![The Journal of Surrealism and the Americas: Vol. 2 No. 2 (2008)](https://d1rbsgppyrdqq4.cloudfront.net/s3fs-public/styles/width_400/public/2021-05/jsavol2issue2.png?versionId=Auoz7EuP5rBnLBYoij6cP4jnu9oCPKu9&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIASBVQ3ZQ42ZLA5CUJ/20240618/us-west-2/s3/aws4_request&X-Amz-Date=20240618T014511Z&X-Amz-SignedHeaders=host&X-Amz-Expires=120&X-Amz-Signature=fd5a90f820fd06e8881a34a2b8d556b2a6b2ac6b8ff0946b98cbd5989e773812&itok=CdVdZNLW)
The Journal of Surrealism and the Americas: Vol. 2 No. 2 (2008) - Table of Contents
“Surrealism and Photography: Introduction” by Wendy Grossman, p. i-iv.
“‘Surrealistic and disturbing’: Timothy O’Sullivan as Seen by Ansel Adams in the 1930s” by Britt Salvesen, p. 162-179.
“‘As if one’s eyelids had been cut away’: Frederick Sommer’s Arizona Landscapes” by Ian Walker, p. 180-208.
“Clarence John Laughlin, Regionalist Surrealist” by Lewis Kachur, p. 209-226.
“A Swimmer Between Two Worlds: Francesca Woodman’s Maps of Interior Space” by Katharine Conley, p. 227-252.
“Remembering Anne D’Harnoncourt” by Valery Oisteanu, p. 253.
“The 1930s: The Making of the ‘New Man’” by Julia Pine, p. 254-258.
“Beyond Bridges: The Cinema of Jean Rouch” by Robert McNab, p. 259-262.
“Review of Kirby Olson, ‘Andrei Codrescu and the Myth of America’” by Éva Forgács, p. 263-267.
“Review of Sally Price, 'Paris Primitive: Jacques Chirac’s Museum on the Quai Branly’” by Kate Duncan, p. 268-272.
![The Journal of Surrealism and the Americas: Vol. 3 No. 1 (2009)](https://d1rbsgppyrdqq4.cloudfront.net/s3fs-public/styles/width_400/public/2021-05/127730-service-file.jpg?versionId=fbuyKFuqqfX47m6oHgHwDuTnxHYnnHa8&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIASBVQ3ZQ42ZLA5CUJ/20240618/us-west-2/s3/aws4_request&X-Amz-Date=20240618T025441Z&X-Amz-SignedHeaders=host&X-Amz-Expires=120&X-Amz-Signature=aff451d6e781550af3548b69005cd5acc9d8c5a49f80d1fedb130def1d4c2b0c&itok=-_C2uN7S)
The Journal of Surrealism and the Americas: Vol. 3 No. 1 (2009) - Table of Contents
“Surrealism and Post-Colonial Latin America: Introduction” by Susanne Baackmann and David Craven, p. i-xvii.
“‘My Painting is an Act of Decolonization': An Interview with Wifredo Lam by Gerardo Mosquera (1980)” translation by Colleen Kattau and David Craven, p. 1-8.
“Surrealism and National Identity in Mexico: Changing Perceptions, 1940-1968” by Luis M.
Castañeda, p. 9-29.
“Negotiating Surrealism: Carlos Mérida, Mexican Art and the Avant-garde” by Courtney Gilbert, p. 30-50.
“1925 – Montevideo in the Orient: Lautréamont’s Ascent Among the Paris Surrealists” by Gabriel Götz Montua, p. 51-83.
“Paranoia and Hope: The Art of Juan Batlle Planas and its Relationship to the Argentine Technological Imagination of the 1930s and 1940s” by Michael Wellen, p. 84-106.
“Siqueiros and Surrealism?” by Irene Herner, p. 107-127.
“Review of 'Richard Spiteri, Exégèse de Dernier malheur dernière chance de Benjamin Péret'” by John Westbrook, p. 128-131.
“Review of ‘Liliana Porter: Línea de Tiempo’ (Line of Time)” by Arden Decker-Parks, p. 132-134.
“Review of ‘Zurcidos Invisibles: Alan Glass, Construcciones y Pinturas, 1950-2008’” by Susan Aberth, p. 135-138.
“Review of ‘David Hopkins, Dada’s Boys: Masculinity After Duchamp’” by Julian Jason Haladyn, p. 139-140.
“Review of ‘Salvador Dalí: Liquid Desire’” by Ryan Johnston, p. 141-147.
![The Journal of Surrealism and the Americas: Vol. 5 No. 1 (2011)](https://d1rbsgppyrdqq4.cloudfront.net/s3fs-public/styles/width_400/public/2021-12/jsa_vol5_no1_varo.jpg?versionId=F4Nqfzladi4epZMwvR1b04BjyPdNZqSl&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIASBVQ3ZQ42ZLA5CUJ/20240617/us-west-2/s3/aws4_request&X-Amz-Date=20240617T220122Z&X-Amz-SignedHeaders=host&X-Amz-Expires=120&X-Amz-Signature=f6f1d992ce06198551a88e1815094dd2c5a2c68c7ed5e90c25707a0cea5da325&itok=_xOlKDku)
The Journal of Surrealism and the Americas: Vol. 5 No. 1 (2011) - Table of Contents
“Women in the Surrealist Conversation: Introduction” by Katharine Conley, p. i-xiv.
“Temple of the Word: (Post-) Surrealist Women Artists’ Literary Production in America and Mexico” by Georgiana M.M. Colvile, p. 1-18.
“Leonora Carrngton, Mexico, and the Culture of Death” by Jonathan P. Eburne, p. 19-32.
“The Lost Secret: Frida Kahlo and the Surrealist Imaginary” by Alyce Mahon, p. 33-54.
“Art, Science and Exploration: Rereading the Work of Remedios Varo” by Natalya Frances Lusty, p. 55-76.
“Mary Low’s Feminist Reportage and the Politics of Surrealism” by Emily Robins Sharpe, p. 77-97.
“Waste Management: Hitler’s Bathtub” by Laurie Monahan, p. 98-119.
“Kay Sage’s ‘Your Move’ and/as Autobiography” by Elisabeth F. Sherman, p. 120-133.
“Dorothea Tanning and her Gothic Imagination” by Victoria Carruthers, p. 134-158.
“The Colour of My Dreams: The Surrealist Revolution in Art” by Steven Harris, p. 159-161.
‘Alias Man Ray: The Art of Reinvention’: The Jewish Museum, November 15, 2009 - March 14, 2010” by Lewis Kachur, p. 162-167.
“Review of Gail Levin, ‘Lee Krasner: A Biography’” by Sandra R. Zalman, p. 168-171.
![](https://d1rbsgppyrdqq4.cloudfront.net/s3fs-public/styles/width_400/public/2021-04/127719-large.jpg?versionId=LR4ensB19slwperp.JmEotssHNB1XpQc&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIASBVQ3ZQ42ZLA5CUJ/20240618/us-west-2/s3/aws4_request&X-Amz-Date=20240618T082247Z&X-Amz-SignedHeaders=host&X-Amz-Expires=120&X-Amz-Signature=2f06009791b11f72c25e0c46741dca1774b6aab899ac08c48a3091228a0ca5d7&itok=yE1ewz2s)
The Journal of Surrealism and the Americas: Vol. 7 No. 1 (2013) - Table of Contents
“Introduction to the Issue and Special Section on Native American Surrealisms” by Claudia Mesch, p. i-iv.
“George Morrison’s Surrealism” by W. Jackson Rushing III, p. 1-18.
“César Moro’s Transnational Surrealism” by Michele Greet, p. 19-51.
“A Modernist Moment: Native Art and Surrealism at the University of Oklahoma” by Mark A. White, p. 52-70.
“The Opposite of Snake: Surrealism and the Art of Jimmie Durham” by Mary Modeen, p. 71-95.
“‘My World is Surreal,’ or ‘The Northwest Coast’ is Surreal” by Charlotte Townsend-Gault, p. 96-107.
“Complexity and Contradiction in Native American Surrealism” by Robert Silberman, p. 108-130.
“Review of ‘Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy’ & Kay Sage, ‘The Biographical Chronology and Four Surrealist One Act Plays’” by Larry List, p. 131-134.