Matching Items (307)
Description
In today’s economy, advertisers understand that sex sells. The foundations of this concept, however, are influenced by patriarchal expectations that women are first and foremost sexual objects for men. Women are sold beauty and demeanor expectations for them to utilize when making themselves attractive for men and men are sold the idea of beautiful, docile women. This dynamic perpetuates strict definitions of acceptable gender displays and reinforces socially permitted gendered behavior. As a society in the 21st century, we understand the damage of sexist ideals, but where we fall short is in the monitoring of channels that perpetuate and maintain those stereotypes and how affected the public really is by the male gaze, and lack of a female gaze, in media. In this paper, I search for a female gaze, but in doing so recognize the inequalities inherent in yet another gendered practice of looking and instead steer the conversation towards personalized perspectives informed by an understanding of the dominant practice of looking and its inverse.
The primary perspective from which people are depicted in media today is shaped by the male gaze. The male gaze is comprised of patriarchal ideals and relies on the understanding that the spectator or viewer is a standard human being, which heteronormativity tells us is a man. From this perspective, the scope of visual representations of men and women in media has been molded after the hierarchized gender displays within which masculinity has primacy over femininity. By presenting a limited spectrum of behavior acceptable for men and women, the media hegemonically manipulates the social constructs of gender and gendered behavior across all levels of society.
This honors thesis applies semiotic and feminist methodologies to engage visual forms of media through art, film, and social media to challenge the social constructs of gender perpetuated and reinforced by dated stereotypes of gender and gendered behavior. First, the theoretical foundation will provide a framework for semiotic and feminist analysis of visual representations of gender in media. Then, I will present data representing the real-world impact that this social construction of gender has on adolescents in America using The State of Gender Equality for U.S. Adolescents, published by Plan International Inc. I will then bring together the explicated methodologies and evidential data alongside my own experiences as a female consumer of visual media to reveal alternative practices of looking that do not revolve around patriarchal norms, looking for a female gaze. In doing so, I hope to present recourse in the face of persistent use of sexist imagery across all levels of our culture and every medium of visual self-expression by providing tools that can be used to interrogate gendered perceptions and inform self-examination in pursuit of a feminist practice of looking.
The primary perspective from which people are depicted in media today is shaped by the male gaze. The male gaze is comprised of patriarchal ideals and relies on the understanding that the spectator or viewer is a standard human being, which heteronormativity tells us is a man. From this perspective, the scope of visual representations of men and women in media has been molded after the hierarchized gender displays within which masculinity has primacy over femininity. By presenting a limited spectrum of behavior acceptable for men and women, the media hegemonically manipulates the social constructs of gender and gendered behavior across all levels of society.
This honors thesis applies semiotic and feminist methodologies to engage visual forms of media through art, film, and social media to challenge the social constructs of gender perpetuated and reinforced by dated stereotypes of gender and gendered behavior. First, the theoretical foundation will provide a framework for semiotic and feminist analysis of visual representations of gender in media. Then, I will present data representing the real-world impact that this social construction of gender has on adolescents in America using The State of Gender Equality for U.S. Adolescents, published by Plan International Inc. I will then bring together the explicated methodologies and evidential data alongside my own experiences as a female consumer of visual media to reveal alternative practices of looking that do not revolve around patriarchal norms, looking for a female gaze. In doing so, I hope to present recourse in the face of persistent use of sexist imagery across all levels of our culture and every medium of visual self-expression by providing tools that can be used to interrogate gendered perceptions and inform self-examination in pursuit of a feminist practice of looking.
ContributorsPreston, Phoebe Jane (Author) / Gaffney, Cynthia (Thesis director) / Kirsch, Sharon (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Abstract The purpose of this study is to draw attention to problematic peer behaviors experienced among older adults in low income housing. Antagonistic behaviors including peer bullying are commonly associated with youth yet they also occur among older adults. This study shares findings from a recent study of negative social interactions among older adults in independent low-income housing. Using a sample size of 11 tenants, and semi-structured interviews, this author used thematic analysis to code and categorize themes. This author found that common themes included types of behaviors experienced, contributing factors, interventions and perceived barriers to interventions. Results indicated that tenants experienced a variety of antagonistic behaviors including verbal, physical and relational aggression. The most common behaviors reported were verbal threatening (36.4%) and being gossiped about (54.4%). The least common reported were physical behaviors (27.3%). Tenants reported the most common contributing factor for the aggressor's actions as having mental health or emotional issues (45.5%), whereas they reported physical disability as the most common contributing factor in those who were victimized (54.5%). Individuals reported responding to these behaviors most commonly through isolation, withdrawal, and avoidance. Findings suggest the need for interventions to minimize bullying and other antagonistic behaviors in low-income housing. Additionally, findings suggest the need to help those who are mistreated to find ways to address the bullying in more positive ways. Keywords: themes, behaviors, factors, interventions, barriers
ContributorsCasalean, Monica Ruth (Author) / Bonifas, Robin (Thesis director) / Mendoza, Natasha (Committee member) / School of Social and Behavioral Sciences (Contributor) / School of Social Work (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
In the early 1960’s, there was a socio-political movement in the Black people in the United States for them to look more natural through their hair, which lead to the popularization of the afro style during this time. After a few decades, the natural style fell off and many Black women started chemically treating their hair or using excessive heat to straighten it. However, today, natural hair for Black people and non-Black people is a constant topic in social spaces, politics, and pop culture. I would consider this to be a new wave of appreciation for Black hair with a conversation crafted specifically around new thoughts about race in the 21st century. This thesis will examine the views on Black hair both historically and currently in the United States from a sociological lens. For my research, I aim to examine definitions of terms related to Black hair in order to help others learn how Black people understand and speak about their own hair; to explore how the history behind the hair has shaped the current day conversations of Black hair; and the representations of Black hair in literature, film, television, and on the Internet on platforms such as YouTube and Instagram in order to understand how people speak and think about Black hair in the 21st century.
ContributorsLynn, Kayla (Author) / Lee, Sangmi (Thesis director) / Taylor, Jameien (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor)
Created2024-05
Description
This study focuses on the connection between musical rhythm and dyslexia. Dyslexia has long been a disability that has been studied, but not one that researchers have a particular or in-depth treatment for. There has been a long time of research on the connection between dyslexia and creativity. This has led to looking at how dyslexic students are often found in art schools and engage in creativity. This has led to a new wave of research into EEG and how dyslexia occurs, including what causes dyslexia. This connection is proposed through the temporal sampling deficit hypothesis that theorizes “neuroelectric oscillations that encode incoming information at different frequencies could explain the perceptual and phonological difficulties with syllables, rhymes and phonemes,” (Goswami, 2011). My research aims to go further into the theory that dyslexia is caused by phonological perception and rapid timing skills (Overy et al., 2001). Music has many of these underlying deficits within it, so my theory is that dyslexic people have rhythm deficits, therefore, music therapy would be helpful in learning dyslexia. This paper does not find a negative correlation between dyslexia and rhythm. The trend points to dyslexic participants responding to claps faster and more accurately. All participants made a trend of fewer errors and faster responses the second time they heard a clap pattern. This leads to an inconclusive conclusion that requires more investigation to confirm whether this is statistically significant.
ContributorsSarraf, Maya (Author) / Bristol, Rachel (Thesis director) / Peter, Beate (Committee member) / Kim, Yookyung (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor) / Department of Psychology (Contributor) / School of Humanities, Arts, and Cultural Studies (Contributor)
Created2024-05
Description
This duo thesis is an autoethnography of what it means to be Filipino-American in the United States. Being raised in varying backgrounds yet with the similarity of being Filipino, there are aspects of our lives that are simultaneously similar and different. The goal of this project is the exploration of one’s cultural, familial and personal identities and how they intersect with their individuality and sense of belonging. Through this project, we documented our experience as Filipinos in the United States and our travel back to the Philippines and showcased it through videos. It is a means to document our reflections on this project to share with the Filipino community and individuals who share the same sentiments.
ContributorsTamayo, Rianne Daisy (Author) / Onayan, Youla Tricia (Co-author) / O'Flaherty, Katherine (Thesis director) / Fedock, Rachel (Committee member) / Barrett, The Honors College (Contributor) / College of Health Solutions (Contributor)
Created2024-05
Description
This duo thesis is an autoethnography of what it means to be Filipino-American in the United States. Being raised in varying backgrounds yet with the similarity of being Filipino, there are aspects of our lives that are simultaneously similar and different. The goal of this project is the exploration of one’s cultural, familial and personal identities and how they intersect with their individuality and sense of belonging. Through this project, we documented our experience as Filipinos in the United States and our travel back to the Philippines and showcased it through videos. It is a means to document our reflections on this project to share with the Filipino community and individuals who share the same sentiments.
ContributorsOnayan, Youla Tricia (Author) / Tamayo, Rianne Daisy (Co-author) / O'Flaherty, Katherine (Thesis director) / Fedock, Rachel (Committee member) / Barrett, The Honors College (Contributor) / College of Health Solutions (Contributor)
Created2024-05
Description
Tuition costs for undergraduate students have been on the rise in the United States in recent years. The National Center for Education Statistics estimates that the current average cost of tuition at a public four-year college is 23 times higher than it was in 1963, leading students to work while attending school. Additionally, Gen-Z young adults report significantly higher rates of stress than all other generations, making burnout a salient concern within this demographic. Taking these two factors of employment and stress into consideration, the current study aimed to explore the role of job type (major vs non-major) in the relationship between burnout and social support for undergraduate students in the United States. The current study sampled 312 undergraduate students from the United States ages 18-24 (M = 20.75, SD = 1.89). The results indicated that there was no significant difference in academic burnout among employed vs unemployed students. Both perceived and actual social support-seeking were linked with lower academic burnout only for employed students. Higher person-job fit was associated with lower job burnout. Finally, students with jobs related to their major reported significantly lower job burnout at the lowest levels of person-job fit than students with non-major jobs.
ContributorsNazir, Zainab (Author) / Mickelson, Kristin (Thesis director) / Hall, Deborah (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor)
Created2024-05