Matching Items (188)
Description
Collaborative piano skills are not only important for pianists. Many of the skills that collaborative pianists use regularly are the same skills used by music educators, music therapists, and vocal and instrumental professionals. If these skills were included in the class piano curriculum of music majors for whom piano is not their primary instrument, students might be better prepared for essential tasks they will accomplish in their future careers. This study seeks to discover the extent to which collaborative piano skills such as sight-reading, collaboration with a singer or instrumentalist, and score reduction are incorporated into the class piano courses offered in Arizona. A survey was sent in 2021 to all community college and university instructors of class piano in Arizona, asking them about the role, frequency, and assessment methods of collaborative piano skills in their courses. Public information was also gathered from institutional websites regarding course curriculum. To collect more detailed information regarding the pedagogical practices of Arizona class piano educators, I interviewed four professors who develop and implement class piano curricula in Arizona.
The results of this study suggest that Arizona class piano educators desire to incorporate more collaborative piano skills in their courses. The goal of this research is to bring awareness to the discrepancy in class piano curriculum standards with regards to collaborative piano skills across Arizona and spur pedagogical dialogue among educators regarding ways to improve programs. These enhancements will ultimately serve to give each student the best possible preparation for a career in music.
ContributorsSherrill, Amanda May (Author) / Campbell, Andrew (Thesis advisor) / DeMaris, Amanda (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2022
Description
The unmeasured Fantasias by Johann Gottfried Müthel appear as part of a collection of pedagogical exercises to foster improvisation. The information he gives in the notation of his fantasias can be elucidated with a historiographical interpretation of musical rhetoric. Müthel developed musical figures and contrasting textures in accordance with contemporary rhetorical principles of inventio, dispositio and elaboratio. An analysis of Müthel’s G-minor Fantasia provides a link between musical rhetoric and performance, as seen through its improvisatory gestures. Issues of performance practice that arise in the G-minor Fantasia are the execution of ornaments, rhythmic alterations, registration, and articulation. This paper explores primary sources contemporary to Müthel to make sense of these issues. The unmeasured Fantasias are written for a keyboard with pedal. At the time that they were written, the pedal fortepiano and pedal clavichord were seen by musicians such as Carl Phillip Emanual Bach to be the superior instruments for performing improvisations. While the notation and texture of the Fantasias suggests that Müthel intended them for organ, a consideration of the possibilities provided by the fortepiano suggests that it may be more suited to conveying aspects of the galant aesthetic.
ContributorsMealey, Natalie (Author) / Marshall, Kimberly (Thesis advisor) / Ryan, Russell (Committee member) / Rockmaker, Jody (Committee member) / Arizona State University (Publisher)
Created2022
Description本文对中国制药企业并购溢价影响因素进行了研究，提出了对制药企业并购非常重要的两个新的影响因素：可生产药品批文和在研新药批文。本文以2011年1月—2019年12月间我国制药行业上市公司并购事件为样本，对在研新药和可生产药品批文的价值从四个维度度量：是否有在研新药和可生产药品批文；在研新药数量及可生产药品批文数量；根据创新药和仿制药两个类别进行细分；标的企业所拥有的在研新药和可生产药品批文的市场价值。论文发现药品批文对企业并购溢价的影响不是很显著。进一步的，本文探究了药品批文对主并企业的对被并购公司的估值的影响。实证结果表明，我国制药企业在并购估值时确实会考虑到在研新药和可生产药品批文的价值。本文还发现对于可生产药品来说，相对创新药，被并购公司持有的仿制药批文影响更显著。而对于在研新药来说，主并企业更看重在研的创新药，在研仿制药对并购估值的影响不大。最后，本文选取了两个代表性案例进一步分析和探讨药品批文对企业并购的影响。
ContributorsYe, Tao (Author) / Shen, Wei (Thesis advisor) / Chang, Chun (Thesis advisor) / Jiang, Zhan (Committee member) / Gu, Bin (Committee member) / Arizona State University (Publisher)
Created2022
Description
In this research project, I introduce to the reader Bongsunhwa Variations for Violin Solo by Young-Jo Lee. Lee’s work is based on the original melody Ae-Su by Nan-Pa Hong, which Hong then developed into the Korean art song Bongsunhwa. The evolution of this simple melody to an art song and later a virtuosic violin work is explored as well. A historical background of Korean-Western music and composers is provided in order to further understand the evolution of compositional techniques that led to Lee’s work. Additionally, I examine the historical context of Hong’s work and the meaning of the lyrics of Bongsunhwa. In this paper, I also explore how Ae-Su affects Bongsunhwa Variations for Violin Solo; in particular, how Lee transforms Hong’s Bongsunhwa to his musical style and uses contemporary Western violin techniques, rhythms, and modulations to express the original intent of the work. Finally, I provide a performance guide of Bongsunhwa Variations for Violin Solo for non-Korean musicians, comparing the original source material of Hong’s song and three verses to the three variations of Lee’s work and how the history and context of the work shape performances of the Bongsunhwa Variations for Violin Solo. Interviews I undertook over email with the composer inform much of the interpretative suggestions in the performance guide.
ContributorsDong, Shinhye (Author) / McLin, Katherine (Thesis advisor) / Ryan, Russell (Committee member) / Solís, Ted (Committee member) / Arizona State University (Publisher)
Created2022
Description汽车行业属于国家支柱型产业，创造了高额的产值，增加了就业岗位。随着汽车生产行业竞争日趋激烈的趋势影响，汽车经销商在未来会出现明显的分化，并且逐步向头部集中。基于这样的行业背景，本项研究开展汽车经销商整体经营和盈利能力等方面的详细深入分析，即系统整合汽车经销商业务运营层面和财务层面数据，结合统计研究方法，对经销商盈利能力进行系统且详实归因分析，从而试别驱动盈利能力的关键业务要素。其研究成果能够完善对行业发展规律和经营模式系统性理解，从而进一步指导该领域的相关业务实践，提高经销商整体经营业绩。本课题通过四个阶段来开展经销商整体经营与盈利归因的相关研究。首先，本课题梳理了中国汽车消费行业发展的历史，同时阐述样本期内（2018-2020年）国内宏观经济和汽车消费市场的特征进行，并介绍X品牌汽车经销商的地理分布、资质和业绩评级体系、自身经营特征以及汽车生产商对经销商扶持政策等方面。在第二阶段，本课题聚焦研究假设、模型与方法，通过对X品牌汽车经销商的业务结构和运营管理开展分析，并逐步识别影响经销商盈利的关键指标变量，并提出研究假设和相关模型（即时间序列模型和面板回归模型）。在第三阶段，本课题首先开展经销商相关信息整体性统计分析，获得关键业务指标在样本期内动态特征，并结合时间序列回归模型探讨各项业务指标对经销商整体盈利能力的影响程度。在第四阶段，本课题采用（个体）固定效应的面板回归模型来研究不同组别（控制）条件下经销商盈利能力的影响因素以及其盈利能力对这些因素的敏感程度，从而更深入和全面地揭示影响经销商盈利能力的潜在因素。
基于上述四阶段的研究结果，本研究进一步就提升经销商盈利能力展开讨论，并提出相应对策。本课题相关结论仅从X品牌汽车经销商经营和财务数据进行定性和定量分析获得，但衷心希望本研究的成果能够对汽车经销商改善经营业务方面能起到实践上的借鉴和指导意义。
ContributorsPan, Guangxiong (Author) / Shen, Wei (Thesis advisor) / Wu, Fei (Thesis advisor) / Zhu, Qigui (Committee member) / Arizona State University (Publisher)
Created2022
Description
The Serenade (after Plato’s “Symposium”) was composed by American composer, Leonard Bernstein (1918-1990) in 1954. The instrumentation of this piece is for solo violin, string orchestra, harp, and percussion, and the only existing piano reduction was arranged by the composer himself. Musical expression markings are exceptionally crucial in Bernstein’s music because these markings can indicate the complexity of the rhythmic patterns, grouping of notes, and musical textures more directly to the performers. This piano reduction has many unplayable and awkward passages due to the technical challenges and oversized chords. Additionally, it is missing some of the musical expression markings such as breath marks and slurs from the full score. It also does not have any instrumentation markings which leads to the fact, the piano, at times, may have difficulties imitating the orchestra.My aim for the newer piano reduction is to make it sound more acoustically similar to an orchestra by adding missing musical components and also modifying the technically challenging passages to be more comfortable to play. My paper demonstrates the process in creating the new piano reduction while explaining the modifications and selections of the voices. Many approaches I used in this project are also applicable to other orchestra reductions. This Serenade is a wonderful piece for both violinists and pianists, I hope my revised piano reduction could benefit more performers in the future. A complete piano reduction will be in the appendix.
ContributorsGuo, Hongzuo (Author) / Ryan, Russell (Thesis advisor) / Bolanos, Gabriel (Committee member) / Campbell, Andrew (Committee member) / Arizona State University (Publisher)
Created2022
Description
As a collaborative pianist, learning and performing works that were not originally composed for the piano is standard practice. Wynton Marsalis’ The Ever Fonky Lowdown, premiered in 2018 and digitally released in 2020, is a monumental work for narrator, three singers and jazz big band. The purpose of this research is to create a vocal score so that the work can be rehearsed and potentially performed by a pianist without the full jazz band. This paper and subsequent vocal score should serve as important resources for collaborative pianists and singers, and will help to enhance their knowledge and understanding in preparing this work. This research project is divided into three large sections. The first section starts with a brief commentary on the relationship between The Ever Fonky Lowdown and Marsalis’ earlier work From the Plantation to the Penitentiary, as both works explore similar themes and ideas. This is followed by an analysis of the lyrics and description of each musical number, as well as a discussion of the narration by Mr. Game. The Ever Fonky Lowdown comments on societal issues of the past, present and potentially future, such as freedom, race, greed, consumerism and cultural decay. Wynton Marsalis wrote the narration, lyrics and music, and often masks these societal problems with sarcasm and satire. Presenting a description of the narration, lyrics and music will not only promote future research on this important work, but also will aid the rehearsal and performance process for both collaborative pianists and singers. The second portion of this paper describes some of the reduction techniques used in creating the vocal score. While portions of the reduction process were relatively straightforward, others were more complex. The focus of the second half of the paper is to present the more noteworthy reduction techniques in order for collaborative pianists to understand how the composition was reduced, and perhaps apply similar techniques to their own future projects. The final portion of this research is the complete vocal score for The Ever Fonky Lowdown.
ContributorsTehse, Jared Robert (Author) / Campbell, Andrew (Thesis advisor) / Ryan, Russell (Committee member) / Wells, Christi Jay (Committee member) / Arizona State University (Publisher)
Created2022
Description
Organ culture of the late nineteenth century played an important role in the development of cities on the American Western Frontier. By 1869, the transcontinental railroad connected cities across the United States, enabling coast-to-coast travel and spawning a new tourist industry. Rail travelers stopping in Utah frequently visited the Tabernacle and were impressed by the organ, requesting to hear it played. The Salt Lake Tabernacle free daily organ recital program was initiated to meet that demand. This came at a critical time in the growth of the city as it sought to develop a positive image of itself. These organ recitals became a highlight of travelers’ journeys across the United States, shaping the image of Utah as a place of culture and refinement. Although free daily organ recital programs sprang up across the country during the early twentieth century, very few persisted for more than a decade. Today, the only two remaining continuous free daily organ recital series are given on the Salt Lake Tabernacle organ and on the Wanamaker organ in Philadelphia. Location, promotion, purpose, and programming were key factors vital to the early and continued success of the program. At a time when attendance is in decline for organ recitals, and indeed for all classical art music, the elements of this uniquely successful program may suggest new approaches for sharing organ music.
ContributorsHarris, Valerie (Author) / Marshall, Kimberly (Thesis advisor) / Saucier, Catherine (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2022
Description新世纪以来中国电影的产业化改革与探索愈发呈现良好的态势，国产院线电影也在实践中努力赢得观众和票房市场。其中类型喜剧电影，最符合商业电影规律、最顺应影视市场需求、最能获得票房收益而备受影视创投机构、制作公司青睐。本论文研究对象聚焦类型喜剧电影，通过“欢声笑语里的财富”现象，探究类型喜剧电影内部本体构成要素与外部客观促成要素的关联；以通过分析自变量与因变量因素对中国电影票房之类型喜剧影响因素进行实证研究，为影视创投和影视制作总结并提供可靠建议。
本论文整体结构包括：第一部分为导论，包括研究背景、目的意义，相关文献综述与文献评述和论文创新性。第二部分聚焦类型喜剧本身，从电影学范畴的电影本体出发，探究“笑”的心理、社会与文化内涵，并分析将“笑”对经济领域的延伸。第三部分以影视投资、票房为依托，从现象和数据中探寻影响类型喜剧电影的因素，为展开中国电影票房之类型喜剧影响因素实证研究做好理论的铺垫。第四与第五部分则基于上述理论进行实证检验，选用2013-2020年电影样本，采用多元线性回归模型研究喜剧类型对票房的吸引力，以及不同种类型喜剧对电影票房的提振效果作用差异。研究发现喜剧电影对电影票房有显著的提振作用；以及研究电影的外部影响因素（续集效应）对电影票房的作用。发现续集电影有更好的票房表现，续集效应的票房提升作用在喜剧电影中表现的更加明显。
本论文研究成果最终将回归到“欢声笑语里的财富”本身；即“类型复合喜剧”对促进电影与金融产业的互动关联、实现更加可持续化发展，以及进而推动经济及文化业的发展。
ContributorsLiu, Yongqian (Author) / Shen, Wei (Thesis advisor) / Zhu, Ning (Thesis advisor) / Dong, Xiaodan (Committee member) / Arizona State University (Publisher)
Created2022
Description人口的老龄化不仅对养老事业提出更高的要求，也对养老服务产业人才的培养提出要求。但是青年学生选择涉老服务专业的意愿却非常低。因此，为了探究职业学院如何增强涉老服务专业吸引力这一问题，本文以学生为主体视角，利用相关理论，对于影响青年学生选择涉老服务专业的因素进行全面的分析，并结合深度访谈和调查法，提出并建构了相关的理论模型。首先，通过深度访谈和焦点小组讨论，结合对现有的文献的分析，本文提出了影响青年学生选择职业院校涉老服务专业的各种因素，主要包括：个人未来风险感知、家庭经济资本、社会信息评价、校企合作水平、专业课程建设水平、学生激励水平、师资队伍建设水平。之后，本文通过调查法，基于社会认同理论构建了本文的研究模型，并通过结构方程模型对所构建的模型进行检查。
本文的研究结果表明：个人未来风险感知对学生专业认同度产生负面影响；家庭经济资本对学生专业认同度产生负面影响；社会信息评价对学生专业认同度产生正面影响；校企合作水平对学生专业认同度产生正面影；专业课程建设水平对学生专业认同度产生正面影响；学生激励水平对学生专业认同度产生正面影响；师资队伍建设水平对学生专业认同度产生正面影响；学生专业认同度对学生专业选择意愿产生正面影响。
基于上述研究结论，本文选取了个人未来风险感知、家庭经济资本、社会信息评价、校企合作水平、专业课程建设水平、学生激励水平、师资队伍建设水平等因素对于广东岭南职业技术学院涉老服务专业的现有吸引力进行了分析和评估，并从这些视角进一步了对如何提升招生吸引力问题进行探讨，为提高涉老服务专业对于青年学生的吸引力，得出了相关管理建议。
ContributorsZhou, Lanqing (Author) / Shen, Wei (Thesis advisor) / Wu, Fei (Thesis advisor) / Pei, Ker-Wei (Committee member) / Arizona State University (Publisher)
Created2021