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Description
Since the collapse of the Soviet Union, musicologists have been delving into formerly inaccessible archives and publishing new research on Eastern Bloc composers. Much of the English-language scholarship, however, has focused on already well-known composers from Russia or Poland. In contrast, composers from smaller countries such as the Czech Republic

Since the collapse of the Soviet Union, musicologists have been delving into formerly inaccessible archives and publishing new research on Eastern Bloc composers. Much of the English-language scholarship, however, has focused on already well-known composers from Russia or Poland. In contrast, composers from smaller countries such as the Czech Republic (formerly Czechoslovakia) have been neglected. In this thesis, I shed light on the new music scene in Czechoslovakia from 1948–1989, specifically during the period of “Normalization” (1969–1989).

The period of Normalization followed a cultural thaw, and beginning in 1969 the Czechoslovak government attempted to restore control. Many Czech and Slovak citizens kept their opinions private to avoid punishment, but some voiced their opinions and faced repression, while others chose to leave the country. In this thesis, I explore how two Czech composers, Marek Kopelent (b. 1932) and Petr Kotík (b. 1942) came to terms with writing music before and during the period of Normalization.
ContributorsJohnson, Victoria K (Author) / Feisst, Sabine (Thesis advisor) / Oldani, Robert (Committee member) / Rockmaker, Jody (Committee member) / Arizona State University (Publisher)
Created2015
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Description
This study offers a critical discourse analysis of four Saudi newspapers, examining their coverage of two particular incidents relating to the Committee for the Promotion of Virtue and the Prevention of Vice. Following van Dijk’s framework, the study examines the ideological role of language within media discourse. The tools of

This study offers a critical discourse analysis of four Saudi newspapers, examining their coverage of two particular incidents relating to the Committee for the Promotion of Virtue and the Prevention of Vice. Following van Dijk’s framework, the study examines the ideological role of language within media discourse. The tools of analysis include headlines, leads, lexical choices, reported speech, unnamed sources, and silenced texts. The findings of the study show that there are differences between the four newspapers in the coverage of the two incidents. The analysis also reveals different ideological attitudes among writers.
ContributorsAlshalawi, Hamad (Author) / Adams, Karen L (Thesis advisor) / Long, Elenore (Committee member) / Prior, Mathew (Committee member) / Arizona State University (Publisher)
Created2016