Matching Items (11)
Description
Oral history methodologies are used to conduct fifteen interviews with Martha Akesi Ndaarko Sennie-Tumi over the course of three months. Research responded to the following questions: How do African women defy master narratives? When do African women defy master narratives and move from the margins to the center? What roles do African women take on to defy master narratives and why? To what extent does the concept of malezile (women who stand firm) address human rights? Twelve stories of defiance (three of which are folktales) are analyzed for recurring themes, concepts and motifs. Research showed that African women defy master narratives when the system worked to their detriment through the Nana Esi archetype. The stories also showed that women adopt nontraditional roles during defiance by using whatever means available to them at the time of defiance.
ContributorsEssuman, Portia Nana (Author) / Anokye, Akua D (Thesis advisor) / Elenes, Alajandra C (Committee member) / Cuadraz, Gloria (Committee member) / Arizona State University (Publisher)
Created2012
Deviant bodies resisting online: examining the intersecting realities of women of color in Xbox Live
Description
Employing qualitative methods and drawing from an intersectional framework which focuses on the multiple identities we all embody, this dissertation focuses on oppressions and resistance strategies employed by women of color in Xbox live, an online gaming community. Ethnographic observations and narrative interviewing reveal that women of color, as deviants within the space, face intersecting oppressions in gaming as in life outside the gaming world. They are linguistically profiled within the space based off of how they sound. They have responded with various strategies to combat the discrimination they experience. Some segregate themselves from the larger gaming population and many refuse to purchase games that depict women in a hyper-sexualized manner or that present people of color stereotypically. For others, the solution is to "sit-in" on games and disrupt game flow by 'player-killing' or engage in other 'griefing' activities. I analyze this behavior in the context of Black feminist consciousness and resistance and uncover that these methods are similar to women who employ resistance strategies for survival within the real world.
ContributorsGray, Kishonna (Author) / Anderson, Lisa M. (Thesis advisor) / Cheong, Pauline (Committee member) / Lim, Merlyna (Committee member) / Arizona State University (Publisher)
Created2011
Description
You Belong to Me is a creative project that unites photography, creative writing, phenomenology, queer theory, and cultural analysis to form a cohesive picture of the nature of transgender identity, the values of fictive kinship and community building, and the (hyper)visibility and erasure as visual metaphors. My project begins with Marta Cunningham's 2013 documentary "Valentine Road", which takes on the February 2008 murder of Lawrence "Larry" King, who was killed by another student. This is a source from which I gather my foundational thoughts about the institutionalized violence faced by gender non-conforming, queer, and transgender students, paying particular focus to Larry's life as one representative of those most in need of institutional and communal support. I then translate my analysis through my own photographic endeavors, which include returning to Oxnard, Californa, where the shooting took place, as a means of physically documenting my conception of queer recursivity. This theoretical framework informs my visual work and acts as a lens through which I locate other queer and transgender creatives with whom I was able to connect only through experiencing the trauma of Larry's murder. I utilize Maggie Nelson's invocation of "the many gendered mothers of my heart" in order to craft a family that inhabits a self-created and self-defined space where marginalized identities are able to exist. I conclude that this project is the first step in a larger dialogue about the aforementioned themes, necessitating material and sustainable changes in the lives of vulnerable youth who witness violence from multiple angles via legal, medical, and social institutions.
ContributorsMarks, Brandon David (Author) / Anderson, Lisa M. (Thesis director) / Lennon, Tara (Committee member) / School of Social Transformation (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
This thesis reviews options available to women in rural India and whether these opportunities grant them freedom. Initially, I distinguish the term freedom from autonomy, recognizing the flaws in the theory of autonomy. I identify freedom as a human's ability to make choices without external coercion. This differs from the concept of autonomy because autonomy does not recognize culture as a form of coercion; autonomy also neglects to consider the possibility of a person making a decision that affects his or her life negatively. These concepts tie into battered women in rural India because of the pressure they receive from cultural forces to make decisions reflecting practiced gender norms. Through case study research, I found that battered women in India lack access to freedom, being unable to access their freedom because of the constant threat of violence and/or ostracism. I drew this conclusion after reviewing opportunities of financial freedom through micro-credit loans, land-owning, and women’s employment. I reflect on freedom of mobility, and examine women’s threat of violence in both the public and private sectors. Lastly, I reviewed women’s political freedom in rural India, reviewing laws that were passed to ensure women’s equality. Women in India are already in a vulnerable position because of existing gender norms that require women to perform tasks for the benefit of the men in her life. A woman under the threat of domestic violence is twice as vulnerable because of her positionality as a woman in her culture, as well as a wife in her marriage. She is bound by gender norms in society, as well as her expected marital duties as a wife. Being unable to escape the threat of violence in both her private and public spheres, a woman experiencing domestic violence has virtually no access to freedom. I suggest that state and community-level empowerment is necessary before individual-level empowerment is effective and culturally accepted.
ContributorsJoyave, Anna (Author) / Behl, Natasha (Thesis advisor) / Forrest, Michael D. (Committee member) / Anokye, Akua D (Committee member) / Arizona State University (Publisher)
Created2016
Description
Armed violence is a contemporary global challenge especially in the developing world. It impacts immigration policies locally and internationally. Uganda experienced a twenty-four year -long civil armed conflict, which the president of Uganda declared ended in 2008. Following government instruction, displaced persons have been returning home since then. Despite this official closure, in the course of resettlement, youth specific needs and concerns have been ignored. Female youth have been the most affected due to the interlocking nature of their undervalued gender, age, and marital and reproductive statuses. Despite the complexity of female youth’s social location, research and frameworks about armed violence have focused on men as the perpetuators, marginalizing the impact armed conflict has on young women. Using the case of northern Uganda, this dissertation draws on feminist and indigenous epistemologies to examine the experiences of formerly displaced female youth. First, I deconstruct the western dominant construction of the stages of human growth and development including childhood, youth and adulthood. In this research, I prioritize local perspectives on human development; emphasizing the ambiguity of the concept youth, highlighting its age and gendered limited applicability to northern Uganda. I also examine the local understanding of armed conflict centering its forms and causes. Further, I explore the challenges female youth face, and the strategies they adopt to cope in situations of distress. I argue that studying formerly displaced female youth from their standpoint is critical since female youth have been marginalized in previous research and programs with gender-neutral perspectives. They thus provide a new perspective to armed violence given their multi dimensional standpoint. Female youth have different needs and concerns, which may not feature in mainstream programming largely informed by traditional male dominated systems and structures. Young women’s experiences thus deserve to be acknowledged if female youth are to benefit from the post-conflict reconstruction phase. To fulfill this objective, I used qualitative methods of data collection and analysis.
ContributorsNamuggala, Victoria (Author) / Leong, Karen (Thesis advisor) / Swadener, Beth B (Committee member) / Anderson, Lisa M. (Committee member) / Arizona State University (Publisher)
Created2016
Description
WHO estimates that 830 women die every day due to maternal health complications. The disparities in maternal health are unevenly distributed between wealthy and poor nations. Ethiopia has one of the highest mortality rates in the world. Existing high maternal mortality rates worldwide and in Ethiopia indicate the shortcomings of maternal health interventions currently underway. Understanding the socio-cultural, economic and political factors that influence maternal health outcomes locally while simultaneously examining how global reproductive and development programs and policies shape and influence the reproductive needs and knowledge of women is important. Employing feminist and African indigenous methodologies, in this research I explore maternal health issues in Ethiopia in two of the largest regions of the nation, namely Oromia and Amhara, more specifically in Seden Sodo and Mecha districts. Using qualitative interviews and focus group discussions, I examined the various socio-cultural, political and economic factors that influence maternal health outcomes, assessing how gender, class, education, marriage and other social factors shape women's health outcomes of pregnancy and childbirth. I also explored how global and local development and reproductive health policies impact women's maternal health needs and how these needs are addressed in current implementation strategies of the Ethiopian health system. Recognizing women's social and collective existence in indigenous African communities and the new reproductive health paradigm post-ICPD, I addressed the role of men in maternal health experience. I argue that global and local development and reproductive policies and their implementation are complex. While comprehensive descriptions of national and maternal health policies on paper and gender-sensitive implementation strategies point toward the beginning of a favorable future in maternal health service provision, the global economic policies, population control ideas, modernization/development narratives that the nation employs that focus on biomedical solutions without due emphasis to socio-cultural aspects have a detrimental effect on maternal health services provision. I advocate for the need to understand and include social determinants in policies and implementation in addition to legal enforcement and biomedical solutions. I also argue for alternative perspectives on masculinities and the role of men in maternal health to improve maternal health service provision.
ContributorsTeshome, Yamrot Girma (Author) / Koblitz, Ann Hibner (Thesis advisor) / Leong, Karen J (Committee member) / Anderson, Lisa M. (Committee member) / Arizona State University (Publisher)
Created2017
Description
ABSTRACT
The purpose of involvement of Non-Governmental organizations (NGOs) in armed conflict resolution is to help to keep peace, protect innocent people, contribute to relief operations, to advocate, assist in the reconstruction and development programs. This action is always carried out through the NGOs grassroots mediation processes. This study investigates the prospective of implementing humanitarian programs to help and care for the young war child survivors of the 1991 to 2001 civil wars in Sierra Leone.
To explore the intervention of the NGOs activities in the civil wars in Sierra Leone, I examined three NGOs and one governmental institution as case study organizations. The NGOs include 1) UNICEF, 2) World Vision, 3) Plan International and 4) the Ministry of Social Welfare, Gender, and Childrens’ Affair (MSWGCA) as government agency. The research investigates the NGOs and MSWGC’s specific services provided to children during and after the war in Sierra Leone. The specific services include: 1) the NGOs’ implementing policies, 2) who got served and under what conditions, 3) what models of services do they use, 4) what kind of government policies were put in place, 5) what were the challenges they faced, and 6) what were their strategies during and after the civil war in Sierra Leone. There were also ten Adult Survivors of Childhood Exposure to War (ASCEW) members interviewed to balance the NGOs’ claims. Based on my literature review and findings on ASCEW, I make my recommendations to allow the organizations to move forward with their humanitarian operations.
The purpose of involvement of Non-Governmental organizations (NGOs) in armed conflict resolution is to help to keep peace, protect innocent people, contribute to relief operations, to advocate, assist in the reconstruction and development programs. This action is always carried out through the NGOs grassroots mediation processes. This study investigates the prospective of implementing humanitarian programs to help and care for the young war child survivors of the 1991 to 2001 civil wars in Sierra Leone.
To explore the intervention of the NGOs activities in the civil wars in Sierra Leone, I examined three NGOs and one governmental institution as case study organizations. The NGOs include 1) UNICEF, 2) World Vision, 3) Plan International and 4) the Ministry of Social Welfare, Gender, and Childrens’ Affair (MSWGCA) as government agency. The research investigates the NGOs and MSWGC’s specific services provided to children during and after the war in Sierra Leone. The specific services include: 1) the NGOs’ implementing policies, 2) who got served and under what conditions, 3) what models of services do they use, 4) what kind of government policies were put in place, 5) what were the challenges they faced, and 6) what were their strategies during and after the civil war in Sierra Leone. There were also ten Adult Survivors of Childhood Exposure to War (ASCEW) members interviewed to balance the NGOs’ claims. Based on my literature review and findings on ASCEW, I make my recommendations to allow the organizations to move forward with their humanitarian operations.
ContributorsBockarie, Michael Idriss (Author) / Anokye, Akua D (Thesis advisor) / Erfani, Julie M (Committee member) / Vaughan, Suzanne (Committee member) / Arizona State University (Publisher)
Created2016
Description
The world of speculative fiction infuses the soul with the hope of the imaginary. My dissertation examines Afrofuturistic liminal imaginary space and the ways it is experienced as life-giving spaces. The imaginary and the aesthetics it births are formularies for art forms that speak to the hope of a transformed future. Speculative fiction, although in the realm of the imaginary, is an enlivened approach to express in the present collective possibilities and hopes of the people within those very imagined futures. During the past three decades, particularly, Black speculative fiction has been increasingly at the core of the new cultural productions of literature, film, horror, comics, fantasy, and music which tell the story of African descendant people. Afrofuturism is an analytic for exploration of the liberative revisioning of Black humanity in the face of persistent practices of structural injustice. My project presents the phenomenological exploration of Black Speculative Thought (ST) as it comes alive through artistic liminal spaces of Afrofuturist comic and science fiction conventions. I argue that Black imaginary liminal spaces such as Comicon Culture offer respite, renewal, and locales for creative resistance to thwart persistent alienation and nihilism of Black humanity. Furthermore, it is within these spaces where intersubjective agency can be taken up as a countermeasure to the existential realities and dominant hegemonic existences of everyday life. I examine the process, events, and experience of Black imaginary as it comes alive as potentiated hope for alternative futures. My intention is to marshal the theoretical specters of Critical Afrofuturism, Africana Philosophy, and Womanist Thought in this task.
ContributorsYoung-Scaggs, Sakena De (Author) / Martinez, Jacqueline M (Thesis advisor) / Anderson, Lisa M. (Committee member) / Anokye, Akua D (Committee member) / James, Stanlie M (Committee member) / Arizona State University (Publisher)
Created2019
Description
Though the concept of 'transgender' has gained a foothold in American culture, the representation of transgender subjects is both limited and limiting. Media representations of trans experiences generally exclude or negatively depict both trans-masculine people and trans individuals of color. Subsequently, many trans-masculine individuals of color — especially black transmen — turn to online forums to create original content, express what being transgender means to them, and explore topics excluded from mainstream conversations.
Utilizing participatory ethnography influenced by digital and visual approaches, “Tumblr Saved My Life”: An Interdisciplinary Investigation of how Black Trans- Masculinity Operates through Tumblr explores how black transmen articulate racialized trans-masculine experiences via posts, selfies, and hashtags on the social networking site Tumblr. Online observations revealed that Tumblr allows interlocutors an opportunity to ask questions, document physical changes, learn about the lived realities of transgender people of color, and connect with fellow black trans-masculine individuals. In addition to online observation, in-person interviews and observations explored the context for the content interlocutors create, as well as how online articulations of masculinity differ from everyday performances of gender.Tumblr interactions are important to participants; however, the platform is not where they discuss the more nuanced aspects of being black and transgender. In-person interviews illuminated how black transmen uniquely understand societal erasure as black women prior to starting hormone replacement therapy and experience hyper-visibility as black men after treatment. Specifically, interlocutors note the various forms of racism they experience, and how those forms change depending on whether their bodies are read as a feminine or masculine. For example, when read and socialized as black girls, participants noted being subjected to sexualization and predation. Conversely, when read and treated as masculine, they gain access to male-only spaces, but face exclusion and suspicion in other contexts. In short, this work articulates the complex relationship black transmen have to vectors of power, and how they utilize visual images, social media, and technology to present and construct their realities. Ultimately, understanding these experiences can expand the scope of trans studies and feminist theory.
Utilizing participatory ethnography influenced by digital and visual approaches, “Tumblr Saved My Life”: An Interdisciplinary Investigation of how Black Trans- Masculinity Operates through Tumblr explores how black transmen articulate racialized trans-masculine experiences via posts, selfies, and hashtags on the social networking site Tumblr. Online observations revealed that Tumblr allows interlocutors an opportunity to ask questions, document physical changes, learn about the lived realities of transgender people of color, and connect with fellow black trans-masculine individuals. In addition to online observation, in-person interviews and observations explored the context for the content interlocutors create, as well as how online articulations of masculinity differ from everyday performances of gender.Tumblr interactions are important to participants; however, the platform is not where they discuss the more nuanced aspects of being black and transgender. In-person interviews illuminated how black transmen uniquely understand societal erasure as black women prior to starting hormone replacement therapy and experience hyper-visibility as black men after treatment. Specifically, interlocutors note the various forms of racism they experience, and how those forms change depending on whether their bodies are read as a feminine or masculine. For example, when read and socialized as black girls, participants noted being subjected to sexualization and predation. Conversely, when read and treated as masculine, they gain access to male-only spaces, but face exclusion and suspicion in other contexts. In short, this work articulates the complex relationship black transmen have to vectors of power, and how they utilize visual images, social media, and technology to present and construct their realities. Ultimately, understanding these experiences can expand the scope of trans studies and feminist theory.
ContributorsBellamy, Shahan (Author) / Bailey, Marlon M (Thesis advisor) / Anderson, Lisa M. (Committee member) / Duarte, Marisa E (Committee member) / Snorton, C. Riley (Committee member) / Arizona State University (Publisher)
Created2020
Description
This dissertation project examines the cultural labor of the drag queen in the United States (US). I explore how the drag queen can be understood as a heuristic to understand the stakes and limits of belonging and exceptionalism. Inclusion in our social and national belonging in the US allows for legibility and safety, however, when exceptional or token figures become the path towards achieving belonging, it can leave out those who are unable to conform, which are often the most vulnerable folks. I argue that attending to the drag queen’s trajectory, we can trace the ways that multiply-marginalized bodies navigate attempts to include, subsume, and erase their existence by the nation-state while simultaneously celebrating and consuming them in the realm of media and consumer culture. In the first chapter I introduce the project, the context and the stakes involved. Chapter two examines representations of drag queens in films to unpack how these representations have layered over time for American audiences, and positions these films as necessary building blocks for queer semiosis for viewers to return to and engage with. Chapter three analyzes RuPaul and RuPaul’s Drag Race to outline RuPaul labor as an exceptional subject, focusing on his investment in homonormative politics and labor supporting homonationalist projects. Chapter four centers questions of trans* identity and race, specifically Blackness to analyze how Drag Race renders certain bodies and performances legitimate and legible, constructing proper drag citizens. Chapter five utilizes ethnographic methods to center local drag communities, focusing on The Rock and drag performers in Phoenix, Arizona to analyze how performers navigate shifting media discourses of drag and construct a queer performance space all their own.
ContributorsCollier, Cassandra M (Author) / Anderson, Lisa M. (Thesis advisor) / Bailey, Marlon M (Committee member) / Himberg, Julia (Committee member) / Arizona State University (Publisher)
Created2020