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- Creators: Brahms, Johannes, 1833-1897
- Creators: Chopin, Frédéric, 1810-1849
Description
Nelson Rolihlahla Mandela was born July 18, 1918 into the Madiba clan in Mvezo, Transkei, South Africa. Mandela was a lawyer by trade and a freedom fighter who envisioned freedom and equality for all South Africans regardless of race. In 1965, Mandela was imprisoned at Robben Island for twenty-seven years for treason and terrorist activities against the South African apartheid regime: he was assigned prison numbers 46664. In 1992, Mandela was released from prison and two years later not only became the first democratically elected president of South Africa, but also its first black president. "Madiba 46664" is an eight-minute chamber work scored for flute, oboe, clarinet in B-flat, and bassoon; vibraphone, and two percussionists; piano; violins, violas, and celli. The work blends traditional South African rhythms of the drumming culture with elements of Western harmony and form in contrasting textures of homophony, polyphony and antiphony. "Madiba 46664" utilizes Mandela's prison number, birthdate and age (at the time the composition process began in 2013) for the initial generation of meter, rhythm, harmony, melody, and form. The work also shares intercultural concepts that can be seen in the works of three contemporary African composers, South Africans Jeanne Zaidel-Rudolph and Andile Khumalo, and Nigerian Ayo Oluranti. Each section represents a period of Mandela's life as a freedom fighter, a prisoner, and a president. The inspiration stems from the composer's discussions with Mandela soon after his release from prison and prior to his presidency. These lively discussions pertained to the state of traditional music in then apartheid South Africa and led to this creation. The conversations also played a role in the creative process.
ContributorsMabingnai, Collette Sipho (Composer) / DeMars, James (Thesis advisor) / Hackbarth, Glenn (Committee member) / Humphreys, Jere (Committee member) / Rockmaker, Jody (Committee member) / Rogers, Rodney (Committee member) / Arizona State University (Publisher)
Created2014
Improving Arizona English language learners' mathematics achievement using curriculum-based measures
Description
ABSTRACT
This study was an investigation of the effectiveness of curriculum-based measures (CBMs) on the math achievement of first and second grade English Language Learners (ELL). The No Child Left Behind Act (NCLB) of 2001 led to a new educational reform, which identifies and provides services to students in need of academic support based on English language proficiency. Students are from certain demographics: minorities, low-income families, students with disabilities, and students with limited English proficiency. NCLB intended to lead as to improvement in the quality of the United States educational system.
Four classes from the community of Kayenta, Arizona in the Navajo Nation were randomly assigned to control and experimental groups, one each per grade. All four classes used the state-approved, core math curriculum, but one class in each grade was provided with weekly CBMs for an entire school year that included sample questions developed from the Arizona Department of Education performance standards. The CBMs contained at least one question from each of the five math strands: number and operations, algebra, geometry, measurement, and data and probability.
The NorthWest Evaluation Assessment (NWEA) served as the pretest and posttest for all four groups. The SAT 10 (RIT scores) math test, administered near the time of the pretest, served as the covariate in the analysis. Two analysis of covariance tests revealed no statistically significant treatment effects, subject gender effects, or interactions for either Grade 1 or Grade 2. Achievement levels were relatively constant across both genders and the two grade levels.
Despite increasing emphasis on assessment and accountability, the achievement gaps between these subpopulations and the general population of students continues to widen. It appears that other variables are responsible for the different achievement levels found among students. Researchers have found that teachers with math certification, degrees related to math, and advanced course work in math leads to improved math performance over students of teachers who lack those qualifications. The design of the current study did not permit analyses of teacher or school effects.
This study was an investigation of the effectiveness of curriculum-based measures (CBMs) on the math achievement of first and second grade English Language Learners (ELL). The No Child Left Behind Act (NCLB) of 2001 led to a new educational reform, which identifies and provides services to students in need of academic support based on English language proficiency. Students are from certain demographics: minorities, low-income families, students with disabilities, and students with limited English proficiency. NCLB intended to lead as to improvement in the quality of the United States educational system.
Four classes from the community of Kayenta, Arizona in the Navajo Nation were randomly assigned to control and experimental groups, one each per grade. All four classes used the state-approved, core math curriculum, but one class in each grade was provided with weekly CBMs for an entire school year that included sample questions developed from the Arizona Department of Education performance standards. The CBMs contained at least one question from each of the five math strands: number and operations, algebra, geometry, measurement, and data and probability.
The NorthWest Evaluation Assessment (NWEA) served as the pretest and posttest for all four groups. The SAT 10 (RIT scores) math test, administered near the time of the pretest, served as the covariate in the analysis. Two analysis of covariance tests revealed no statistically significant treatment effects, subject gender effects, or interactions for either Grade 1 or Grade 2. Achievement levels were relatively constant across both genders and the two grade levels.
Despite increasing emphasis on assessment and accountability, the achievement gaps between these subpopulations and the general population of students continues to widen. It appears that other variables are responsible for the different achievement levels found among students. Researchers have found that teachers with math certification, degrees related to math, and advanced course work in math leads to improved math performance over students of teachers who lack those qualifications. The design of the current study did not permit analyses of teacher or school effects.
ContributorsBenally, Jacqueline (Author) / Humphreys, Jere (Thesis advisor) / Spencer, Dee (Committee member) / Nicholas, Appleton (Committee member) / Arizona State University (Publisher)
Created2014
ContributorsChopin, Frédéric, 1810-1849 (Composer)
Description
The purpose of this project was to: (1) describe a brief history of Salvation Army works for euphonium and piano that are relevant to the larger euphonium repertoire, and (2) produce a professional-quality compact disc recording of these works for study and reference. Part I of this project is an annotated bibliography discussing selected works for euphonium and piano written exclusively by Salvation Army composers. Each bibliographic entry is accompanied by a brief annotation, including information on each composer, hymn tunes used in each work, and difficulties encountered in performance. Part II of this project consists of a professional-level recording of these works. The recording and bibliography is intended to serve as a reference guide for students and teachers of Salvation Army euphonium literature, and is also intended to serve as a pedagogical tool utilized in the development of high school and university-level euphonium students. Five solos and one duet with piano accompaniment were selected for this project, works that represent a wide variety of Salvation Army compositional styles. The works also cover a wide range of technical and musical challenges, and are appropriate for study by both undergraduate and graduate students of music. All of the works are currently in publication as of this writing. The following works are included in this project: "The Song of the Brother" by Erik Leidzén, "Ransomed" by George Marshall, "Ochills" by Ernest Rance, "The Better World" by Norman Bearcroft, "Symphonic Rhapsody for Euphonium" by Edward Gregson, and "Timepiece" by Norman Bearcroft.
ContributorsDraper, Andrew (Author) / Pilafian, Samuel (Thesis advisor) / Hickman, David (Committee member) / Mook, Richard (Committee member) / Humphreys, Jere (Committee member) / Hill, Gary (Committee member) / Arizona State University (Publisher)
Created2012
Description
Musical Impressionism has been most significantly reflected through the works of Claude Debussy (1862-1918) and Maurice Ravel (1875-1937). These two key figures exhibit the essence of this art and their piano music remains substantial, influential, and frequently assigned and played today. Nevertheless, from a pedagogical perspective, important factors required in achieving a successful performance of Debussy and Ravel's piano music--delicate tone production, independent voicing, complicated rhythm, sensitive pedaling, and a knowledgeable view of Impressionism--are musically and technically beyond the limit of early advanced students. This study provides a collection of short piano pieces by nine lesser-known European and American composers--Edward MacDowell (1861-1908), Charles Griffes (1884-1920), Marion Bauer (1887-1955), Cyril Scott (1879-1970), Arnold Bax (1883-1953), Selim Palmgren (1878-1951), Ottorino Respighi (1879-1936), Jacques Ibert (1890-1962) and Federico Mompou (1893-1987). They were influenced by impressionistic aesthetics or composed at one time in an impressionistic manner over a span of their lifetimes and their music provides a bridge to the more advanced impressionistic pieces of Debussy and Ravel for early advanced students. These composers' selected short piano pieces display richly colored sonority through the use of impressionistic techniques such as non-functional harmony (parallel chords and free modulation), exotic setting (e.g. modality, pentatonic and whole-tone scales), ostinato figures, bell-sound imitation, and extended texture. Moreover, personal interpretive elements, such as poetic and folklore references, were incorporated in some piano works of MacDowell, Griffes, Bauer, Scott, and Bax; among them MacDowell and Bax were particularly inspired by Celtic and Nordic materials. Mompou infused Spanish folklores in his individual naïve style. Most importantly, these selected short piano pieces are approachable and attractive to early advanced pianists. These works, as well as other largely undiscovered impressionistic piano character pieces, ought to be a great source of preliminary repertoire as preparation for the music of Debussy and Ravel.
ContributorsChien, Chieh Jenny (Author) / Thompson, Janice Meyer (Thesis advisor) / Hamilton, Robert (Committee member) / Humphreys, Jere (Committee member) / Norton, Kay (Committee member) / Pagano, Caio (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsBrahms, Johannes, 1833-1897 (Composer)
ContributorsBrahms, Johannes, 1833-1897 (Composer)
ContributorsBrahms, Johannes, 1833-1897 (Composer)
ContributorsBrahms, Johannes, 1833-1897 (Composer)