Phoebus 4: A Journal of Art History - Table of Contents
“Contributors” p. 2.
“Preface” by Lee Anne Wilson, p. 7.
“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.
“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31.
“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis A. Heib, p. 32-41.
“WoHaw, a Kiowa Artist at Fort Marion, Florida” by Janet Catherine Berlo, p. 43-53.
“The Other Weavers: Navajo Basket Makers” by Susan Brown McGreevey, p. 54-61.
“Powhatan Copper and the Prehistoric Ceremonial Complexes of the Eastern United States” by Amy Trevelyan, p. 62-70.
“Lakota Beaded Costumes of the Early Reservation Era” by Marsha Clift Bol, p. 71-77.
“The Emergence of Crenellated Ritual Pueblo Ceramics During the Late Prehistoric Period” by Susan G. Kenagy, p. 78-85.
“Form, Function and Interpretation of Mimbres Ceramic Hemispheric Vessels” by Barbara L. Moulard, p. 86-98.
“Meaning in Women's Arts in North America” by Marvin Cohodas and Barbara DeMott, p. 99-106.
“Native American Photography: Diversity and Achievement in the Southwest” by Erin Younger, p. 107-115.
“Notes” p. 117-128
Phoebus 3: A Journal of Art History - Table of Contents
“Preface” by Jack Breckenridge, p. 5.
“A Possible Interpretation of the Bird-man Figure Found on Objects Associated with the Southern Cult of the Southeastern United States, A.D. 1200 to 1350” by Lee Anne Wilson, p. 6-18.
“John Milton’s ‘Unholy Trinity’: (Satan, Sin, and Death)” by Anthony Gully, p. 19-36.
“Arizona Portfolio” p. 38-84.
“Voyage of the Sesostris: Elihi Vedder in Egypt” by Hugh Broadley, p. 39-51.
“Theodore Roszak’s ‘Emergence: Transition I’ at Arizona State University” by Joan
Seeman Robinson, p. 52-53.
“‘La peur donnant des ailes au courage by Jean Cocteau: a Drawing in the Phoenix Art
Museum” by Anne Gully and Susan Benforado Gunther, p. 54-63.
“John Mix Stanley, a ‘Hudson River’ Painter in Arizona” by James K. Ballinger, p. 64-72.
“‘Corn Husking’ by Winslow Homer” by Gerald Eager, p. 73-79.
“A Plate from the Meissen Swan Service in the Phoenix Art Museum” by Barbara
Nachtigall, p. 80-84.
“Death in the Darkroom: Poisonings of Nineteenth Century Photographers” by Bill Jay, p. 85-98.
“Oral History in Art: A New Tool” by Winberta Yao, p. 99-108.
“A Note from a Reader” p. 109.
“Contributors” p. 110-112
Phoebus 1: A Journal of Art History - Table of Contents
“Preface” by Ju-hsi Chou, p. 4-6.
“Dedication” by Harry Wood, p. 7-8.
“Style and Symbolism in the Awatobi Kiva Mural Paintings” by Marvin Cohodas, p. 9-21.
“Mr. B and the Cherubim: A Critical Examination of William Blake's 'A Descriptive Catalogue' of 1809” by Anthony Gully, p. 23-46.
“Arizona Portfolio” p. 47-64.
“La Muse de Guillaume Apollinaire (The Muse of Guillaume Apollinaire)” by Anthony
Gully, p. 48-51.
“Wild Geese, Flowering Plants, and Tall Reeds” by Ju-hsi Chou, p. 52-55.
“Ting” by Ju-hsi Chou, p. 56-59.
“Homage to Watteau” by Robin Dowden, p. 60-64.
“A Note on a Letter from Roger Hilton to Terry Frost” by Jack Breckenridge, p. 65-74.
“Ming Idealism and Landscape Painting” by Ju-hsi Chou, p. 75-92.
“Classic Maya Elements in the Iconography of Rulership at El Tajin, Veracruz, Mexico” by Michael Kampen, p. 93-104.
“Anne de Coursey Clapp, Wen Cheng-ming, ‘The Ming Artist and Antiquity’” by Anne de Coursey Clapp and Wen Cheng-ming, p. 105-108.
“‘7+5 Sculptors in the 1950s’: An Exhibition in the Phoenix Art Museum” 108-113.
“List of Contributors” by 114-116.