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- Genre: Interactive multimedia--Design.
- Genre: Masters Thesis
Description
This thesis explores the development and integration of a wrist-worn pneumatic haptic interface, Pneutouch, into multiplayer virtual reality (VR) environments. The study investigates the impact of haptics on multiplayer experiences, with a specific focus on presence, collaboration, and communication. Evaluation and investigation were performed using three mini-games, each targeting specific interactions and investigating presence, collaboration, and communication. It was found that haptics enhanced user presence and object realism, increased user seriousness towards tasks, and shifted the focus of interactions from user-user to user-object. In collaborative tasks, haptics increased realism but did not improve efficiency for simple tasks. In communication tasks, a unique interaction modality, termed "haptic mirroring," was introduced, which explored a new form of communication that could be implemented with haptic devices. It was found that with new communication modalities, users experience an associated learning curve. Together, these findings suggest a new set of multiplayer haptic design considerations, such as how haptics increase seriousness, shift focus from social to physical interactions, generally increase realism but decrease task efficiency, and have associated learning curves. These findings contribute to the growing body of research on haptics in VR, particularly in multiplayer settings, and provide insights that can be further investigated or utilized in the implementation of VR experiences.
ContributorsManetta, Mason (Author) / LiKamWa, Robert (Thesis advisor) / Lahey, Byron (Committee member) / Jayasuriya, Suren (Committee member) / Arizona State University (Publisher)
Created2024
Description
Wittgenstein’s claim: anytime something is seen, it is necessarily seen as something, forms the philosophical foundation of this research. I synthesize theories and philosophies from Simondon, Maturana, Varela, Wittgenstein, Pye, Sennett, and Reddy in a research process I identify as a paradigm construction project. My personal studio practice of inventing experiential media systems is a key part of this research and illustrates, with practical examples, my philosophical arguments from a range of points of observation. I see media systems as technical objects, and see technical objects as structurally determined systems, in which the structure of the system determines its organization. I identify making, the process of determining structure, as a form of structural coupling and see structural coupling as a means of knowing material. I introduce my theory of conceptual plurifunctionality as an extension to Simondon’s theory. Aspects of materiality are presented as a means of seeing material and immaterial systems, including cultural systems. I seek to answer the questions: How is structure seen as determining the organization of systems, and making seen as a process in which the resulting structures of technical objects and the maker are co-determined? How might an understanding of structure and organization be applied to the invention of contemporary experiential media systems?
ContributorsLahey, Byron (Author) / Burleson, Winslow (Thesis advisor) / Xin Wei, Sha (Committee member) / Collins, Daniel (Committee member) / Paine, Garth (Committee member) / Arizona State University (Publisher)
Created2015