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- Creators: Bach, Johann Sebastian, 1685-1750
- Creators: Poulenc, Francis, 1899-1963
ContributorsPoulenc, Francis, 1899-1963 (Composer)
ContributorsPoulenc, Francis, 1899-1963 (Composer)
ContributorsPoulenc, Francis, 1899-1963 (Composer)
ContributorsPoulenc, Francis, 1899-1963 (Composer)
Description
Working memory and cognitive functions contribute to speech recognition in normal hearing and hearing impaired listeners. In this study, auditory and cognitive functions are measured in young adult normal hearing, elderly normal hearing, and elderly cochlear implant subjects. The effects of age and hearing on the different measures are investigated. The correlations between auditory/cognitive functions and speech/music recognition are examined. The results may demonstrate which factors can better explain the variable performance across elderly cochlear implant users.
ContributorsKolberg, Courtney Elizabeth (Author) / Luo, Xin (Thesis director) / Azuma, Tamiko (Committee member) / Department of Speech and Hearing Science (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
Pitch and timbre perception are two important dimensions of auditory perception. These aspects of sound aid the understanding of our environment, and contribute to normal everyday functioning. It is therefore important to determine the nature of perceptual interaction between these two dimensions of sound. This study tested the interactions between pitch perception associated with the fundamental frequency (F0) and sharpness perception associated with the spectral slope of harmonic complex tones in normal hearing (NH) listeners and cochlear implant (CI) users. Pitch and sharpness ranking was measured without changes in the non-target dimension (Experiment 1), with different amounts of unrelated changes in the non-target dimension (Experiment 2), and with congruent/incongruent changes of similar perceptual salience in the non-target dimension (Experiment 3). The results showed that CI users had significantly worse pitch and sharpness ranking thresholds than NH listeners. Pitch and sharpness perception had symmetric interactions in NH listeners. However, for CI users, spectral slope changes significantly affected pitch ranking, while F0 changes had no significant effect on sharpness ranking. CI users' pitch ranking sensitivity was significantly better with congruent than with incongruent spectral slope changes. These results have important implications for CI processing strategies to better transmit pitch and timbre cues to CI users.
ContributorsSoslowsky, Samara Miranda (Author) / Luo, Xin (Thesis director) / Yost, William (Committee member) / Dorman, Michael (Committee member) / Department of Speech and Hearing Science (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
The objective of this study was to analyze the auditory feedback system and the pitch-shift reflex in relation to vibrato. 11 subjects (female n = 8, male n = 3) without speech, hearing, or neurological disorders were used. Compensation magnitude, adaptation magnitude, relative response phase, and passive and active perception were recorded when the subjects were subjected to auditory feedback perturbed by phasic amplitude and F0 modulation, or “vibrato”. “Tremolo,” or phasic amplitude modulation, was used as a control. Significant correlation was found between the ability to perceive vibrato and tremolo in active trials and the ability to perceive in passive trials (p=0.01). Passive perceptions were lower (more sensitive) than active perceptions (p< 0.01). Adaptation vibrato trials showed significant modulation magnitude (p=0.031), while tremolo did not. The two conditions were significantly different (p<0.01). There was significant phase change for both tremolo and vibrato, but vibrato phase change was greater, nearly 180° (p<0.01). In the compensation trials, the modulation change from control to vibrato trials was significantly greater than the change from control to tremolo (p=0.01). Vibrato and tremolo also had significantly different average phase change (p<0.01). It can be concluded that the auditory feedback system tries to cancel out dynamic pitch perturbations by cancelling them out out-of-phase. Similar systems must be used to adapt and to compensate to vibrato. Despite the auditory feedback system’s online monitoring, the passive perception was still better than active perception, possibly because it required only one task (perceiving) rather than two (perceiving and producing). The pitch-shift reflex compensates to the sensitivity of the auditory feedback system, as shown by the increased perception of vibrato over tremolo.
ContributorsHiggins, Alexis Brittany (Author) / Daliri, Ayoub (Thesis director) / Liss, Julie (Committee member) / Luo, Xin (Committee member) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
ContributorsBach, Johann Sebastian, 1685-1750 (Composer)
ContributorsBach, Johann Sebastian, 1685-1750 (Composer)
ContributorsPoulenc, Francis, 1899-1963 (Composer)