Matching Items (5)
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- All Subjects: Black Studies
- Creators: Bertrand, Melanie
- Creators: Anderson, Lisa
Description
The purpose of my dissertation project is to understand how Same-Gender Loving (SGL) Black Christian men negotiate their sexuality and spirituality in spaces that are not always accepting of SGL people, by examining on how Black SGL men perform their sexual identities within hegemonic institutions that often deny their existence or outwardly seek to exclude them from their communities. I have identified three scripts that Black SGL men often follow within Black religious settings. The first script that SGL people often follow in the church is that of deliverance-- confessing their same-gender desires and maintaining that they have been delivered from those desires The second is "don't ask don't tell" performed by men who many believe and suspect of being SGL; so long as they do not publicly affirm these beliefs they are able to hold a variety of positions in their religious communities.. The last script involves accepting one's same-gender desires and also affirming one's Christian beliefs, proclaiming that the two are not at odds with one another. I examine how these scripts and/or others are performed by and on the bodies of Black SGL males in two distinct sites. The first is the career and music of former gospel star Anthony Charles Williams II (Tonex / B. Slade), who has utilized the three scripts at various times in his career. The next site is that of theatre, where I explore how these scripts have been employed in dramatic texts. By reading Christian Black SGL performance through its theological parameters, I aim to discern the avenues in which Black people in the United States are able to perform same-gender sexual identities in spaces that are constructed as "homophobic," and in so doing combat the narrative of hyper-homophobia in Black communities.
ContributorsChester, Tabitha Jamie Mary (Author) / Anderson, Lisa (Thesis advisor) / Leong, Karen J (Committee member) / Honegger, Gitta (Committee member) / Arizona State University (Publisher)
Created2013
Description
This thesis closely reads black gay pornography and NeoSoul music from the 1990s to theorize the digital transformations of the adult entertainment and music industries during the commercialization and boom of the Internet. Acknowledging black sex workers and musical artists as knowers and agitators whose labor and artistry teased and troubled these transformations, I employ an American Studies analytic to archives and genres that highlights the economic and historical undergirding of black sexual economies in the United States. I argue that black musical artists and sex workers facilitate a mapping of black sexual economies and an ecosystem of labor and pleasure upended by the commercialization of the Internet that pronounces a dialogic relationship between the adult entertainment and music industries, black musical artists and sex workers, and black musical and pornographic genres. Through close reading and nut chasing methods, I intimately describe the musical and sexual performances of sex workers and musical artists in three pornographic films and one music video to analyze the complexities of instrumentation and cinematography during this technological era, how they narrativize sound and place, and the sensorial and physiological effects of witnessing and listening to these performances. In this project, I ask: how does porn and music remember sound and place, how does black music and black gay pornography narrate black sexual economies and geographies, and how did the commercialization of the Internet in the 1980 and 90s change black musical genres and (black) gay pornography?
ContributorsAnderson, K (Author) / Bailey, Marlon M (Thesis advisor) / Roane, JT (Committee member) / Anderson, Lisa (Committee member) / Arizona State University (Publisher)
Created2022
Description
Methodological Reparations is a 2-study multi-methods inquiry aimed at illuminating important nuances for engaging counter hegemonic empirical inquiries for Black, gender expansive and Black LGBTQI+ communities. If Black gender expansive youth are studied, they are often studied within the larger LGBTQI+ umbrella. Unfortunately, this makes them vulnerable to compulsory heterogenderism which often obscures their unique experiences transgressing racialized gender norms and with racialized gender oppression. This study makes methodological considerations called methodological reparations that begin to address the ways empirical research often negates, misunderstands, and obscures students’ identities as singular, stable over time and aligned with their sex assignment. It is important for researchers, data scientists and educators to challenge these hegemonic assumptions to ensure that Black gender expansive communities are visible and to ensure that education policies are data-driven, inclusive and effective. The United States Transgender Survey and the Gay and Lesbian Students Education Network have begun to conduct surveys that begin to address the complexity of gender within LGBTQI+ populations. Their surveys reveal horrific school climates that LGBTQI+ youth of color experience especially Black LGBTQI+ youth. The first study in this dissertation is a mixed methods study that focuses on Black gender expansive students’ experiences. The second study responds to the first study by providing an example of inclusive Black LGBTQI+ curriculum taught through a Black queer pedagogical approach. Since the presence of LGBTQI+ inclusive curriculum in schools has been linked to increased feelings of safety in schools in Black LGBTQI+ student populations, this study showcases James Baldwin’s final novel Just Above My Head, as a piece of blues literature that discusses racialized homophobia in a culturally relevant way. Baldwin’s work can be an important tool for Black LGBTQI+ students who do not have access to Black queer curriculum taught through a Black queer pedagogical approach.
ContributorsClement, Valencia (Author) / McGuire, Keon (Thesis advisor) / Bertrand, Melanie (Committee member) / Bailey, Marlon M (Committee member) / Kim, Jeongeun (Committee member) / Durand, E. Sybil (Committee member) / Arizona State University (Publisher)
Created2022
Description
This study investigates Black male students' perceptions of their teachers' curricular expectations in mathematics classrooms. Curriculum in this study refers to what knowledge students are expected to learn, and the manner in which they are expected to learn it. The topic of this dissertation is in response to persisting and prevailing achievement disparities experienced by secondary Black male students in mathematics. These disparities exist at the school, district, state, and national level. Utilizing an action research methodology, multiple cycles of data collection led to the final iteration of the study, collecting strictly qualitative data and drawing from critical race methodology to address the three research questions.
The three research questions of this study seek to address how Black male students perceive their mathematics teachers’ curricular expectations, what practices they have found to be effective in meeting their teachers’ higher curricular expectations, and to determine how they view the reform practices as part of the intervention. Research questions were answered using one-on-one and focus group interviews, classroom observations, and student journals. An intervention was developed and delivered as part of the action research, which was an attempt at curriculum reform influenced by culturally relevant pedagogy, warm demander pedagogy, and youth participatory action research.
Findings from the qualitative methods, led to four assertions. The first assertion states, despite achievement disparities, Black male students care very much about their academic success. Second, a primary factor hindering Black male students’ academic success, as communicated by participants, is what they are learning and how they are learning it. Speaking to teachers’ expectations, participants believe their teachers want them to succeed and think highly of them. Additionally, participants preferred interactive, enthusiastic, and caring teachers, even if those teachers are academically demanding. Finally, participants found learning mathematics addressing a problem that affects them, while incorporating components that address their invisibility in the curriculum, increased relevance, interest, and academic self-awareness.
The three research questions of this study seek to address how Black male students perceive their mathematics teachers’ curricular expectations, what practices they have found to be effective in meeting their teachers’ higher curricular expectations, and to determine how they view the reform practices as part of the intervention. Research questions were answered using one-on-one and focus group interviews, classroom observations, and student journals. An intervention was developed and delivered as part of the action research, which was an attempt at curriculum reform influenced by culturally relevant pedagogy, warm demander pedagogy, and youth participatory action research.
Findings from the qualitative methods, led to four assertions. The first assertion states, despite achievement disparities, Black male students care very much about their academic success. Second, a primary factor hindering Black male students’ academic success, as communicated by participants, is what they are learning and how they are learning it. Speaking to teachers’ expectations, participants believe their teachers want them to succeed and think highly of them. Additionally, participants preferred interactive, enthusiastic, and caring teachers, even if those teachers are academically demanding. Finally, participants found learning mathematics addressing a problem that affects them, while incorporating components that address their invisibility in the curriculum, increased relevance, interest, and academic self-awareness.
ContributorsMichael, Junior (Author) / Chen, Ying-Chih (Thesis advisor) / Liou, Daniel Dinn-You (Committee member) / Sampson, Carrie (Committee member) / Bertrand, Melanie (Committee member) / Arizona State University (Publisher)
Created2020
Description
Since the genesis of the long experimental project known as the United States of America, the country has invested in the creation, implementation and maintenance of exclusionary policies and practices which have effectually denied whole and equitable access to educational spaces for Black children. These conventions have presented in a myriad of ways from: ignorance compulsory laws, segregation, disparate rates of school suspensions and expulsions, school closures, school funding inequities, denial of access to rigorous classes, burdensome school admissions policies and the disproportionate funneling of Black children into disabled and low-track class designations. Throughout this constant contortion of approaches to educational exclusion, Black mothers have had to guide, cover and encourage their children as they navigate these barriers and dodge the pitfalls of educational removal. This critical ethnographic oral history seeks to investigate the ways that a grassroots community organizing group led by a cadre of Black othermothers, known as the Aurora Coalition of Black Mothers, strategize to challenge the educational structures that support pushout and the continued exclusion of Black children from schools. Employing the frames of Critical Race Theory, BlackCrit and Black Feminist Thought, this study seeks to interrogate the following overarching concerns: 1) How does the mothers’ standpoint affect their response to school system inequities. 2)What is the influence of their efforts towards school equity? What is revealed is the mothers’ ability to employ a strategic wisdom that acknowledges the limits of systems change, perseveres against the intractability of White supremacy and works towards a freer Black education future for their children.
ContributorsDemps, Dawn M. (Author) / McGuire, Keon (Thesis advisor) / Nakagawa, Kathryn (Thesis advisor) / Bertrand, Melanie (Committee member) / Sampson, Carrie (Committee member) / Stovall, David (Committee member) / Arizona State University (Publisher)
Created2021