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- Member of: ASU Electronic Theses and Dissertations
Description
Ancient Mediterranean cultures incorporated equine iconography into their artistic repertoires, demonstrating the horse's importance not only as a beast of burden and war, but also as a visual symbol of wealth and prestige. Interaction between man and horse appears in clay as early as the third millennium BC, along with the early development of ancient Near Eastern cultures. Tactical evolution in Near Eastern warfare, particularly the eclipse of chariot forces by the rise of cavalry, coincided with the emergence of equestrian terracotta figurines and facilitated the popularity of horse and rider imagery. Cyprus' many city-kingdoms have yielded a vast, coroplastic corpus in both votive and mortuary contexts, including figurines of equestrian type. These terracottas are an important contribution to the understanding of ancient Cypriote cultures, cities and their coroplastic oeuvre.
While many studies of excavated terracottas include horse and rider figurines, only a limited number of these publications dedicate adequate analysis and interpretation. Ancient Marion is one of the Cypriote city-kingdoms producing a number of equestrian terracottas that are in need of further examination. By focusing on the unpublished horse and rider figurines from Marion, this paper will add to the conversation of Cyprus' inclusion of equestrian iconography in coroplastic production. Through thorough analysis of the horse and rider terracottas, specifically their plastic and stylistic components, this thesis establishes typologies, makes visual comparisons and demonstrates Marion's awareness of an equine vogue both in contemporary Cyprus and abroad. The horse and rider figurines of Marion are an important contribution to the better understanding of the city-kingdom and exemplify the inclusion of equestrian imagery within the context of ancient societies.
While many studies of excavated terracottas include horse and rider figurines, only a limited number of these publications dedicate adequate analysis and interpretation. Ancient Marion is one of the Cypriote city-kingdoms producing a number of equestrian terracottas that are in need of further examination. By focusing on the unpublished horse and rider figurines from Marion, this paper will add to the conversation of Cyprus' inclusion of equestrian iconography in coroplastic production. Through thorough analysis of the horse and rider terracottas, specifically their plastic and stylistic components, this thesis establishes typologies, makes visual comparisons and demonstrates Marion's awareness of an equine vogue both in contemporary Cyprus and abroad. The horse and rider figurines of Marion are an important contribution to the better understanding of the city-kingdom and exemplify the inclusion of equestrian imagery within the context of ancient societies.
ContributorsWalter, Chelsea (Author) / Serwint, Nancy (Thesis advisor) / Sweeney, Gray (Committee member) / Baldasso, Renzo (Committee member) / Arizona State University (Publisher)
Created2014
Description
This study frames research on board games within a body of anthropological theory and method to examine the long-term social changes that effect play and mechanisms through which play may influence societal change. Drawing from ethnographic literature focusing on the performative nature of games and their effectiveness at providing a method for strengthening social bonds through grounding, I examine changes in the places in which people engaged in play over the course of the Bronze Age on Cyprus (circa 2500¬–1050 BCE), a period of increasing social complexity. The purpose of this research is to examine how the changes in social boundaries concomitant with emergent complexity were counteracted or strengthened through the use of games as tools of interaction.
Bronze Age sites on Cyprus have produced the largest dataset of game boards belonging to any ancient culture. Weight and morphological data were gathered from these artifacts to determine the likelihood of their portability and to identify what type of game was present. The presence of fixed and likely immobile games, as well as the presence of clusters of portable games, was used to identify spaces in which games were played. Counts of other types of artifacts found in the same spaces as games were tabulated, and Correspondence Analysis (CA) was performed in order to determine differences in the types of activities present in the same spaces as play.
The results of the CA showed that during the Prehistoric Bronze Age, which has fewer indicators of social complexity, gaming spaces were associated with artifacts related to consumption or specialty, heirloom and imported ceramics, and rarely played in public spaces. During the Protohistoric Bronze Age, when Cyprus was more socially complex, games were more commonly played in public spaces and associated with
artifacts related to consumption. These changes suggest a changing emphasis through time, where the initiation and strengthening of social bonds through the grounding process afforded by play is more highly valued in small-scale society, whereas the social mobility that is enabled by performance during play is exploited more commonly during periods of complexity.
Bronze Age sites on Cyprus have produced the largest dataset of game boards belonging to any ancient culture. Weight and morphological data were gathered from these artifacts to determine the likelihood of their portability and to identify what type of game was present. The presence of fixed and likely immobile games, as well as the presence of clusters of portable games, was used to identify spaces in which games were played. Counts of other types of artifacts found in the same spaces as games were tabulated, and Correspondence Analysis (CA) was performed in order to determine differences in the types of activities present in the same spaces as play.
The results of the CA showed that during the Prehistoric Bronze Age, which has fewer indicators of social complexity, gaming spaces were associated with artifacts related to consumption or specialty, heirloom and imported ceramics, and rarely played in public spaces. During the Protohistoric Bronze Age, when Cyprus was more socially complex, games were more commonly played in public spaces and associated with
artifacts related to consumption. These changes suggest a changing emphasis through time, where the initiation and strengthening of social bonds through the grounding process afforded by play is more highly valued in small-scale society, whereas the social mobility that is enabled by performance during play is exploited more commonly during periods of complexity.
ContributorsCrist, Walter (Author) / Hjorleifur Jonsson (Thesis advisor) / Serwint, Nancy (Thesis advisor) / Michelaki, Konstantina-Eleni (Committee member) / de Voogt, Alex (Committee member) / Arizona State University (Publisher)
Created2016
Description
ABSTRACT The early twentieth century saw changing attitudes in gender roles and the advancement of the "New Woman." Despite the decline in the availability of homesteading land in the US West, homesteading still offered a means for women to achieve or enact newfound independence, and the letters of Elinore Pruitt Stewart, Elizabeth Corey, and Cecilia Hennel Hendricks offer a varied view of the female homesteading experience. This dissertation focuses upon the functionality of epistolary discourse from early twentieth century homesteading women within a literary and historical framework in order to establish the significance of letters as literary texts and examine the methodology involved in creating epistolary identities. Chapter one provides background on the history of the letter in America. It also as introduces a theoretical framework regarding life writing, feminism, and epistolary discourse that inform this study, by scholars such as Phillipe LeJeune, Leigh Gilmore, Janet Altman, Julie Watson, and Sidonie Smith. Chapter two delves into the published letters of Elinore Pruitt Stewart and the way in which her writing, when situated within a US western literary framework, serves as a reaction to the masculine western hero. Chapter three considers the epistolary relationships evident in the letters of Elizabeth Corey and the construction of gender identity within epistolarity. Chapter four focuses upon Cecilia Hennel Hendricks and the historical and feminist context of her letters, with a particular emphasis upon the "love letter." The conclusion examines the progression of the letter in the twentieth century and forms of online discourse that can be directly linked to its evolution. Far from being simply a form of communication, these letters reveal the history of a time, a place, a people, function as narrative literary texts, and aid in developing identities. For readers and scholars they tell offer a glimpse into life for women in the early twentieth century and highlight the significance of letters as a literary form.
ContributorsSkipper, Alicia (Author) / Horan, Elizabeth (Thesis advisor) / Boyd, Patricia (Committee member) / Gray, Susan (Committee member) / Wertheimer, Eric (Committee member) / Arizona State University (Publisher)
Created2010
Description
Patterns of social conflict and cooperation among irrigation communities in southern Arizona from the Classic Hohokam through the Historic period (c. 1150 to c. 1900 CE) are analyzed. Archaeological survey of the Gila River Indian Community has yielded data that allow study of populations within the Hohokam core area (the lower Salt and middle Gila valleys). An etic design approach is adopted that analyzes tasks artifacts were intended to perform. This research is predicated on three hypotheses. It is suggested that (1) projectile point mass and performance exhibit directional change over time, and weight can therefore be used as a proxy for relative age within types, (2) stone points were designed differently for hunting and warfare, and (3) obsidian data can be employed to analyze socioeconomic interactions. This research identifies variation in the distribution of points that provides evidence for aspects of warfare, hunting, and the social mechanisms involved in procuring raw materials. Ethnographic observations and archaeological data suggest that flaked-stone points were designed (1) for hunting ungulates, or (2) for use against people. The distribution of points through time and space consequently provides evidence for conflict, and those aspects of subsistence in which they played a role. Points were commonly made from obsidian, a volcanic glass with properties that allow sources to be identified with precision. Patterns in obsidian procurement can therefore be employed to address socioeconomic interactions. By the 18th century, horticulturalists were present in only a few southern Arizona locations. Irrigation communities were more widely distributed during the Classic Period; the causes of the collapse of these communities and relationships between prehistoric and historic indigenes have been debated for centuries. Data presented here suggest that while changes in material culture occurred, multiple lines of evidence for cultural continuity from the prehistoric to Historic periods are present. The O'Odham creation story suggests that the population fluctuated over time, and archaeological evidence supports this observation. It appears that alterations in cultural practices and migrations occurred during intervals of low population density, and these fluctuations forced changes in political, economic, and social relationships along the middle Gila River
ContributorsLoendorf, Christopher R. (Author) / Simon, Arleyn (Thesis advisor) / Clark, Geoffrey (Thesis advisor) / Barton, Michael (Committee member) / Ravesloot, John (Committee member) / Arizona State University (Publisher)
Created2010
Description
An early Christian construct which had the recently-deceased soul endures a series of judicial proceedings by demons, the telonia has survived as a folk belief in Orthodox nations such as Russia and Ukraine. The telonia construct is a controversial one in Orthodoxy, however, as discussions of the construct's origins often break down into polemical debate regarding the ontological reality of the telonia. This thesis, as its primary goal, investigates the origins and early development of the telonia in a methodical, scholarly manner. It adduces texts from ancient Egypt to propose that the origins of the telonia extend to the earliest written phases of the Egyptian religion. Secondarily, this thesis investigates the origins of the logismoi: intentions which demons introduce into human minds to seduce them to sin. In 1952, Morton Bloomfield posited that the logismoi ultimately evolved from the telonia. Bloomfield's assertion has become the secondary inquiry of this thesis: to wit, whether the logismoi construct evolved from the telonia. This study employs textual criticism of sources in Greek, Latin, and Coptic to answer the two queries. The evidence indicates that the telonia evolved from three previous constructs over the course of at least 2500 years. It also indicates that neither the telonia nor any of its ancestral constructs influenced the creation of the logismoi.
ContributorsMcAvoy, Shawn Daniel (Author) / Newhauser, Richard (Thesis advisor) / Clay, J. Eugene (Committee member) / Tueller, Michael (Committee member) / Arizona State University (Publisher)
Created2011