Phoebus 6, Number 1: A Journal of Art History - Table of Contents
“Preface” p. 7-8.
“The Time of Qianlong (1736-1795)” by Wen Fong, p. 9-16.
“The Intellectual Climate in Eighteenth-century China: Glimpses of Beijing, Suzhou, and Yangzhou in the Qianlong Period” by Frederick Mote, p. 17-55.
“The Qianlong Emperor’s Skill in the Connoisseurship of Chinese Painting” by Kohara Hironobu, p. 56-73.
“An Overview of Stylistic Development in the Qianlong Painting Academy” by She Cheng, p. 74-90.
“Document and Portrait: the Southern Tour Paintings of Kangxi and Qianlong” by Maxwell Hearn, p. 91-131.
“Tangdai: A Biographical Sketch” by Ju-hsi Chou, p. 132-140.
“For the Love of God: Castiglione at the Qing Imperial Court” by Howard Rogers, p. 141-160.
“Approaches to Painting at the Qianlong Court” by Claudia Brown, p. 163-168.
“Notes” p. 169-198.
Phoebus 4: A Journal of Art History - Table of Contents
“Contributors” p. 2.
“Preface” by Lee Anne Wilson, p. 7.
“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.
“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31.
“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis A. Heib, p. 32-41.
“WoHaw, a Kiowa Artist at Fort Marion, Florida” by Janet Catherine Berlo, p. 43-53.
“The Other Weavers: Navajo Basket Makers” by Susan Brown McGreevey, p. 54-61.
“Powhatan Copper and the Prehistoric Ceremonial Complexes of the Eastern United States” by Amy Trevelyan, p. 62-70.
“Lakota Beaded Costumes of the Early Reservation Era” by Marsha Clift Bol, p. 71-77.
“The Emergence of Crenellated Ritual Pueblo Ceramics During the Late Prehistoric Period” by Susan G. Kenagy, p. 78-85.
“Form, Function and Interpretation of Mimbres Ceramic Hemispheric Vessels” by Barbara L. Moulard, p. 86-98.
“Meaning in Women's Arts in North America” by Marvin Cohodas and Barbara DeMott, p. 99-106.
“Native American Photography: Diversity and Achievement in the Southwest” by Erin Younger, p. 107-115.
“Notes” p. 117-128