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- Genre: Masters Thesis
Description
In this document I detail the inception of the community service learning program, Flashback, that I created for Actor's Youth Theatre of Mesa Arizona. I first provide the organization's history and then expound upon my beliefs and how the ASU theatre for youth program, along with the needs of AYT, led me to create the program. I then describe the goals and processes of implementing the community based project. I also define service learning and why the program was designed around its principles. Finally, I describe the program's curriculum, devising process and Flashback's first trial run, and then continue, evaluating the performance and reflecting upon the process. The appendix includes the devised script, photos of the performance and interaction with the community, some of the planned curriculum and portions of my journals written during the process.
ContributorsEllsworth, Marcus (Author) / Sterling, Pamela (Thesis advisor) / Bowditch, Rachel (Committee member) / Woodson, Stephani Etheridge (Committee member) / Arizona State University (Publisher)
Created2012
Description
Virtual Reality (VR) has been used in the sphere of training and education in the construction field. Research has investigated the different applications of VR in construction-focused simulations to report its benefits and drawbacks in training and education. Although this is significant, they were not albeit explicitly studied through the lens of accreditation at undergraduate educational levels. The American Council for Construction Education (ACCE) established twenty Students Learning Outcomes (SLOs) that equip students with essential knowledge and industry-oriented technical and managerial skills that maintain quality education in undergraduate construction programs. This paper analyzes the trends in VR literature through reported benefits and unexplored learning outcomes of VR in construction training and education and investigates the ways by which these trends do or do not contribute to the learning experience by targeting the content areas associated with the ACCE’s SLOs. To accomplish this, the author reviewed 59 articles from 2014 to 2023 found through a keyword search for “Virtual” AND “Reality” AND “Construction” AND (“Training” OR “Simulation” OR “Education”) AND “Students”. The learning outcomes of the VR training reported in the 59 articles were mapped to their corresponding content areas from ACCE’s SLO(s). The results demonstrate the content areas of SLOs that were addressed in literature (1, 2, 3, 5, 6, 7, 8, 9, 10, 11, 13, 15, 16, 18, 19, and 20) and the SLOs that were not explored (4, 12, 14, and 17) due to lack of studies in some contexts. This study reveals trends and patterns of VR training, some of which exemplify benefits of addressing content areas of SLOs through virtual on-site immersion, manipulation of time, cost efficiency, and ethical measures, while others indicate unexplored learning outcomes of VR training in targeting content areas of SLOs that involve human interaction, complex quantitative calculations or require construction management tools, delivery method and stakeholders’ management, and risk management. While this research does not seek replacement of traditional trainings, it encourages consideration of VR training under the lens of ACCE’s accreditation. This research’s findings propose guidance to educational researchers on how VR training could address content areas from ACCE’s SLOs.
ContributorsElgamal, Sara (Author) / Ayer, Steven (Thesis advisor, Committee member) / Parrish, Kristen (Thesis advisor, Committee member) / Lamanna, Anthony (Committee member) / Arizona State University (Publisher)
Created2023
Description
Perceptions and interpretations of life experiences and actions vary across individuals. When these differences are linked to colors, they become more apparent and discernable. Colors have the ability to convey a range of emotions, evoke diverse feelings, and conjure up different images for different people. For dancers, these colors and emotions can impact the execution of a movement, resulting in variations in quality and texture, despite performing the same choreography. Notably, the same color can hold opposite meanings in different cultural contexts. Consequently, the objective of this project is to employ dance performance as a means to communicate these disparate cultural perspectives.
ContributorsPan, Houyu (Author) / Kaplan, Robert (Thesis advisor) / Dyer, Becky (Committee member) / Bowditch, Rachel (Committee member) / Arizona State University (Publisher)
Created2023
Description
First, this study is intended to comprehend what is perceived to be “good” dancing from two perspectives: the dancers and the dance choreographer/teacher. Second, the goal of this research is to achieve their perceived idea of “good” dancing using the categories of dance aesthetics, movement efficiency, and performance quality as a direction. A phenomenological research approach was applied to understand the terminologies: movement aesthetics, movement efficiency, and performance quality and whether they are essential and contribute to defining what is considered to be “good” dancing. The research was conducted over the course of ten weeks, which included workshops/rehearsals, discussions, and journals and concluded with the showcase of the choreographies in the dance concert performance. This study revealed that there were many similarities in the participants and the researcher’s perception of what “good” dancing is. Through the application of the various somatic methodologies and frameworks, they learned how to perform in their own best way in the different movement styles so that it is beautiful to look at, easy on their bodies, and safe for their bodies. All of the participants were able to achieve a better understanding of their own bodies. Besides gaining individual heightened awareness and understanding of their bodies, they also gained a better understanding on how to work as a collective to achieve the aesthetics of the group from the perspective of the entire dance piece.
ContributorsChoong, Jemima (Author) / Fitzgerald, Mary (Thesis advisor) / Conder, Carley (Committee member) / Bowditch, Rachel (Committee member) / Arizona State University (Publisher)
Created2023
Description
"beautiful secrets," a movement art piece engaging the audience in the art-making, exists in the in-between, an indeterminable place, fluid like the water of Kiwanis Lake. The performers sang, danced and built an architectural environment with the help of the audience to create a transformational place betwixt here and there, day and night, death and life; an in-between land where the language is mystical and symbolic, and the water of Kiwanis Lake served as a symbol of transformation. Beneath the art was a method called Somatic Yoga Dance in which the performers trained in preparation for the performance. Below the method was a blessing in which beautiful secrets took root --- a prayer for peace.
ContributorsGarner, Jamey (Author) / Jackson, Naomi (Thesis advisor) / Kaplan, Rob (Committee member) / Bowditch, Rachel (Committee member) / Arizona State University (Publisher)
Created2017