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Phoebus 6, Number 1: A Journal of Art History - Table of Contents
“Preface” p. 7-8.
“The Time of Qianlong (1736-1795)” by Wen Fong, p. 9-16.
“The Intellectual Climate in Eighteenth-century China: Glimpses of Beijing, Suzhou, and Yangzhou in the Qianlong Period” by Frederick Mote, p. 17-55.
“The Qianlong Emperor’s Skill in the Connoisseurship of Chinese Painting” by Kohara Hironobu, p. 56-73.
“An Overview of Stylistic Development in the Qianlong Painting Academy” by She Cheng, p. 74-90.
“Document and Portrait: the Southern Tour Paintings of Kangxi and Qianlong” by Maxwell Hearn, p. 91-131.
“Tangdai: A Biographical Sketch” by Ju-hsi Chou, p. 132-140.
“For the Love of God: Castiglione at the Qing Imperial Court” by Howard Rogers, p. 141-160.
“Approaches to Painting at the Qianlong Court” by Claudia Brown, p. 163-168.
“Notes” p. 169-198.
Phoebus 9: A Journal of Art History - Table of Contents
“Preface” by J. Robert Wills, p. 9-10.
“Collecting Chinese Art” by Roy and Marilyn Papp, p. 13.
“Catalog of the Inaugural Gift from the Roy and Marilyn Papp Collection to Phoenix Art Museum” p. 15-43.
“Exhibitions From the Roy and Marilyn Papp Collection” p. 44-45.
“Additional Publications” p. 47.
“Romanization Note” p. 48.
“The Daoist Symbolism of Immortality in Shen Zhou’s ‘Watching the Mid-Autumn Moon at Bamboo Villa’” by Chun-yi Lee, p. 49-78.
“Wu Shi'en's ‘Liang Hong and Meng Guang’: A Misreading” by Xiaoping Lin, p. 79-99.
“From the Profound to the Mundane: Depictions of Lohans in Late Ming China” by Janet Baker, p. 101-116.
“Glimpses of the Duanwu Festival by Fang Xun (1736-1799): Commemorative Painting or Private Souvenir?” by Anne Kerlan-Stephens, p. 117-141.
“Pleasure and Pain” by Marion S. Lee, p. 143-165.
“From Narrative to Transformed Narrative: Visualizations of the Heavenly Maiden and the Maiden Magu” by Chen Liu, p. 167-182.
“Glossary of Chinese Names and Terms” p. 185-195
Phoebus 3: A Journal of Art History - Table of Contents
“Preface” by Jack Breckenridge, p. 5.
“A Possible Interpretation of the Bird-man Figure Found on Objects Associated with the Southern Cult of the Southeastern United States, A.D. 1200 to 1350” by Lee Anne Wilson, p. 6-18.
“John Milton’s ‘Unholy Trinity’: (Satan, Sin, and Death)” by Anthony Gully, p. 19-36.
“Arizona Portfolio” p. 38-84.
“Voyage of the Sesostris: Elihi Vedder in Egypt” by Hugh Broadley, p. 39-51.
“Theodore Roszak’s ‘Emergence: Transition I’ at Arizona State University” by Joan
Seeman Robinson, p. 52-53.
“‘La peur donnant des ailes au courage by Jean Cocteau: a Drawing in the Phoenix Art
Museum” by Anne Gully and Susan Benforado Gunther, p. 54-63.
“John Mix Stanley, a ‘Hudson River’ Painter in Arizona” by James K. Ballinger, p. 64-72.
“‘Corn Husking’ by Winslow Homer” by Gerald Eager, p. 73-79.
“A Plate from the Meissen Swan Service in the Phoenix Art Museum” by Barbara
Nachtigall, p. 80-84.
“Death in the Darkroom: Poisonings of Nineteenth Century Photographers” by Bill Jay, p. 85-98.
“Oral History in Art: A New Tool” by Winberta Yao, p. 99-108.
“A Note from a Reader” p. 109.
“Contributors” p. 110-112
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