Matching Items (29)
Description
In the last few decades, the rapid development of electronic music technologies has changed the way society interacts with music, which in turn impacts the profession of music therapy. Except for a few cases, music therapy has not extensively explored the integration of new technology. However, current research trends show a willingness and excitement to explore the possibilities (Nagler, 2011; Ramsey, 2011; Magee, et al., 2011; Magee & Burland, 2008; Magee 2006). The project described in this paper intends to demonstrate one of these possibilities by combining modern technologies to create an interactive musical system with practical applications in music therapy. In addition to designing a practical tool, the project aims to question the role of technology in music therapy and to initiate dialogue between technologists and music therapists. The project, entitled MIST: A Musical Interactive Space for Therapy, uses modern gestural technology (the Microsoft® Kinect®) to capture body movements and turn them into music. It is intended for use in a clinical setting with children with mild to moderate disabilities. The system is a software/hardware package that is inexpensive, user-friendly, and portable. There are two functional modes of the system: the first sonifies specific movement tasks of reaching and balancing; the second is an interactive musical play space in which an entire room becomes responsive to presence and movement, creating a sonic playground. The therapeutic goals of the system are to motivate and train physical movement, encourage exploration of space and the body, and allow for musical expression, play, auditory perception, and social interaction.
ContributorsHeadlee, Kimberlee (Author) / Ingalls, Todd M (Thesis advisor) / Crowe, Barbara J. (Thesis advisor) / Stauffer, Sandra L (Committee member) / Arizona State University (Publisher)
Created2011
Description
There is a lack of music therapy services for college students who have problems with depression and/or anxiety. Even among universities and colleges that offer music therapy degrees, there are no known programs offering music therapy to the institution's students. Female college students are particularly vulnerable to depression and anxiety symptoms compared to their male counterparts. Many students who experience mental health problems do not receive treatment, because of lack of knowledge, lack of services, or refusal of treatment. Music therapy is proposed as a reliable and valid complement or even an alternative to traditional counseling and pharmacotherapy because of the appeal of music to young women and the potential for a music therapy group to help isolated students form supportive networks. The present study recruited 14 female university students to participate in a randomized controlled trial of short-term group music therapy to address symptoms of depression and anxiety. The students were randomly divided into either the treatment group or the control group. Over 4 weeks, each group completed surveys related to depression and anxiety. Results indicate that the treatment group's depression and anxiety scores gradually decreased over the span of the treatment protocol. The control group showed either maintenance or slight worsening of depression and anxiety scores. Although none of the results were statistically significant, the general trend indicates that group music therapy was beneficial for the students. A qualitative analysis was also conducted for the treatment group. Common themes were financial concerns, relationship problems, loneliness, and time management/academic stress. All participants indicated that they benefited from the sessions. The group progressed in its cohesion and the participants bonded to the extent that they formed a supportive network which lasted beyond the end of the protocol. The results of this study are by no means conclusive, but do indicate that colleges with music therapy degree programs should consider adding music therapy services for their general student bodies.
ContributorsAshton, Barbara (Author) / Crowe, Barbara J. (Thesis advisor) / Rio, Robin (Committee member) / Davis, Mary (Committee member) / Arizona State University (Publisher)
Created2013
Description
The purpose of this research study provided observational techniques and Applied Behavior Analysis (ABA) prompts and fading procedures to analyze music therapist-child interaction for child with autism spectrum disorder. Impaired social interaction is the primary symptom of a child with autism spectrum disorder. However, social interaction exists everywhere and throughout human life. Therefore, to improve interaction is the primary and significant goal in music therapy treatment for a child with autism spectrum disorder. The music therapist designs a series of music therapy activity interventions in order to create a therapeutic environment, based on a child's interests and favorite activities. Additionally, the music therapist utilizes the music to build the quality of relationship and interaction with child and support child practicing interaction with the therapist. Then music therapist utilizes the process of interaction to improve child's social interaction. Once the child achieves at desired behavior, he/she has ability to apply the music therapy techniques independently in the real world situations, such as family and schools that the child has learned throughout the process of interaction with therapist. The participants were three children with autism spectrum disorder and two certified music therapists (MT-BC). The researcher calculated the number of prompts and cues which the therapists provided, and the number of appropriate responses by each child in each activity intervention. Then the researcher utilized Applied Behavior Analysis (ABA), prompt and fading procedure in order to analyze the progress of therapist-child interactions during the sessions. The result showed that the children had improvement in the interactions with their therapist.
ContributorsLiao, Yin-chun (Author) / Crowe, Barbara J. (Thesis advisor) / Rio, Robin (Committee member) / Dishion, Thomas J. (Committee member) / Arizona State University (Publisher)
Created2013
Description
ABSTRACT Two qualitative studies described the effects of parent's participation in the music therapy session on parent-child interaction during home-based musical experiences learned in music therapy session. Home-based musical play was based on two current programs: Sing & Grow (Abad & Williams, 2007; Nicolson, 2008 Abad, 2011; Williams, et al; 2012) and Musical Connection Programme(Warren & Nugent, 2010). The researcher utilized the core elements of these programs, such as session structures and parenting strategies for improving parent-child interaction during music therapy interventions. Several questions emerged as a result of these case studies as follows 1) does parent's participation affect parent-child interaction during music therapy interventions 2) does musical parenting strategies promote parent-child interaction while practicing musical play at home 3) does parent's interaction increase when they practice parental strategies listed on parent's self-check list. Music therapy session was provided once per week during an eight week period. The participants were referred by Arizona State University (ASU) music therapy clinic. Sessions took place either in the ASU music therapy treatment room or the participant's home. There were four participants- one diagnosed with Down syndrome and the other with Autism Spectrum Disorder (ASD) and two parents or caregivers (each subject was counted as one participant). The parent/caregiver filled out the parental self-checklist 3-4 times per week and the survey after the end of the program. The case study materials were gathered through with parent/caregiver. The case studies revealed that all of the parents responded that the parent's participation in music therapy helped to improve their interactions with their child. Furthermore, all parents became more responsive in interacting with their child through musical play, such as sing-a-long and movements. Second, musical parenting strategies encouraged parent-child interaction when practicing musical play at home. Third, the parent's self-checklist was shown to be effective material for increasing positive parent-child interaction. The self-checklist reminded the parents to practice using strategies in order to promote interaction with their child. Overall, it was found that the parent's participation in home-based musical play increased parent-child interaction and the musical parenting strategies enhanced parent-child interaction.
ContributorsChoi, Yoon Kyoung (Author) / Crowe, Barbara J. (Thesis advisor) / Rio, Robin (Committee member) / Sullivan, Jill (Committee member) / Arizona State University (Publisher)
Created2013
Description
This descriptive research study explored practicing Board-Certified Music Therapists' engagement in self-care as needed from the impact of stress and burnout, as well as perceptions of the music therapy profession and professional association. An online survey was completed by 829 practicing board certified music therapists. Mean scores and percentages of nominal variables were generated from an independent sample. ANOVA was used to compare mean scores of dependent variables with independent variables of two or more categories. Open-ended responses generated extensive qualitative data about stress/burnout, job satisfaction, motivation, and self-care. Those who are not currently members of AMTA reported affordability as the primary reason for not being members. Despite some negative perceptions about the profession and professional association, a significant number of music therapists expressed a passion for what they do. Music therapists appear to have a solid grasp on professional responsibilities and ethics. Although respondents reported an overall high level of job satisfaction, a substantial number agreed that they have considered leaving the profession. Low salary was the most commonly acknowledged reason, followed by the continued need to "sell" music therapy, burnout, stress, limited work opportunities, and workplace politics. Respondents identified healthy diet and rest as primary activities of self-care, followed by recreation/leisure time with loved ones, exercise, hobbies, and prayer. Music therapists reportedly continue to feel motivated and inspired in the profession predominantly because of the gratification/satisfaction of the results of their work, followed by engagement in self-care, loving the work regardless of income, attending conferences and symposiums, diversification among various populations, and keeping professional life separate from personal life. ANOVA results indicated that job satisfaction and engagement in self-care likely increase with age; job satisfaction is higher among married music therapists, those with children, and those with more than 30 years in practice; and those with no children and those with a master's or doctorate degree were more likely to engage in self-care. A variety of implications and recommendations are explored.
ContributorsMurillo, Julie Hoffer (Author) / Crowe, Barbara J. (Thesis advisor) / Rio, Robin (Committee member) / Tobias, Evan (Committee member) / Arizona State University (Publisher)
Created2013
Description
Educators and therapists must unify and formulate new strategies to address the academic and social needs of a newly emerging at risk demographic, "the forgotten middle." Currently, a paradigm shift within educative music therapy, human development study, and educational psychology, suggests that curriculums need to integrate alternative methods into their framework, change the definition of at-risk, and recognize math aptitude and social competency as predictors of a student's ability to gain upward mobility and self-sufficiency. Musical interaction, although considered a secondary measure within educational forums, is a viable means to address the socio-emotional and academic needs of students. In order to substantiate the need for educators to integrate educative music therapy and social competency programs into standard curriculums, the researcher conducted a study using 23 students from a beginning high school guitar class and 4 students from a high school after-school program. These students participated in a ten-week study involving educative music therapy, social competency, and math aptitude. Participants completed the math fluency and math calculations sections of the Wechsler's Individual Achievement Test version 3, along with a questionnaire examining the participants' beliefs about the influence of music on math aptitude and social competency. Although the pre- and post-test results show no statistically significant difference between educative music therapy and math aptitude, the results from the questionnaires administered suggest that students perceive that social competency and musical interaction augment academic and social performance.
ContributorsHeiskell, James D (Author) / Crowe, Barbara J. (Thesis advisor) / Rio, Robin (Committee member) / McBeath, Michael (Committee member) / Arizona State University (Publisher)
Created2010
Description
Neuroscientific research has verified that humans have specialized brain areas used in the production and perception of language. It is speculated that these brain areas may also be involved in the perception and expression of emotions. A recent study supports the idea of an auditory equivalent to visually recognizable emotions, finding that the words containing the phoneme /i:/ as in “beat” were rated more positively and those with the phoneme /^/ as in “but” were rated more negatively. It was theorized that these results support that the same facial musculature used in producing visually recognizable expressions also favors specific phonemic sounds. The present study replicates this prior research using a new methodology in which participants matched verbalized monosyllabic nonsense pseudo-words to positive or negative cartoon pictures. We hypothesized that pseudo-words containing the sounds /i:/ would be matched with pictures that are more emotionally positive and ones containing the sounds /^/ would be matched with pictures that are more negative. Data collected from 119 undergraduate student volunteers from a Southwestern public university confirmed our hypotheses and exhibit the same pattern found in previous research supporting that specific vowel phonemes are matched with emotional valence. Our findings are the first to confirm this phoneme-emotion relationship with verbalized sounds and pictures. The results support the idea that the musculature associated with positive and negative facial expressions also favors production of specific phonemic sounds that listeners recognize and associate with specific emotions.
ContributorsBarnes, Heather Lee (Author) / Benitez, Viridiana (Thesis director) / Corbin, William (Thesis director) / McBeath, Michael K. (Thesis director) / Yu, Christine S.P. (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-12
Description
Cross-situational word learning (CSWL) is a method of learning new words where an individual
is exposed to the word’s meaning in an ambiguous fashion throughout different contexts. Many
studies have been conducted using CSWL tasks on both children and adults. Most of these
studies look at single-label pairings, which is when one object is paired with one word. More
recently, research has also started to look at double-label pairings. Double-label pairings consist
of one object being paired with two words. No study to date has compared adult and children’s
performance in a double-label design. This study’s aim was to better understand how adults and
children compare in these tasks. The current study conducted two experiments to compare adult
and children’s performance in a CSWL task in either a single-label and double-label design.
Results showed that adults were successful in both conditions but performed better in the
single-label condition than the double-label condition. Children on the other hand were
unsuccessful in both conditions and did not demonstrate learning. Several reasons for these
findings are discussed. These results highlight the need for further research that directly
compares age groups in CSWL tasks and for further research into the area of multiple-label
pairings.
is exposed to the word’s meaning in an ambiguous fashion throughout different contexts. Many
studies have been conducted using CSWL tasks on both children and adults. Most of these
studies look at single-label pairings, which is when one object is paired with one word. More
recently, research has also started to look at double-label pairings. Double-label pairings consist
of one object being paired with two words. No study to date has compared adult and children’s
performance in a double-label design. This study’s aim was to better understand how adults and
children compare in these tasks. The current study conducted two experiments to compare adult
and children’s performance in a CSWL task in either a single-label and double-label design.
Results showed that adults were successful in both conditions but performed better in the
single-label condition than the double-label condition. Children on the other hand were
unsuccessful in both conditions and did not demonstrate learning. Several reasons for these
findings are discussed. These results highlight the need for further research that directly
compares age groups in CSWL tasks and for further research into the area of multiple-label
pairings.
ContributorsCorbin, Elaina Danielle (Author) / Benitez, Viridiana (Thesis director) / Goldinger, Stephen (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
The goal of this study was to examine whether there is any effect of phonotactic probability during the early phases of novel word recognition. In order to determine this, I performed two experiments. In Experiment 1, 33 adult monolingual English speakers learned 24 novel word-object pairings, half of which were high English phonotactic probability words and the other half were low English phonotactic probability words. I additionally included three conditions that varied the amount of exposures to each novel word-object pairing (i.e. One Exposure Condition, Two Exposures Conditions, and Five Exposures Condition). Experiment 2 was designed to clarify results found in Experiment 1, with improved randomization and fewer conditions (i.e. One Exposure Condition and Five Exposures Condition). The findings from both experiments were statistically significant in accuracy for Training condition, but not statistically significant for phonotactic probability nor for an interaction between phonotactic probability and Training condition. Although participants demonstrated learning across conditions there is no indication of a relationship between high and low phonotactic probability and novel word recognition. Collectively, these findings suggest that future studies will be necessary to determine if there is indeed an effect of phonotactic probability on early novel word recognition.
ContributorsQuinones, Sara Cristina (Co-author) / Quiñones, Sara (Co-author) / Benitez, Viridiana (Thesis director) / Tecedor Cabrero, Marta (Committee member) / Davis, Mary (Committee member) / Department of Psychology (Contributor) / Dean, W.P. Carey School of Business (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
Description
Source monitoring refers to the ability to discriminate the origins of memories. The source monitoring framework is a theoretical model that describes the various characteristics of memories and judgement processes necessary for this discrimination process. Little research has analyzed the extent to which predictable encoding contexts influence source monitoring processes. In this study, we found that predictability at encoding aids later source recognition, but only when the test-relevant source dimension was predictable at encoding. The encoding format was either predictable (sequential spatial location) or non-predictable (random spatial location) and the test format was either color or location. In Experiment 1, the encoding format was either predictable or non-predictable spatial locations and participants were tested on the location. In this experiment, predictability did aid when the encoding format matched the test format. The average conditionalized source identification measure was statistically higher for those who saw images appear in a predictable pattern at encoding. In Experiment 2, when participants were tested on an orthogonal source dimension, the average conditionalized source identification measure was not statistically significant for those who saw the images appear in either encoding format. In this experiment, the predictability did not have an effect when the encoding format did not match the test format. In Experiment 3, there was a significant interaction of predictability by source dimension showing an improvement to memory for the predictable source condition and a decrement to memory for the unpredictable source dimension. In this experiment, predictability aided when encoding format matched the test format, but not when the encoding and test format did not match.
ContributorsDickson, Katrina Rebecca (Author) / Brewer, Gene (Thesis director) / Benitez, Viridiana (Committee member) / Ellis, Derek (Committee member) / School of Molecular Sciences (Contributor) / Department of Psychology (Contributor) / College of Health Solutions (Contributor) / Sanford School of Social and Family Dynamics (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05