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Music is part of cultures all over the world and is entrenched in our daily lives, and yet little is known about the neural pathways responsible for how we perceive music. The property of "dissonance" is central to our understanding of the emotional meaning in music, and this study is

Music is part of cultures all over the world and is entrenched in our daily lives, and yet little is known about the neural pathways responsible for how we perceive music. The property of "dissonance" is central to our understanding of the emotional meaning in music, and this study is a preliminary step in understanding how this property of music is perceived. Twenty-four participants with normal hearing listened to melodies and ranked their degrees of dissonance. Melodies that are categorized as "dissonant" according to Western music theory were ranked as more "dissonant" to a significant degree across the 9 conditions (3 conditions of scale: Major, Neapolitan Minor, and Oriental; 3 conditions of wrong notes: no wrong notes, diatonic wrong notes, and non-diatonic wrong notes). As expected, the familiar Major scale was identified as more consonant across all wrong note conditions than the other scales. Notably, a significant interaction was found, with diatonic and non-diatonic notes not perceived differently in both of the unfamiliar scales, Neapolitan and Oriental. This study suggests that the context of musical scale does influence how we create expectations of music and perceive dissonance. Future studies are necessary to understand the mechanisms by which scales drive these expectations.
ContributorsBlumenstein, Nicole Rose (Author) / Rogalsky, Corianne (Thesis director) / Peter, Beate (Committee member) / FitzPatrick, Carole (Committee member) / School of Music (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
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With dwindling water resources due to drought and other pressures, water utilities are seeking to tap into alternative water sources as a means to improve water sustainability. Reclaimed water consists of treated wastewater and is widely used for non-potable purposes, such as irrigation, both agricultural and recreational. However, the reclaimed

With dwindling water resources due to drought and other pressures, water utilities are seeking to tap into alternative water sources as a means to improve water sustainability. Reclaimed water consists of treated wastewater and is widely used for non-potable purposes, such as irrigation, both agricultural and recreational. However, the reclaimed water distribution system can be subject to substantial regrowth of microorganisms, including opportunistic pathogens, even following rigorous disinfection. Factors that can influence regrowth include temperature, organic carbon levels, disinfectant type, and the time transported (i.e., water age) in the system. One opportunistic pathogen (OP) that is critical to understanding microbial activity in both reclaimed and drinking water distribution systems is Acanthamoeba. In order to better understand the potential for this amoeba to proliferate in reclaimed water systems and influence other OPs, a simulated reclaimed water distribution system was studied. The objective of this study was to compare the prevalence of Acanthamoeba and one of its endosymbionts, Legionella, across varying assimilable organic carbon (AOC) levels, temperatures, disinfectants, and water ages in a simulated reclaimed water distribution system. The results of the study showed that cooler temperatures, larger water age, and chlorine conditions yielded the lowest detection of Acanthamoeba gene copies per mL or cm2 for bulk water and biofilm samples, respectively.
ContributorsDonaldson, Kandace (Author) / Ankeny, Casey (Thesis director) / Edwards, Marc (Committee member) / Pruden, Amy (Committee member) / Harrington Bioengineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description

For my creative project/thesis, I gave a fully rehearsed, fully performed hour long recital using rare baseball music I researched, hunted down, studied, practiced, and then performed in a recital setting. I used my long history with and personal knowledge of Baseball, as well as my newly studied knowledge of

For my creative project/thesis, I gave a fully rehearsed, fully performed hour long recital using rare baseball music I researched, hunted down, studied, practiced, and then performed in a recital setting. I used my long history with and personal knowledge of Baseball, as well as my newly studied knowledge of and newly acquired skills with Musical Theater, Opera, and Voice to make a project that celebrated both my past achievements and what I learned with my performance degree these last 4 years. I, in total, learned 16 new songs and performed each of them back to back to back, with breaks in between each set and an intermission, as well as brief histories and summaries of each song or each song set. I then performed the recital on February 25th in the ASU School of Music Recital Hall, and invited as many friends, peers, colleagues, and family members as I could to attend, while also sharing the streaming and subsequent recording online as well. I was accompanied by pianist Stephen Kuebelbeck on piano, and the two of us spent hours upon hours rehearsing in addition to performing the recital itself. My thesis director, Carole FitzPatrick, helped me with all the vocal technique, song selection, memorization, recital approach, and planning out the logistics of my recital, while Dr. Kay Norton helped me with research such as song selection, history of the pieces, history of the composers, and historical context of the pieces. While this is an unconventional project, I feel like it best reflects my unconventional major. It gives me both advanced knowledge on a niche in my field of performance, provides me with rehearsed music that I love and can use and carry forward into most any concert or performance setting, and provides me with personal artistic satisfaction by combining together two worlds I dearly love and am a part of, in a creative way. It also gives me the irreplaceable experience of putting together my own recital (completely outside of class and on my own time), as recital performances will hopefully become a regular part of my life as a singing performer.

ContributorsLadley, Edward (Author) / FitzPatrick, Carole (Thesis director) / Norton, Kay (Committee member) / Barrett, The Honors College (Contributor) / Performance (Music Theatre) (Contributor) / Kuebelbeck, Stephen (Musician)
Created2022-05
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Program for performance given at Recital Hall, February 25th, 2022 at 5:00 p.m.

ContributorsLadley, Edward (Author) / FitzPatrick, Carole (Thesis director) / Norton, Kay (Committee member) / Barrett, The Honors College (Contributor) / Performance (Music Theatre) (Contributor) / Kuebelbeck, Stephen (Musician)
Created2022-02-25