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- Genre: Academic theses
- Creators: Davulcu, Hasan
- Creators: Ryan, Russell
- Member of: Theses and Dissertations
To address the above mentioned challenges, in this dissertation I investigate the propagation of online malicious information from two broad perspectives: (1) content posted by users and (2) information cascades formed by resharing mechanisms in social media. More specifically, first, non-parametric and semi-supervised learning algorithms are introduced to discern potential patterns of human trafficking activities that are of high interest to law enforcement. Second, a time-decay causality-based framework is introduced for early detection of “Pathogenic Social Media (PSM)” accounts (e.g., terrorist supporters). Third, due to the lack of sufficient annotated data for training PSM detection approaches, a semi-supervised causal framework is proposed that utilizes causal-related attributes from unlabeled instances to compensate for the lack of enough labeled data. Fourth, a feature-driven approach for PSM detection is introduced that leverages different sets of attributes from users’ causal activities, account-level and content-related information as well as those from URLs shared by users.
Jaime Mendoza-Nava (1925-2005) was an important Bolivian composer. In addition to writing music for the concert stage, he worked as a composer of film music in Los Angeles during the second half of the twentieth century. His life and work remain greatly unstudied, with the majority of his compositions existing only in manuscript form. The present study surveys the available biographical information on the composer and supplements it with new data collected through interviews with the composer’s family. The information presented here focuses on the composer’s American period as well as his personality traits. The study also examines the development of musical nationalism in Bolivia and other important aspects of Bolivian culture and society, thus creating a historical context through which key influences on the composer are identified. This historical and cultural information also contributes to an examination of Mendoza-Nava’s song cycle País de sombra (1988). A close study of this work reveals Mendoza-Nava’s sensitive setting of the poetry of Ricardo Jaimes Freyre (1868-1933) and his musical references to his Bolivian heritage. A recording of the song cycle by soprano Andrea Ramos and the current author and an edited copy of the musical score conclude the study.