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This thesis focuses on the play-space as a realm of impossible desire in the novels Hopscotch and Lolita. Play-space, which I borrow from Johan Huizinga's Homo Ludens, is a space within which play can erect its own epistemological system that regulates the game and the players. These novels are concerned

This thesis focuses on the play-space as a realm of impossible desire in the novels Hopscotch and Lolita. Play-space, which I borrow from Johan Huizinga's Homo Ludens, is a space within which play can erect its own epistemological system that regulates the game and the players. These novels are concerned with the free play of language which subverts a stable discourse about how desire operates within the play-space of the novels. To this end, I will employ the Derridean sense of free-play (writing) that is decidedly the result of the loss of the "center" of structure that historically served to orient and limit the "play of the structure." Thus, free play destabilizes the discourse of desire in its use of various ludic linguistic elements, like the word game, in addition to how these novels play with genre and the form of the novel. Both novels are fundamentally concerned with how the written word constructs a puzzle-like world in which each of the narrators direct their own subjectivities towards objects of desire which they cannot ultimately possess. These objects (Lolita and La Maga) are themselves constructed by the playful language of the solipsistic narrators whose desire, finding no object to which to attach itself, turns in on itself and drives them mad. In these novels, the quest for lost lovers becomes a more important game than the actual act of sexual congress. The ecstasy of desire is not in sexual consummation but the pursuit of the infinite puzzle, the cryptic code of desire, that Humbert and Oliveira follow through the American (waste)land and the Franco-Argentine intellectual scene, respectively. By exploring the play-space as a realm of the free play of language, we are aided in our reading of these difficult postmodern texts as deconstructions of stable narratives of desire.
Created2015-05
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This project consists of five short stories in varying genres, all leaning towards the fantastic. "Wood Devils" (Honorable Mention in the 2018 Swarthout Awards in Writing) attempts to explore the absurdity and pain in long-running family conflicts, as well as the sense of isolation that comes from living in hard-to-reach

This project consists of five short stories in varying genres, all leaning towards the fantastic. "Wood Devils" (Honorable Mention in the 2018 Swarthout Awards in Writing) attempts to explore the absurdity and pain in long-running family conflicts, as well as the sense of isolation that comes from living in hard-to-reach places. "The Green Man's Daughter" investigates the boundary between the fantastical and the everyday by using the Other as a viewpoint, and underscores the importance of speaking out in a confusing and sometimes frightening world. "Maleficis ex Machina" attempts to look at community violence, mishandled technology, and intergenerational conflict by taking the collision between the fantastic and suburban to an even greater degree than the previous piece. "Probation" sits at a crossroads between bureaucracy and corporatization, and looks at the benefits of finding a middle ground between Heaven and Hell. "For a Crown" dramatizes the only partially-successful attempt in history at stealing the crown jewels from the Tower of London, and Charles II's inexplicable pardoning of the thief. Although the stories do not intersect (shared names and an abundance of cats notwithstanding), they all focus on the barrier between the mundane and the extraordinary. Just how porous that boundary may be is, as always, uncertain.
ContributorsTasker, Luke Thomas (Author) / Horan, Elizabeth (Thesis director) / Pickhart, Kalani (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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Description
The document explores the experience of the modern pilgrim on the Camino de Santiago, a medieval pilgrimage that spans the length of Spain. The document recalls experiences of the pilgrim through a series of episodic reflections. The document is written in travelogue style with the intended purpose of entertainment and

The document explores the experience of the modern pilgrim on the Camino de Santiago, a medieval pilgrimage that spans the length of Spain. The document recalls experiences of the pilgrim through a series of episodic reflections. The document is written in travelogue style with the intended purpose of entertainment and education. Content includes the comparison of medieval pilgrims to contemporary examples of pilgrimage. In addition, the document explores possible motivations for pilgrimage in the modern era. Prominent topics that are explored are pilgrimage in the secular community and pilgrimage, pilgrimage and nationalism, and pilgrimage post-recession.
ContributorsReyes, Jonathan Lopez (Author) / Horan, Elizabeth (Thesis director) / Lynch, John (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2014-05
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Description
The following paper consists of an analysis of the history of literary recommendation systems as they pertain to the field of cultural production as defined by Pierre Bourdieu. This paper argues that visible in the history of recommendation systems is a shift in value regarding cultural capital and social capital.

The following paper consists of an analysis of the history of literary recommendation systems as they pertain to the field of cultural production as defined by Pierre Bourdieu. This paper argues that visible in the history of recommendation systems is a shift in value regarding cultural capital and social capital. Whereas recommendation systems in the form of cultural prizes operated primarily in the distribution of cultural capital, the emergence of Oprah's Book Club marked a transition to the valuation of social capital over cultural capital. This transition was further marked by the role of Amazon.com as the largest bookseller and their data driven recommendation system constructed through analysis of individual's shopping habits. The trend of social capital, rather than cultural capital, shaping field of cultural production is indicative of a cultural populism that is rooted in the assumption that any given person is capable of determining the value of an art object without the assistance of guiding institutions.
ContributorsBohannon, Jordan Patrick (Author) / Horan, Elizabeth (Thesis director) / Mandel, Naomi (Committee member) / Department of English (Contributor) / Department of Marketing (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
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Description
The trilogy of the Czech author and playwright Karel Čapek consists of the novels Hordubal, Meteor (Povětroň), and An Ordinary Life (Obyčejný Život). This thesis examines each novel in literary terms and especially its narrative techniques, with special attention to how each novel’s characters obtains understanding and knowledge as represented

The trilogy of the Czech author and playwright Karel Čapek consists of the novels Hordubal, Meteor (Povětroň), and An Ordinary Life (Obyčejný Život). This thesis examines each novel in literary terms and especially its narrative techniques, with special attention to how each novel’s characters obtains understanding and knowledge as represented in the free indirect discourse within each text. Commentary on how the seemingly disjointed trilogy functions as a cohesive whole follows a brief narrative analysis. Analysis shows that each work represents a distinct part of Hegel’s tripartite presentation and resolution of logic. Čapek’s Hegelian trilogy allows him, as a citizen of the newly born First Czechoslovak Republic, to creatively respond to the problems that the country’s nationalism faced both within its borders and abroad. His trilogy conveys the desperate need for mutual understanding between European nations in an era of nationalistic fervor within the hope for peaceful coexistence despite political and cultural differences.
ContributorsHarris, Kimberly (Author) / Horan, Elizabeth (Thesis director) / Goodman, Brian (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
Description
The purpose of this study is to document and analyze three women's English language learning journeys after moving from various parts of Mexico to Phoenix, Arizona. The study explores the effects of English as a Second Language (ESL) education on the social and cultural development of Mexican women students at

The purpose of this study is to document and analyze three women's English language learning journeys after moving from various parts of Mexico to Phoenix, Arizona. The study explores the effects of English as a Second Language (ESL) education on the social and cultural development of Mexican women students at Friendly House, whose mission is to "Empower Arizona communities through education and human services". The literature review section explores such topics as the complications and history of Mexican immigration to Phoenix and of state-funded ESL education in Phoenix. The consequent research study will entail a pair of interviews with the three beginner ESL students about their lives in Mexico compared to their lives in Phoenix, with a specific focus on aspects of their language acquisition and cultural adjustment to life in Arizona. Photos of and by the consultants add to their stories and lead to a discussion about the implications of their experiences for ESL teachers. By documenting the consultants' experiences, this study finds many gaps in ESL education in Phoenix. Suggestions about how ESL programs and teaching methods can be modified to fit student's needs form the basis for the conclusions.
ContributorsDriscoll, Ashley Marisa (Author) / Horan, Elizabeth (Thesis director) / O'Connor, Brendan (Committee member) / Department of English (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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Description
Through my research I had considered how feminism and reflection can be used in narrative poetry. In addition to research on narrative poetry, I had self-published a narrative poetry collection titled 100. which I self-published on Amazon through kindle and a hard copy. The study of feminist poetry is looked

Through my research I had considered how feminism and reflection can be used in narrative poetry. In addition to research on narrative poetry, I had self-published a narrative poetry collection titled 100. which I self-published on Amazon through kindle and a hard copy. The study of feminist poetry is looked at in my research in order to further apply feminism and reflection to narrative poetry. The joys of feminism, culture, identity, and empowerment are discussed and explained throughout my poetry collection. There are three waves of feminism, and I focused on writing in the third wave feminism which doesn’t have a cohesive argument, but focuses on sharing stories that are unique to women. As well, third wave feminism discourages patriarchy and encourages socio-political action. Some common, and re-occurring themes include my transformation process during college, spirituality (my faith), and nature. In order to further my poetry collection I had looked at many feminist authors on culture, and narrative poetry collections in order to see how the creative process works, and how I could better benefit my narrative poetry through feminism and reflection on growing up and what it means to be a woman. I had encountered and tried to reflect highly on the unique stories I have encountered being a woman raised of a Catholic identity in Ohio. This collection of poetry is meant as a reflection on my college experience as a female, and sharing the empowerment I have as a woman that I hope to share with others.
ContributorsScamardo, Elora Jeanne (Author) / Quintero, Henry (Thesis director) / Horan, Elizabeth (Committee member) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
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Description
Western consciousness relies on polarized social metaphors (e.g., science versus poetry) to apprehend reality. Polarity stands in contention with the dual consciousness of the Nahua ("Aztecs"), whose behaviors and practices reveal an overarching belief in oneness in duality. To illuminate the ways this clash of metaphors influenced the events of

Western consciousness relies on polarized social metaphors (e.g., science versus poetry) to apprehend reality. Polarity stands in contention with the dual consciousness of the Nahua ("Aztecs"), whose behaviors and practices reveal an overarching belief in oneness in duality. To illuminate the ways this clash of metaphors influenced the events of the Conquest of Mexico, I interpret the self-constituted metaphor of Nahua identity, the performed metaphor of human sacrifice, and the duality inherent in Nahuatl syntax.
ContributorsDe Palo, Samantha Victoria (Author) / Humphrey, Ted (Thesis director) / Horan, Elizabeth (Committee member) / Foster, David William (Committee member) / Barrett, The Honors College (Contributor) / School of International Letters and Cultures (Contributor) / Department of English (Contributor)
Created2013-05