Matching Items (18)
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This paper outlines the three research projects that I performed between 2009-present: Slow Movement Training (SMT) lab, Self-education Through Embodied Movement (STEM), and the Athletic Movement Program (AMP). It first evaluates the major issues that spawned each research project, and then provides a framework for understanding the shift in the

This paper outlines the three research projects that I performed between 2009-present: Slow Movement Training (SMT) lab, Self-education Through Embodied Movement (STEM), and the Athletic Movement Program (AMP). It first evaluates the major issues that spawned each research project, and then provides a framework for understanding the shift in the student-centered physical and mental movement practices that I developed in response to the need for reform. The content will address the personal and professional paradigmatic shift that I experienced through the lens of a practitioner and educator. It will focus heavily on the transitions between each of the projects and finally the emergence of the Athletic Movement Program. The focal point becomes one of community needs, alternate resources and hybrid-online classroom support. The paper concludes with an overview and content comparison between the one-size-fits-all model used within public movement education and Athletic Movement Programs' strengths and challenges.
ContributorsCroitoru, Michael (Author) / Mitchell, John D. (Thesis advisor) / Fitzgerald, Mary (Committee member) / Coleman, Grisha (Committee member) / Arizona State University (Publisher)
Created2011
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This thesis document encapsulates the findings of my research process in which I studied my self, my artistic process, and the interconnectivity among the various aspects of my life. Those findings are two-fold as they relate to the creation of three original works and my personal transformation through the process.

This thesis document encapsulates the findings of my research process in which I studied my self, my artistic process, and the interconnectivity among the various aspects of my life. Those findings are two-fold as they relate to the creation of three original works and my personal transformation through the process. This document encapsulates the three works, swimminginthepsyche, applecede and The 21st Century Adventures of Wonder Woman, chronologically from their performance dates. My personal growth and transformation is expressed throughout the paper and presented in the explanation of the emergent philosophical approach for self-study as creative practice that I followed. This creative-centered framework for embodied transformation weaves spiritual philosophy with my artistic process to sustain a holistic life practice, where the self, seen as an integrated whole, is also a direct reflection of the greater, singular and holistic existence.
ContributorsDeWitt, Inertia Q.E.D (Author) / Mitchell, John D. (Thesis advisor) / Dyer, Becky (Committee member) / De La Garza, Sarah (Committee member) / Arizona State University (Publisher)
Created2013
Description
ABSTRACT The participatory and interactive nature of the "Hearing in Color" project unites people from different walks of life. My interest lies in creating a space for people to explore their creativity, think critically, and hone their own voice in a safe and collaborative environment. I have discovered that all

ABSTRACT The participatory and interactive nature of the "Hearing in Color" project unites people from different walks of life. My interest lies in creating a space for people to explore their creativity, think critically, and hone their own voice in a safe and collaborative environment. I have discovered that all art forms: movement, voice, visual or digital, stimulate possibilities for expression and enable people to move forward in new directions. To this end, my project fused multiple avenues of engagement, innovative dance technology, and alternative or site-specific locations to create a community-based project aimed at promoting dialogue and enhancing ties between several groups in the Phoenix area. In this paper, I argue that a multi-layered approach to community-arts and the use of advanced technology builds bridges for diverse populations to come together to participate and learn from one another. I also maintain that community exists among all communities involved in a process of community arts, not just the participants and facilitator. When community engagement and awareness are prioritized, a multi-layered approach creates the possibilities of growth, honesty, and understanding for all people involved.
ContributorsBritt, Melissa (Author) / Fitzgerald, Mary (Thesis advisor) / Vissicaro, Pegge (Committee member) / Mitchell, John (Committee member) / Woodson, Stephani (Committee member) / Arizona State University (Publisher)
Created2010
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Obsessions are like itches on your body you can’t get rid of. Constantly thinkingabout the itch, constantly satisfying the need for the time being, but never being fully satisfied to move on and let it go. Obsessive behaviors and obsessive thought patterns are everywhere a person goes, even though it

Obsessions are like itches on your body you can’t get rid of. Constantly thinkingabout the itch, constantly satisfying the need for the time being, but never being fully satisfied to move on and let it go. Obsessive behaviors and obsessive thought patterns are everywhere a person goes, even though it mostly goes unnoticed by those around them. Having an obsession is a very common thing in most people; Adults, teens, and children. The interest in this topic came from my own experiences with obsession. In this dissertation, the research shows the effects of specific obsessions within adults, teens, and children. Looking to understand the behavior and thought patterns of these specific obsession will smoothly transfer the finding back to the authors own personal and professional development. In doing so, this will create harmony between the project, research, and the authors upcoming endeavors.
ContributorsCalvano, Alyssa (Author) / Mitchell, John (Thesis advisor) / Magana, Jorge (Committee member) / Brougham, Jennifer (Committee member) / Arizona State University (Publisher)
Created2023
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Cultural background is very important for people, and people from different cultural backgrounds will have different understandings of art. This document explores how individuals relate to other cultures and incorporate the advantages of Chinese cultural values into contemporary dance experiences as researched for the applied project, III. This project uses

Cultural background is very important for people, and people from different cultural backgrounds will have different understandings of art. This document explores how individuals relate to other cultures and incorporate the advantages of Chinese cultural values into contemporary dance experiences as researched for the applied project, III. This project uses the Bagua theory in the ancient Chinese book the I Ching to carry out the process of collaborative creation through different art forms in collaboration with artists from different mediums. This document details the artist’s process of self-exploration and creative expansion using personal cultural background and influences (both Eastern and Western). Through this research the artist has come to understand and develop unique personal perspectives and formulate a creative method that she will continue to use in the future; it centers the importance of cultural identity and how that shapes experiences of art and art-making.
ContributorsHu, Yayi (Author) / Standley, Eileen (Thesis advisor) / Mitchell, John (Committee member) / Kim, Marianne (Committee member) / Arizona State University (Publisher)
Created2019
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You Are Here: A choreographic memoir exploring anxiety in the YouTube generation is an evening-length performance which began as an interdisciplinary exploration of the therapeutic properties of creative writing and creative movement. Throughout the creation of this performance, the choreographer engaged in self-reflection from which arose the themes of anxiety,

You Are Here: A choreographic memoir exploring anxiety in the YouTube generation is an evening-length performance which began as an interdisciplinary exploration of the therapeutic properties of creative writing and creative movement. Throughout the creation of this performance, the choreographer engaged in self-reflection from which arose the themes of anxiety, the Internet, and identity. As a result of this experience, she reached conclusions regarding her personal voice and agency, interdisciplinary art as therapy, the importance of dance as a coping mechanism in digital cultures, and a definition of the therapeutic process of choreographic memoir.
ContributorsDorn, Katherine (Author) / Dyer, Becky (Thesis advisor) / Mitchell, John D. (Committee member) / Reyes, Guillermo (Committee member) / Arizona State University (Publisher)
Created2017
Description

The ASU School of Dance presents School of Dance LIVE!, September 7-9, with works by dance faculty, performed at Galvin Playhouse.

ContributorsPinholster, Jacob (Director) / Koch, Carolyn (Artistic director, Production manager, Lighting designer) / Swayze, William (Musician, Performer, Composer) / Jones, Ben (Performer) / Mack, Austen (Performer) / Ortego, Garrett (Performer) / Benard, Jacqueline (Costume designer, Creator) / Burk, Ashley (Collaborator deprecated, use Contributor, Performer) / Arredondo, Julia (Performer) / Groom, Léla (Performer) / Giordano, Erin (Performer) / Bouey, Billie-Joe "J." (Performer) / Bartholomew, Jessica (Performer) / Chapman, Eric (Collaborator deprecated, use Contributor)) / Peterson, Haley (Collaborator deprecated, use Contributor)) / Vissicaro, Pegge (Collaborator deprecated, use Contributor)) / Mitchell, John D. (Designer, Musician) / Standley, Eileen (Designer, Choreographer, Performer) / Kyriakides, Yannis (Composer) / Tomooka, Kayla (Performer) / Waitz, Jessica (Performer) / McNutt, Eden (Costume designer, Performer) / DeWitt, Inertia (Musician, Performer) / Murphey, Claudia (Director, Interviewer) / Mumford, Jessica (Videographer, Editor) / Britt, Melissa (Choreographer, Costume designer, Performer) / Alvarez, Emily (Musician) / Salcido, Alejandro (Lighting designer) / Calleros, Vince (Performer) / Dimmick, Saza (Performer) / Granado, Michaela (Performer) / Kusch, Liz (Performer) / Lopez, Cassidy (Performer) / Kaplan, Rob (Composer, Performer) / Rex, Melissa S. (Choreographer, Lighting designer, Technical director) / Bocchino, Corinne (Performer, Performer) / Mihaleva, Galina (Costume designer, Creator) / Cooper, Carol (Performer) / Crissman, Angel (Performer) / Bouey, J (Performer) / Bouey, Majee (Performer) / Bouey, Najee (Performer) / Matthews, Emily (Performer) / Vago, Haley (Performer) / Witzke, Nikki (Performer) / Goodson, Naomi (Performer) / Levin, Felicia (Performer) / Gonzales, Anthony (Performer) / Hughs, Haylee (Performer) / Ling, Amanda (Performer) / Pourzal, Kristopher K. Q. (Performer) / Munoz, Jessica (Performer) / Peterson, Britta (Performer) / Poto, Ana Maria (Performer) / Rickert, Austin (Performer) / Schupp, Karen (Director, Costume designer, Performer) / McMahon Ward, Frances (Editor) / Khoilian, Jarek (Cinematographer) / Heath, Jason (Musician) / Page, Martin (Composer) / Fairweather, Brian (Composer) / Thornton, Trevor (Composer) / Richardson, Chris (Composer) / Fitzgerald, Mary (Choreographer, Performer) / Ford, Lindsey (Performer) / Garibay, Elissa (Performer) / Barrett, Kristen (Performer) / Herberger Institute School of Dance (Musician)
Created2012
Description

The ASU School of Dance presents Undergraduate Projects Showing, April 11-12, with works by dance undergraduate students, performed at Margaret Gisolo Dance Studio, PEBE 132.

ContributorsChapman, Eric (Creator, Performer) / Forrest, McKenna (Creator, Performer) / Fischbeck, Hannah (Creator, Performer) / Gastelo, Gabriel (Creator, Lighting designer, Performer) / Salcido, Alejandro (Creator, Lighting designer, Performer) / Hernandez, Martha Patricia (Choreographer, Costume designer, Performer) / Jones, Peter (Musician) / Bradley, LaTefia (Choreographer, Lighting designer, Costume designer, Dancer) / Ndegeocello, Me'Shell (Musician) / Catron, Jade (Dancer, Performer) / Goodloe, Mallary (Dancer) / Munoz, Jessica (Dancer, Performer) / Rivera, Paola (Dancer, Performer) / Starner, Codi (Choreographer, Lighting designer) / Still, Katharine (Choreographer, Costume designer, Performer) / Kelly, Anthony James (Choreographer, Performer) / Rhymes, Busta (Musician) / Calvano, Jourdan (Performer) / Mihalcescu, Anca (Performer, Choreographer, Lighting designer, Costume designer) / Montoya, Reyna (Performer) / Pellegrino, Laura (Performer, Choreographer, Lighting designer, Costume designer) / Thompson, Michal (Performer) / Cooper, Hannah (Choreographer, Lighting designer, Costume designer) / Rota, Nino (Musician) / Bartholomew, Jessica (Performer) / Edwards, Allison (Performer) / Gonzales, Anthony (Performer, Choreographer, Lighting designer, Costume designer) / Lopez, Cassidy (Performer) / Adams, Alex (Choreographer) / Koch, Carolyn (Lighting designer, Production manager) / Adair, Alex (Performer) / Ford, Keri (Performer) / Sammons, Rylee (Performer) / Uchytil, Shiersten (Performer) / Vago, Haley (Performer) / Stephens, Alexis (Choreographer, Costume designer, Performer) / Zimmer, Hans (Musician) / Cruz, Devin (Performer) / Dorvel, Kayla (Performer) / LeBlanc, Casey (Performer) / Norris, Sarah (Performer) / Reis, Ashley (Performer) / Dove, Simon (Artistic director) / Rex, Melissa S. (Technical director) / Benard, Jacqueline (Costume designer) / Mihaleva, Galina (Costume designer) / Callie, Katy (Artistic director)
Created2012
Description

The ASU School of Dance presents The Dance Annual, March 2-4, with works by dance faculty, alumni, graduate, undergraduate, and visiting artists, performed at the Galvin Playhouse Theatre.

ContributorsGonzales, Anthony (Choreographer, Lighting designer, Costume designer, Performer) / Law, Cullen Arthur (Musician) / Koch, Carolyn (Lighting designer, Production manager) / Benard, Jacqueline (Costume designer) / Cooper, Hannah (Performer) / Giordano, Erin (Performer) / Goodson, Naomi L. (Performer) / Konzal, Michaela (Performer) / Lopez, Cassidy (Performer) / Pellegrino, Laura (Performer, Choreographer, Film editor, Costume designer, Set designer) / Pietruszka, Emily (Performer) / Rodriguez, Juan (Performer, Choreographer, Lighting designer) / Wall-MacLane, Laurel (Choreographer, Lighting designer, Costume designer) / Chapman, Eric (Performer) / Kelly, Anthony James (Performer) / Montoya, Reyna (Performer) / Munoz, Jessica (Performer) / Nunn, Jasmine (Performer) / Singleton, Kiah (Performer) / Rex, Melissa S. (Lighting designer, Technical director) / Peterson, Britta Joy (Choreographer, Lighting designer, Costume designer) / Vining, Robin (Composer) / Groom, Léla (Costume designer, Performer) / Forest, McKenna (Performer) / Levin, Felicia (Performer) / Sykes, Cleo (Performer) / Bartholomew, Jessica (Performer) / Crissman, Angel (Performer) / Edwards, Allison (Performer) / Gastelo, Gabriel (Performer) / Stein, Denise A. (Performer, Choreographer, Lighting designer, Costume designer) / Gersony, Alyssa (Choreographer, Costume designer, Performer) / Ford, Mary (Lighting designer) / Schupp, Miss Karen (Choreographer) / Page, Martin (Composer) / Fairweather, Brian (Composer) / Thornton, Trevor (Composer) / Richardson, Chris (Composer) / Yellman, Billy (Composer) / Arredondo, Julie (Performer) / Bouey, Billie-Joe "J." (Performer) / Burk, Ashley (Performer) / Matthews, Emily (Performer) / Vago, Haley (Performer) / Witzke, Nikki (Performer) / Standley, Eileen (Choreographer) / Kyriakides, Yannis (Musician) / Moor, Andy (Musician) / Mihaleva, Galina (Costume designer) / Ling, Amanda (Performer) / Handel, George Friederic (Composer) / Catron, Jade (Performer) / Alvarez, Emily (Musician) / Dove, Simon (Artistic director)
Created2012
Description

The ASU School of Dance presents Undergraduate Projects Showing, October 27-28, with works by dance undergraduate students performed at the Dance Studio Theatre, PEBE 132.

*Tape 2 for October 28th is not available due to the original video tape being corrupted.

ContributorsDove, Simon (Director, Artistic director) / Koch, Carolyn (Production manager) / Rex, Melissa S. (Technical director) / Gonzales, Anthony (Choreographer, Lighting designer) / Rodriguez, Juan (Performer) / Bouey, Billie-Joe "J." (Choreographer, Lighting designer, Costume designer) / Burke, Ashley (Performer) / Catron, Jade (Performer) / Karr, Elena (Performer) / Larkin, Cody (Performer) / LeBlanc, Casey (Performer) / Levin, Felicia (Performer) / Lewicki, Luke (Performer) / Munoz, Jessica (Performer) / Norris, Sarah (Performer) / Pietruska, Emily (Performer) / Reis, Ashley (Performer) / Rivera, Paolo (Performer) / Stevens, Alexis (Performer) / Vago, Haley (Performer) / Yuen, Pricilla (Choreographer, Lighting designer, Costume designer, Performer) / Cooper, Hannah (Lighting designer, Artistic director) / Alvarez, Emily (Choreographer, Costume designer, Performer) / Salcido, Alex (Lighting designer)
Created2011