Caprice by Anders Koppel, Live Wire by Theresa Martin, and The Bangui Anomaly by Eric Mandat. By detailing the clarinet’s development, including its creation in the early 18th century and key innovations over the next several hundred years, the histories of several key clarinet manufacturers are described to further analyze the innovation of music at the time. This background is necessary to understand the foundation of the clarinet and how virtuosity is tied closely to its mechanical development. Based on this fundamental information, virtuosity is comprised of three pillars: technical proficiency, musicianship, and recognition. In order for a piece or performer to be considered virtuosic, they must exemplify all three pillars. Technical proficiency applies to physically manipulating the instrument, including finger agility, articulation, voicing, dynamic and intonation control, among others. Musicianship further describes personal interpretation within stylistic boundaries, and the ability to implement interpretive judgement. Finally, recognition serves as esteemed acknowledgement from a panel of field critics. Accompanying this paper is a creative performance recording of the five aforementioned clarinet pieces, demonstrating virtuosity through a wide range of musical genres and eras.
ContributorsGraf, Selena (Author) / Gardner, Joshua (Thesis director) / Spring, Robert (Committee member) / School of Music (Contributor) / Department of Marketing (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
In the early summer of 2018, I found myself driving back to Arizona from a friend’s graduation ceremony in southern Colorado. It was the middle of the day as I wound through the mountains. The drive was peaceful and smooth, with a warm sun and a pleasantly empty road keeping me company. The thick trees and rural farmland I drove past seemed like something from a movie, trying to further convince me that life here moved at a pace somewhat slower than what I was accustomed to. I approached a sign that read “Wolf’s Creek Pass,” and recalled my mother telling me to fully appreciate the beauty of it as I drove through; this was one of her favorite places to hike and explore with her dad when she was young, and she wanted me to experience the same beauty that she had often marveled at. I had driven through here a few days earlier and enjoyed the views as much as I could. On the way back, I decided that I would add to the experience by listening to an album I had recently discovered, Béla Fleck’s Ten from Little Worlds, a smaller sampling of his full 3-disc Little Worlds.
It was this moment that served as the inspiration for my creative thesis project. I was fascinated by the interplay between the music and the scenery around me; on top of appreciating the related moods that both facets evoked, it seemed at times as if certain transitions between sections and tracks in the album were mirrored by small changes or disruptions in the general scenery. While it was interesting enough to observe the natural similarities that seemed to exist simply by chance, I was eager to explore the idea of taking a specific stretch of scenery and composing a piece of music that complemented and interacted with it.
It was this moment that served as the inspiration for my creative thesis project. I was fascinated by the interplay between the music and the scenery around me; on top of appreciating the related moods that both facets evoked, it seemed at times as if certain transitions between sections and tracks in the album were mirrored by small changes or disruptions in the general scenery. While it was interesting enough to observe the natural similarities that seemed to exist simply by chance, I was eager to explore the idea of taking a specific stretch of scenery and composing a piece of music that complemented and interacted with it.
ContributorsBitter, Nathan Adam (Author) / Caslor, Jason (Thesis director) / Temple, Alex (Committee member) / School of Life Sciences (Contributor) / School of Music (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Inclusive Band at ASU started in Fall 2017. The group started with four Music Students (individuals with special needs) and a fifth one joined in Spring 2018. The Music Students stuck with the same ASU students (Peer Mentors) from the start until Spring 2019 when there was a shift in membership. This caused the Peer Mentors to have to move to new groups. Some moved to a Music Student that played the same instrument while others were because a member graduated or left Inclusive Band and were replaced by new members. This transition was hard for both Peer Mentors and Music Students. The Music Students were used to their Peer Mentors and built a strong friendship with them. Losing them was hard and some still struggle with it several months later. The Peer Mentors also had difficulties adjusting to teaching a different Music Student. They did not know their strengths and weaknesses or the best way to teach them. This challenge led to the creation of the handbook, which is a guide for future members of Inclusive Band to aid with the transition from semester to semester.
ContributorsKwan, Elizabeth Josephine (Author) / Belgrave, Melita (Thesis director) / Caslor, Jason (Committee member) / School of Music (Contributor) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05