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This thesis discusses the intersection of Christian and Blues exegesis and hermeneutics in the life and lyrics of Eddie "Son" House, a Baptist and Methodist preacher and Blues singer who was born in Lyon, Mississippi. It is intended as a biographical case study that highlights and explores the complex and

This thesis discusses the intersection of Christian and Blues exegesis and hermeneutics in the life and lyrics of Eddie "Son" House, a Baptist and Methodist preacher and Blues singer who was born in Lyon, Mississippi. It is intended as a biographical case study that highlights and explores the complex and multifaceted relationship between Black Protestant Preaching and Blues Singing/Preaching. In doing so, it critically appropriates Religious Studies theoretical and methodological considerations, orientations, and insights--particularly those from Charles Long and Paul Ricoeur--to examine the life, artistry, ministry, and lyrics of House in light of his expressed religious orientations and dual, often conflicting roles as a Christian Minister and Blues Preacher.
ContributorsBroyles, Michael (Author) / Moore, Moses (Thesis advisor) / Ali, Souad (Committee member) / Anderson, Lisa (Committee member) / Arizona State University (Publisher)
Created2013
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James Baldwin (1924-1987) was one of the most well-known African American fiction and nonfiction writers of the twentieth century. Throughout his life and career, he earned a worldwide reputation as a respected novelist, memoirist, and essayist who contributed to a wide array of artistic movements and intellectual discourses. Many scholars

James Baldwin (1924-1987) was one of the most well-known African American fiction and nonfiction writers of the twentieth century. Throughout his life and career, he earned a worldwide reputation as a respected novelist, memoirist, and essayist who contributed to a wide array of artistic movements and intellectual discourses. Many scholars have noted the particular African American religious and cultural influences upon Baldwin’s work. More recently, scholars have additionally noted the importance of Baldwin’s globally-engaged thought and internationalist life. Throughout all of his work, Baldwin wrote extensively on the subject of religion. This dissertation posits the topics of religion, violence, and marginalization as integral to his nonfiction writings and speeches, particularly after 1967. As such, it argues that Baldwin in his early career established four distinct discourses on morality, evil, scapegoatism, and purity that he came to connect in his later writings on the intersection of religion, violence, and marginalization. Within these writings, Baldwin also displayed a rigorous engagement with multicultural and multireligious artistic and literary canons, along with the evolving academic study of religion. Therefore, not only should the intersection of religion, violence, and marginalization be a central consideration for Baldwin scholarship, but scholars of religion and violence in particular would benefit from engaging Baldwin’s addressment of this intersection.
ContributorsBroyles, Michael Anthony Louis (Author) / Moore, Moses N (Thesis advisor) / Fessenden, Tracy (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2019