The Journal of Surrealism and the Americas: Vol. 5 No. 1 (2011) - Table of Contents
“Women in the Surrealist Conversation: Introduction” by Katharine Conley, p. i-xiv.
“Temple of the Word: (Post-) Surrealist Women Artists’ Literary Production in America and Mexico” by Georgiana M.M. Colvile, p. 1-18.
“Leonora Carrngton, Mexico, and the Culture of Death” by Jonathan P. Eburne, p. 19-32.
“The Lost Secret: Frida Kahlo and the Surrealist Imaginary” by Alyce Mahon, p. 33-54.
“Art, Science and Exploration: Rereading the Work of Remedios Varo” by Natalya Frances Lusty, p. 55-76.
“Mary Low’s Feminist Reportage and the Politics of Surrealism” by Emily Robins Sharpe, p. 77-97.
“Waste Management: Hitler’s Bathtub” by Laurie Monahan, p. 98-119.
“Kay Sage’s ‘Your Move’ and/as Autobiography” by Elisabeth F. Sherman, p. 120-133.
“Dorothea Tanning and her Gothic Imagination” by Victoria Carruthers, p. 134-158.
“The Colour of My Dreams: The Surrealist Revolution in Art” by Steven Harris, p. 159-161.
‘Alias Man Ray: The Art of Reinvention’: The Jewish Museum, November 15, 2009 - March 14, 2010” by Lewis Kachur, p. 162-167.
“Review of Gail Levin, ‘Lee Krasner: A Biography’” by Sandra R. Zalman, p. 168-171.
The Journal of Surrealism and the Americas: Vol. 10 No. 1 (2019) - Table of Contents
“Introduction to the Special Issue on Max Ernst” by Samantha Kavky, p. 1-6.
“Napoleon in the Wilderness: The Transmogrification of a Picture by Max Ernst” by Martin Schieder, p. 7-23.
“Seeing Through an (American) Temperament: Max Ernst’s Microbes, 1946-1953” by Danielle M. Johnson, p. 24-45.
“Max Ernst and the Aesthetic of Commercial Tourism: Max Among Some of His Favorite Dolls” by Carolyn Butler Palmer, p, 46-68.
“Arizona Dream: Maxime Rossi Meets Max Ernst” by Julia Drost, p. 69-83.
“Glowing Like Phosphorus: Dorothea Tanning and the Sedona Western” by Catriona McAra, p. 84-105.
“Conference Review: ‘SURREALISMS: the Inaugural Conference of the International Society for the Study of Surrealism’” by Kristen Strange, p. 106-110.
“Exhibition Review of ‘A Home for Surrealism: Fantastic Painting in Midcentury Chicago’” by Jennifer R. Cohen, p. 111-114.
“Exhibition Review: ‘Native American Art at Documenta 14 and the Issue of Democracy’” by Claudia Mesch, p. 115-120.
The Journal of Surrealism and the Americas: Vol. 9 No. 1 (2016) - Table of Contents
“Anemic Cinema: Dada/Surrealism and Film in the Americas: Introduction to the Cinema Issue” by Samantha Kavky, p. i-iii.
“‘Polycythemia,’ or Surrealist Intertextuality in the Light of Cinematic ‘Anemia’” by Robert J. Belton, p. 1-13.
“Modern Architecture Will Help You” by Ana María León, p, 14-39.
“Radio Transmission: Electricity and Surrealist Art in 1950s and ‘60s San Francisco” by R. Bruce Elder, p. 40-61.
“Surrealism in the Autobiographical Cinema of Alejandro Jodorowsky: Dance of Reality (La Danza de la realidad, 2013) and Endless Poetry (Poesía sin fin, 2016)” by George Melnyk, p. 62-66.
“Review of Wolfgang Paalen, ‘Form and Sense’ with an Introduction by Martica Sawin” by Ellen G. Landau, p. 67-72.