Throughout every liberation movement in America’s history, poetry has been an undeniably powerful act of resistance. Even today, protest poetry is instrumental to countless resistance movements because it captures attention, evokes emotion, and demands social progress. My project is divided into two parts. The first part is made up of five journals. These journals are informal written responses that conversate with different texts and analyze specific images within specific passages. My exploration of protest poetry focuses on five prominent poets of the last century: Langston Hughes, Maya Angelou, Gloria Anzaldúa, Camille T. Dungy, and Claudia Rankine. The second part of this project is my contribution to protest poetry. For my collection, I crafted ten poems in which I resist a range of issues that have to do with class, gender, and ethnicity. My protest poetry is also an examination of what it means to be human, particularly in modern day America.
Women’s Education (WE) is our proposed nonprofit designed to address these problems by providing business education, financial assistance, and academic services to women business owners operating in South Sudan. We believe our targeted intervention in these areas will result in improved social and economic standing for women, the natural byproduct of which is an improved country with increased stability.
In the first half of this paper, we explore the social and historical context of South Sudan to illustrate both the need for (and viability of) of our organization. We outline what we will do to achieve our goal of equality within the business and academic sectors for women, and the effects such equality will have upon society.
In the second half of the paper, we address the logistics behind our operations, including our mission and vision, client needs, budget, management strategies, and other internal and external factors that need to be considered.
KEY WORDS: South Sudan, Gender, Business Education, Academic Intervention, Economy, Societal Infrastructure