Matching Items (18)
Description
La Santa Muerte is a folk saint depicted as a female Grim Reaper in Mexico and the Southwestern United States. The Grim Reaper, as an iconic representation of death, was derived from the Angel of Death found in pseudepigrapha and apocalyptic writings of Jewish and early Christian writers. The Angel of Death arose from images and practices in pre-Christian Europe and throughout the Mediterranean region. Images taken from Revelation were used to console the survivors of the Black Death in Western Europe and produced a material culture that taught the Christian notion of dying well. The combination of the scythe (used in the eschatological harvest), the black cowl (worn by medieval priests and monks officiating at funerals), and the skeleton (as the physical body of the deceased) are a series of apocalyptic Christian referents that form a metonymical composite referred to as the Grim Reaper.
In medieval Iberian Dances of Death, the Grim Reaper was depicted as female, an unyielding social leveler, and an important participant in the Last Judgment. Personalized Death became associated with healing, renewal, magic, and binding, as apocalyptic Christianity blended with the Christian cult of the saints and the Virgin Mary during the Reconquista and the colonization of Mesoamerica. Utilizing secondary historical sources, metonymy, and iconology this Master of Arts thesis posits that the La Santa Muerte image resulted from a long historical interaction of Greek, Roman, Jewish, Visogothic, Islamic, and Christian death imagery leading up to the colonization of Mesoamerica.
In medieval Iberian Dances of Death, the Grim Reaper was depicted as female, an unyielding social leveler, and an important participant in the Last Judgment. Personalized Death became associated with healing, renewal, magic, and binding, as apocalyptic Christianity blended with the Christian cult of the saints and the Virgin Mary during the Reconquista and the colonization of Mesoamerica. Utilizing secondary historical sources, metonymy, and iconology this Master of Arts thesis posits that the La Santa Muerte image resulted from a long historical interaction of Greek, Roman, Jewish, Visogothic, Islamic, and Christian death imagery leading up to the colonization of Mesoamerica.
ContributorsBreault, Eric (Author) / Astor-Aguilera, Miguel A (Thesis advisor) / Gereboff, Joel (Committee member) / Maupin, Jonathan (Committee member) / Arizona State University (Publisher)
Created2014
Description
Lost and Found:
Jewish Women Recovering Tradition, Remaking Themselves
This study explores the turn towards stringently observant Orthodox Judaism among lesser observant Jewish women ages late 40s to early 70s residing in a rapidly growing Sunbelt city. It seeks to answer three questions: what is the impulse that inspires such a fundamental life change; what is the process for making that change; and how does that change impact the sense of self, as individuals and within families and communities?
It is an ethnographic study that uses a qualitative, modified grounded theory methodology to gather and analyze data, allowing themes to arise from extensive field observation and intensive participant interviews. The data establish an underlying phenomenon of lost and found, a personal loss, compounded by a lessening or loss of religious grounding, which inspires a recovery of traditional religion and a remaking of identity.
Other key findings manifest a fluidity of religious identity and a propensity for change; the social nature of such identity and the significance of communal belonging in its progression; the impact of memory, history, generation, life course position and geographic location in inspiring and informing such a progression; a reframing of feminist assertions and gender roles within a traditional religious framework; an assertion of the existence of women’s interior life and assumption of personal responsibility for its realization; a reconciliation of a rhetoric of choice and individual autonomy within a traditional religious system.
In contrast to this study, previous scholarship focused on younger men and women, most in their 20s or 30s, the majority unmarried and without children. The prior studies took place several decades earlier in major metropolitan areas, most along the Eastern seaboard and in the Midwest, more densely populated with larger, older and more established Jewish communities.
This study elucidates a shift towards more traditional religion within American Judaism and within the broader context of American religion. It provides fertile ground for future study of age and stage of life, feminism and gender roles, individual autonomy, choice, communal responsibility and religious change.
Jewish Women Recovering Tradition, Remaking Themselves
This study explores the turn towards stringently observant Orthodox Judaism among lesser observant Jewish women ages late 40s to early 70s residing in a rapidly growing Sunbelt city. It seeks to answer three questions: what is the impulse that inspires such a fundamental life change; what is the process for making that change; and how does that change impact the sense of self, as individuals and within families and communities?
It is an ethnographic study that uses a qualitative, modified grounded theory methodology to gather and analyze data, allowing themes to arise from extensive field observation and intensive participant interviews. The data establish an underlying phenomenon of lost and found, a personal loss, compounded by a lessening or loss of religious grounding, which inspires a recovery of traditional religion and a remaking of identity.
Other key findings manifest a fluidity of religious identity and a propensity for change; the social nature of such identity and the significance of communal belonging in its progression; the impact of memory, history, generation, life course position and geographic location in inspiring and informing such a progression; a reframing of feminist assertions and gender roles within a traditional religious framework; an assertion of the existence of women’s interior life and assumption of personal responsibility for its realization; a reconciliation of a rhetoric of choice and individual autonomy within a traditional religious system.
In contrast to this study, previous scholarship focused on younger men and women, most in their 20s or 30s, the majority unmarried and without children. The prior studies took place several decades earlier in major metropolitan areas, most along the Eastern seaboard and in the Midwest, more densely populated with larger, older and more established Jewish communities.
This study elucidates a shift towards more traditional religion within American Judaism and within the broader context of American religion. It provides fertile ground for future study of age and stage of life, feminism and gender roles, individual autonomy, choice, communal responsibility and religious change.
ContributorsCabot, Vicki (Author) / Gereboff, Joel (Thesis advisor) / Benor, Sarah B (Committee member) / Sarat, Leah (Committee member) / Arizona State University (Publisher)
Created2018
Description
ABSTRACT
The purpose of this thesis is to identify the key determinants of changes in the public’s perception and the historical and legal context for the current laws that govern the Right to Die in America. At its essence, the Right to Die Movement can be summarized in six selected narratives that were performed, told, debated, or reported for the public throughout history. Each of these six stories was presented with the most effective communication technologies available to the narrators in their respective eras.
The thesis includes an original research study assessing the impact of a social media phenomenon on the Right to Die Movement. While the Brittany Maynard Farewell video may not have been solely responsible for the surge of public support for MAID, it certainly captured the sense of autonomy and individual rights Americans believe they have in 2014 and continuing at least through 2019. This belief in autonomy and individual rights influenced the American sense of who owns their bodies and who can control their deaths after they are given terminal diagnoses. The first key narrative introduced Natural Law and the Natural Rights that proceed from this universal law. The second opened up communication about death. The next three demonstrated to Americans what legal rights they had and which were withheld by tradition and law. The last narrative captured and embodied the American sense of autonomy and individual rights that a majority of Americans now feel they possess. The laws and policies that have resulted from the Right to Die Movement both define the boundaries of autonomy and construct an evolving understanding of human freedom.
The purpose of this thesis is to identify the key determinants of changes in the public’s perception and the historical and legal context for the current laws that govern the Right to Die in America. At its essence, the Right to Die Movement can be summarized in six selected narratives that were performed, told, debated, or reported for the public throughout history. Each of these six stories was presented with the most effective communication technologies available to the narrators in their respective eras.
The thesis includes an original research study assessing the impact of a social media phenomenon on the Right to Die Movement. While the Brittany Maynard Farewell video may not have been solely responsible for the surge of public support for MAID, it certainly captured the sense of autonomy and individual rights Americans believe they have in 2014 and continuing at least through 2019. This belief in autonomy and individual rights influenced the American sense of who owns their bodies and who can control their deaths after they are given terminal diagnoses. The first key narrative introduced Natural Law and the Natural Rights that proceed from this universal law. The second opened up communication about death. The next three demonstrated to Americans what legal rights they had and which were withheld by tradition and law. The last narrative captured and embodied the American sense of autonomy and individual rights that a majority of Americans now feel they possess. The laws and policies that have resulted from the Right to Die Movement both define the boundaries of autonomy and construct an evolving understanding of human freedom.
ContributorsGrossman, Jennifer Elizabeth (Author) / Gereboff, Joel (Thesis advisor) / Ross, Heather M. (Committee member) / Bennett, Gaymon (Committee member) / Arizona State University (Publisher)
Created2020
Description
The traditional site of Rachel's Tomb is located just south of Jerusalem on the border of Bethlehem. In recent years, Rachel's Tomb architectural appearance and cultural significance have shifted dramatically in the last two decades and the Biblical figure of Rachel has evolved in the Jewish imagination as a figure "emplaced" there as well. The original stories that have drawn visitors to the site have developed from Biblical and Rabbinic texts, yet contemporary visitors to the site have their own perspectives and stories to tell, grounded in religious tradition, nostalgia, and current political and social realities. At the traditional site of her tomb, Rachel has served for at least the last century as something like a "patron saint" for Jewish women's domestic issues, but her intercessory abilities have recently been expanded. Her special relationship to Zionism through her connections to the Biblical notions of Jewish "return" and end-times "redemption" have been recast to fit contemporary political viewpoints and contestations. In addition, she has developed into a kind of national "mater dolorosa," representing the collective grief for deaths through acts of political violence, particularly women's deaths. This project traces the ways in which current narrative and praxis at the traditional site of Rachel's Tomb have developed as well as the ways in which current perceptions of the site-and Rachel as the cultural figure associated with the space-draw upon temporally-situated interpretations of her textual tradition, as well as affective discourse and collective cultural memory.
ContributorsAnderson, Carli (Author) / Gereboff, Joel (Thesis advisor) / Mirguet, Francoise (Committee member) / Talebi, Shahla (Committee member) / Arizona State University (Publisher)
Created2019
Description
James Baldwin (1924-1987) was one of the most well-known African American fiction and nonfiction writers of the twentieth century. Throughout his life and career, he earned a worldwide reputation as a respected novelist, memoirist, and essayist who contributed to a wide array of artistic movements and intellectual discourses. Many scholars have noted the particular African American religious and cultural influences upon Baldwin’s work. More recently, scholars have additionally noted the importance of Baldwin’s globally-engaged thought and internationalist life. Throughout all of his work, Baldwin wrote extensively on the subject of religion. This dissertation posits the topics of religion, violence, and marginalization as integral to his nonfiction writings and speeches, particularly after 1967. As such, it argues that Baldwin in his early career established four distinct discourses on morality, evil, scapegoatism, and purity that he came to connect in his later writings on the intersection of religion, violence, and marginalization. Within these writings, Baldwin also displayed a rigorous engagement with multicultural and multireligious artistic and literary canons, along with the evolving academic study of religion. Therefore, not only should the intersection of religion, violence, and marginalization be a central consideration for Baldwin scholarship, but scholars of religion and violence in particular would benefit from engaging Baldwin’s addressment of this intersection.
ContributorsBroyles, Michael Anthony Louis (Author) / Moore, Moses N (Thesis advisor) / Fessenden, Tracy (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2019
Description
This project examines and challenges the West's generally accepted two category approach to the world's belief systems. That is, it will deconstruct the religion / science `paradigm' that has developed over the past two centuries. It will argue that the dichotomy between the two categories was created by modernity for the purpose of establishing an exclusive view believed to be based on knowledge. This exclusive view, philosophical naturalism (science), was set in opposition to all alternative views identified as religion. As the exclusive view, though constructed on a defective foundation of knowledge, philosophical naturalism, nonetheless, became the privileged interpreter and explainer of reality in the academy of the Western world.
As a work in the area of epistemology and the philosophy of religion, this project will challenge philosophical naturalism's claim to knowledge. The approach will be philosophical and historical critically assessing both modernity's and postmodernity's basis for knowledge. Without a rational basis for exclusive knowledge the popular dichotomy dissolves. The implications of this dissolution for `religious studies' will be addressed by offering an alternative scheme that provides a more plausible way to divide the world's belief systems.
As a work in the area of epistemology and the philosophy of religion, this project will challenge philosophical naturalism's claim to knowledge. The approach will be philosophical and historical critically assessing both modernity's and postmodernity's basis for knowledge. Without a rational basis for exclusive knowledge the popular dichotomy dissolves. The implications of this dissolution for `religious studies' will be addressed by offering an alternative scheme that provides a more plausible way to divide the world's belief systems.
ContributorsTussing, Rodney W (Author) / Cady, Linell (Committee member) / Anderson, Owen (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2014
Description
Since the 1960’s and 1970’s, ethnographic research on Jewish menstrual rituals known as niddah, Taharat HaMishpacha, or Family Purity has associated their practices with religious behavior. Much of this research organizes around questions of women’s agency within ostensibly patriarchally constructed religious practices that carry the potential to oppress its women practitioners. This premise is built upon a number of implicit assumptions about the history of today’s niddah practices: that niddah is observed exclusively by Orthodox Jews; that increasing rates of niddah observance correlate exclusively with the trend toward stricter observance levels among the Orthodox since the 1960s; and that this increasingly strict observance itself reflects a reactionary trend among the Orthodox community (a.k.a. tradition versus modernity). All these assumptions currently circulate, in various degrees, among the American Jewish lay community and are shared by a significant number of congregational rabbis. Until the 1990s, no history of niddah existed to either support or refute these assumptions. I initially intended that this project would provide future ethnographers with a comprehensive history of niddah in America during the past one and a half centuries. I engaged Victor Turner’s theory of Social Drama as a framework for understanding this history as a socio-cultural process, rather than as a series of less than related events. However, this study h*as resulted in the identification of many more specific assumptions about the decline and revival of niddah observance in the twentieth century, which are not supported by the scant evidence available. These challenged assumptions beg new directions for research; a thorough reworking of the history of niddah in America; and a fresh look at the literature advocating niddah produced in the 1990’s and early 2000’s. This genealogy as Social Drama presents niddah in twentieth century America as undergoing periods of crisis, negotiation, and reintegration. This drama was triggered by late nineteenth century concepts of religion, body, and ritual that undermined and ruptured the integrity of niddah as a bodily religious ritual practice. Niddah’s twentieth century social drama culminated in fresh articulations of a unique Jewish sexuality and Jewish marital ethic.
ContributorsJohnston, Isobel-Marie (Author) / Gereboff, Joel (Thesis advisor) / Talebi, Shahla (Thesis advisor) / Bennett, Gaymon (Committee member) / Arizona State University (Publisher)
Created2016
Description
Between 1820 and 1875, the United States saw a surge in German-Jewish immigration. This wave of immigration brought Jews that were eager to adapt Judaism to their modern lives in a rational and accessible way. The challenge in America, however, was maintaining the desire to be Jewish and practice Judaism within a societal context that did not require them to be Jewish. The adoption of Reform Judaism in the 19th century amongst German-Jewish immigrants helped these new immigrants remain faithful and proud to be Jewish in within their new American lives. Furthermore, Reform Judaism helped these determined Jews balance their Jewish identities within the context of American society and culture.
ContributorsBurke, Randall Maxwell (Author) / Tirosh-Samuelson, Hava (Thesis director) / Gereboff, Joel (Committee member) / School of International Letters and Cultures (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12