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This thesis is an account and reading of the taking-place of revolutionary art in Cairo accentuating the affective power of revolutionary spaces, specifically Tahrir and Etehadeya Square(s). In analyzing Cairo's street art in terms of its affective force, this paper illustrates the interconnectivity of place, art and event within a revolutionary context. The understandings of Cairo reflected in this paper are temporal, brought to light by happenings of the revolution witnessed during two extended visits and discussed through ethnographic research, art and geographic analysis.
ContributorsFriend, Olivia Louise (Author) / McHugh, Kevin (Thesis director) / Graff, Sarah (Committee member) / Barrett, The Honors College (Contributor) / School of Geographical Sciences and Urban Planning (Contributor) / WPC Graduate Programs (Contributor) / School of Art (Contributor)
Created2015-05
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Sound is immediate and ever-present, pushing in, around, and through physical boundaries to blend together in whichever way it best sees fit, no matter the controls we seek to impose on it. It builds associations for us: physical spaces become distinctive based on the quality and familiarity of sounds which inhabit them. With this spirit, I see sound as the central arbiter of sense of place, particularly in alternative community spaces, wherein individual and collaborative expression is not only encouraged, but essential to its experience, separating it from commonly-held mainstream and/or programmed social space. By recording the sounds of three distinctive such alternative cultural spaces in central Phoenix—The Trunk Space, Lawn Gnome Publishing, and Welcome Diner, rooted in art and music, literature, and food and drink, respectively—I captured the soundscapes in which the community around theses spaces democratically builds its sense of place. Compiling them into a soundscape composition, I installed the piece in the non-place of an art gallery, immersing listeners in fleeting glances at theses soundscapes, then inviting them to use the fluctuating sonic environment to cite their own associations with art, literature, and food-based senses of place right on the gallery walls. Through this exercise, and research on the experience of sound and meanings of sense of place, I express the intersection and essentiality sound, ambient and performative, in building sense of place.
ContributorsDescheemaker, Connor Patrick (Author) / McHugh, Kevin (Thesis director) / McKay, John (Committee member) / Barrett, The Honors College (Contributor) / School of Geographical Sciences and Urban Planning (Contributor) / School of Public Affairs (Contributor)
Created2015-05
Description
This paper examines the role of persuasive cartography in territorial conflict through the case study of Azerbaijan and Armenia's dispute of Nagorno Karabakh. In particular, the paper connects theories of critical cartography and territorial conflict to the way that maps can influence opinion and lead to negotiation breakdown. I analyze cultures of geography from both sides before analyzing how Armenian maps have changed between the period of 1994 and 2016. Focusing on Goddard's (2006) theory of how the way actors make claims to territory can result in indivisibility, I argue that the powerful rhetoric of maps can strongly influence perception of territory. I connect the shift in rhetoric about the territory to shifts in how the territory is depicted in maps. Using public survey information from other researchers working in Armenia, I find that Armenian geographic culture and use of maps almost exclusively uses the most maximalist depiction of the territory, which may explain why it is difficult for leaders to compromise on the territory. After conducting analysis, I concluded that cartography can be used by actors to argue their territorial claims, with the unexpected effect of polarizing public opinion. It is unclear if persuasive cartography is a symptom or a cause of territory negotiation breakdown. In order to study whether cartography itself plays a role in negotiation breakdown, a larger sample size of disputes is necessary.
ContributorsTucker, Margaret Ann (Author) / Wright, Thorin (Thesis director) / McHugh, Kevin (Committee member) / Iheduru, Okechukwu (Committee member) / School of Politics and Global Studies (Contributor) / School of Geographical Sciences and Urban Planning (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05