Matching Items (244)
Description
Surrealist philosophy relies upon unconscious and subconscious influences to inform artistic depictions that celebrate the uncanny. In tandem, the two-dimensional, frame-by-frame animation modality emphasizes creative exaggeration and deviation from the visual constraints of realism. How can an artist intentionally access their unconscious influences to inform a surrealist piece lucidly? How

Surrealist philosophy relies upon unconscious and subconscious influences to inform artistic depictions that celebrate the uncanny. In tandem, the two-dimensional, frame-by-frame animation modality emphasizes creative exaggeration and deviation from the visual constraints of realism. How can an artist intentionally access their unconscious influences to inform a surrealist piece lucidly? How does the medium specificity of frame-by-frame, two-dimensional animation advantageously align with the philosophy of this movement?
ContributorsWard, Tess (Author) / Button, Melissa (Thesis director) / Gonzalez, Stephanie (Committee member) / Schmidt, Caroline (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2024-05
Description

The "AfroWorld: Back to Our Roots" fashion show is a project that goes beyond the runway. It is a transformative event aimed at celebrating the richness of African culture, combating stereotypes, and providing a platform for education and expression. This comprehensive plan outlines the key steps in bringing this vision

The "AfroWorld: Back to Our Roots" fashion show is a project that goes beyond the runway. It is a transformative event aimed at celebrating the richness of African culture, combating stereotypes, and providing a platform for education and expression. This comprehensive plan outlines the key steps in bringing this vision to life, emphasizing the importance of the show as both an artistic and educational endeavor. The fashion show is the catalyst to a greater discussion on a timeline of African fashion and exploring Afrofuturistic fashion. To start, one has to define AfroFuturistic fashion, it is a type of fashion that draws from African history while blending futuristic elements of design to the garments. My thesis is a greater discussion on how African culture will function in the post modern world, and in turn how that will affect the fashion industry. The beautiful thing about afro futuristic fashion is that this style of fashion challenges a plethora of stereotypes about the African community. That being said, this is serving as a powerful statement of cultural autonomy and celebrating diversity within the African diaspora. The "AfroWorld: Back to Our Roots" fashion show is not merely a fashion show. It is an experience that connects cultural celebration with historical exploration and opens our eyes to what could be on the horizon. This project highlights the richness of African heritage, by challenging stereotypes and providing a platform for artistic expression and education. Within this, it gives reference to the exploration of Afrofuturistic fashion, which is a fusion of traditional African motifs connected with elements of futurism. This then, challenges stereotypes and celebrates the diversity and autonomy within the African diaspora. The fashion show is crafted to unfold as a journey through time, offering a vivid portrayal of the evolution of African fashion across centuries. It is a narrative that speaks volumes, each segment symbolizing a distinct era or facet of African fashion, this is curated to foster inclusivity and instill a profound sense of cultural pride, while additionally challenging the effects of colonialism on the African diaspora. The journey begins with a performance by a traditional African singer, using ancestral tones to set the stage for what is to come. The introduction of traditional Ankara prints on skirts follows, a vibrant celebration of African textiles that pay homage to the rich tapestry of patterns and motifs deeply woven into the fabric of African culture. As the show progresses, it delves deeper into the regional nuances of African fashion, with the elegant display of traditional Sudanese thobes for women. After, it's a traditional East African dance performance. These segments serve as important reminders of the diversity and richness of African cultural expressions. Transitioning seamlessly, the fashion show then shifts its focus to the future, presenting designs by two African sustainable designers inspired by the aesthetic sensibilities of the 70s-90s era. These designs not only reflect a commitment to sustainability but also serve as a bridge between the past and the present, embodying the timeless elegance and cultural resonance of African fashion. An intermission provides a moment for reflection, allowing the audience to ponder the journey thus far and immerse themselves in the cultural tapestry that surrounds them. The ensuing crowd interaction, featuring a best-dressed competition, further fosters community engagement and appreciation, celebrating the beauty and diversity of traditional African attire. As the show progresses, it seamlessly transitions to modern interpretations of African fashion, with a showcase of comforter fashion presenting modern Nigerian attire that seamlessly blends comfort and style for contemporary living. The energy of the West African dance group infuses dynamism into the show, celebrating the vivacious spirit and cultural richness of West Africa. Finally, the fashion show culminates with a juxtaposition of formal and casual fashion aesthetics, featuring designs by a suit designer and a streetwear designer. These contrasting expressions serve as a testament to the diverse range of African fashion, each design a reflection of individual creativity and cultural identity. In conclusion, "AfroWorld: Back to Our Roots" transcends the confines of a mere fashion show; it is a celebration of cultural resilience, a testament to the power of art to provoke thought and inspire change. Through this thesis, we embark on a profound exploration of Afrofuturistic fashion, unraveling its significance in shaping the future of the fashion industry and celebrating the timeless beauty and cultural richness of African heritage. As we defend this thesis, let us reflect on the profound impact of the fashion show in redefining Afrofuturistic fashion and fostering a deeper appreciation for the diverse tapestry of African culture.

ContributorsOke, Mahdiyya (Author) / Deshay, Joanna (Thesis director) / Soon Ju, Yang (Committee member) / Barrett, The Honors College (Contributor) / Department of Finance (Contributor) / School of Art (Contributor) / Department of Information Systems (Contributor)
Created2024-05
Description
In this project, I worked with Innovation Space and Keep Tempe Beautiful to help design a Zero Waste Music Festival called Tempe City Roots. I worked with an interdisciplinary team to research, design and prototype two main ideas to help give Tempe City Roots the push it would need to

In this project, I worked with Innovation Space and Keep Tempe Beautiful to help design a Zero Waste Music Festival called Tempe City Roots. I worked with an interdisciplinary team to research, design and prototype two main ideas to help give Tempe City Roots the push it would need to get the festival started. My team and I chose to design a recyclable cups system where festival attendees would be able to use one reusable aluminum cups throughout the festival and wash them when desired. The cups would also serve as souvenirs after the festival if attendees desired. We also designed a transportation system by partnering with the ASU shuttle system and Valley Metro to allow sustainable transportation from across Arizona to Tempe.
ContributorsChin, Trinity (Author) / Hedges, Craig (Thesis director) / Shin, Dosun (Committee member) / Barrett, The Honors College (Contributor) / The Design School (Contributor) / School of Art (Contributor) / Dean, W.P. Carey School of Business (Contributor) / School of International Letters and Cultures (Contributor)
Created2024-05
Description
Empathy facilitates connections between individuals and fluctuates throughout life, affecting emotions, views, and interactions. Research suggests that behaviorism offers the most logical explanation for the current state of empathy in the United States. While the consequences of interactions with one’s environment have shaped covert and overt empathy behaviors in individuals

Empathy facilitates connections between individuals and fluctuates throughout life, affecting emotions, views, and interactions. Research suggests that behaviorism offers the most logical explanation for the current state of empathy in the United States. While the consequences of interactions with one’s environment have shaped covert and overt empathy behaviors in individuals and groups of individuals across civilizations, this paper combines research from three sectors to illustrate how interactions in the school, art museum, and healthcare environments reverberate significantly throughout American society. Although behaviorism is a major contributing theory throughout this paper, and it is especially relevant in schools, other theories are employed to show various constructs of empathy. Americans tip the scale heavily in favor of individualism over collectivism. The American Dream focuses on individual achievement and welfare, which directly challenges the concept of empathy. This paper delineates the history of empathy in the United States within the three sectors and illustrates how a thoughtfully manipulated school, museum, and healthcare environment can play a vital role in increasing empathy across American society.
ContributorsRomano, Adam (Author) / Wiseman, Shania (Co-author) / Ryan, Jennifer (Co-author) / Niebuhr, Robert (Thesis director) / Henriksen, Danah (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2024-05