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This dissertation is a qualitative study based on the experiences of five high schoolers and five college-aged students who grew up in Erie, Pennsylvania, and participated in theatrical productions within their schools, churches, the Erie Playhouse Youtheatre, and other community theatres. The author begins with an introduction of the theatrical

This dissertation is a qualitative study based on the experiences of five high schoolers and five college-aged students who grew up in Erie, Pennsylvania, and participated in theatrical productions within their schools, churches, the Erie Playhouse Youtheatre, and other community theatres. The author begins with an introduction of the theatrical scene in Erie and explains the options available to these youth during the times they performed, so the reader will have a better understanding of the background of these young people. The author then explores the current literature dealing with youth participants in a youth theatre setting. In his research, he notes that there were few scholarly books or articles that directly dealt with youth who participate in youth theatre. Most of the books dealt with youth who are part of theatrical programs in school settings, and few researchers utilized the youth's voice as part of the process. The author interviewed ten participants about their theatrical experiences asking them about aspects such as: positive and negative experiences, why they performed, and what they learned from doing theatre. After transcribing the interviews, the author analyzed the participants' responses for values, attitudes, and beliefs about theatre. From this analysis, the author found six themes emerged focusing on: fun, friendship, family, personal growth, commitment to productions, and negative experiences in the theatrical process. Throughout the document, the author utilized the youths' voices and kept their words and thoughts as the basis for all findings constructed and discussed.
ContributorsKosnik, Craig (Author) / Saldana, Johnny (Thesis advisor) / Etheridge Woodson, Stephani (Committee member) / Anderson, Lisa (Committee member) / Arizona State University (Publisher)
Created2014
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Description
Guided by Clifford Geertz's notion of culture as symbolic stories people tell themselves about themselves, the purpose of this study is to examine how youth in an urban area of Phoenix, AZ experience collectively creating and performing original documentary theatre. I pay attention to the ways youth participants--also known as

Guided by Clifford Geertz's notion of culture as symbolic stories people tell themselves about themselves, the purpose of this study is to examine how youth in an urban area of Phoenix, AZ experience collectively creating and performing original documentary theatre. I pay attention to the ways youth participants--also known as artist-researchers--construct, perform, and/or perceive their identities as they practice drama techniques including improvisation, physical theatre, and Theatre of the Oppressed for the purposes of making docutheatre for social justice. First the artist-researchers chose the topics for their play. Next, they learned and applied drama and research skills to gather and examine data sources used to construct a script that explores hiding and exposure. In the process of sharing and gathering true stories our unique docutheatre-making culture was created. This multimodal qualitative research case study draws upon the genres of arts-based research and visual ethnography as primary modes of data collection and interpretation. Narrative description and the ethnodramatic mode of representation are used in conjunction with still images and this study's companion website (www.meant2see.com) to report research findings. Primary data sources include participant observation fieldnotes, over twenty hours of recorded video footage, photographs, and the project's original script and performance of To Be What's Not Meant to See . Further data include journal entries, drawings, and social media. All data were coded using In Vivo and Process Coding methods and analyzed through a cultural studies lens. Codes were sorted into phenomenological categories representative of recurring ideas and themes. Assertions were then solidified once specific key linkages were constructed. This study's key assertions are: Key Assertion 1: Participation in devising documentary social justice theatre influences and affects the construction, perception, and/or performance of urban youth identities through profound connections made with interviewees during the interview process and through the collection of true stories that provide new information and rare opportunities for self-reflection and self-realization; Key Assertion 2: Portions of the roles urban youth play in their identity narratives are disguised or hidden--purposefully, reluctantly, and/or subconsciously--in order to appeal to friends, families, or the codes of dominant culture.
ContributorsGiannone, Enza (Author) / Saldana, Johnny (Thesis advisor) / Etheridge Woodson, Stephani (Committee member) / Margolis, Eric (Committee member) / Arizona State University (Publisher)
Created2014
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Description
This dissertation considers how adolescent identity is constructed and represented in commercial musical theatre for youth (e.g. Broadway and Disney Theatrical Group) by examining two commercial productions with adolescents in lead roles--Spring Awakening and Disney's High School Musical. My theoretical framework is intersectionality which creates a foundation for my research

This dissertation considers how adolescent identity is constructed and represented in commercial musical theatre for youth (e.g. Broadway and Disney Theatrical Group) by examining two commercial productions with adolescents in lead roles--Spring Awakening and Disney's High School Musical. My theoretical framework is intersectionality which creates a foundation for my research within the field of childhood studies, gender studies, and performance studies to illuminate current US American trends in youth oriented art and research. My framework extends into a case study methodology exploring the world of childhood and youth sexuality through a close read of the popular Broadway musical adaptation, Spring Awakening. In addition, a second investigation chronicles the world of Disney's High School Musical through my own intersectional tool, the Disney Industrial Complex. I claim that adolescence, as a constructed identity, exists as a multi-faceted intersectional category composed of multiple and conflicting intersections such as gender, race, sex, ethnicity, and so on. These intersections develop over the course of the period known as "adolescence" and "youth." The goal of this dissertation is to serve as a reference for other theatre educators and their work with young people creating art.
ContributorsBliznik, Sean J (Author) / Etheridge-Woodson, Stephani (Thesis advisor) / Saldana, Johnny (Committee member) / Adelman, Madelaine (Committee member) / Arizona State University (Publisher)
Created2012
Description

The Wonderbox research project was the product of a creative health collaboration between the Edson College of Nursing and Health Innovation and the Herberger Institute for Design and the Arts at Arizona State University, as well as the Childsplay AZ theater in Tempe, Arizona. This ongoing project began in the

The Wonderbox research project was the product of a creative health collaboration between the Edson College of Nursing and Health Innovation and the Herberger Institute for Design and the Arts at Arizona State University, as well as the Childsplay AZ theater in Tempe, Arizona. This ongoing project began in the summer of 2021. It was funded by the National Endowment for the Arts, and IRB approval was obtained for the project. Each participant signed informed consent documents prior to the start of the survey and the intervention. This research project aimed to explore ways in which stress can be alleviated in parents and caregivers who have medically complex children using creative play and interactive theater interventions. This study used surveys to determine how the Wonderbox activities impacted the perceived stress, well-being, overall family functioning, and quality of life of parents who have medically complex children. This study consisted of parents or caregivers of children between the ages of 6 and 17 with any type of medical complexity who spoke English. There were 31 families who participated in this study. The family APGAR (family functioning), perceived stress scale, quality of life evaluation, and the WHO-5 well-being index were measured before and following the intervention. The quality of life evaluation post-test measure was shown to be statistically significant, and the perceived stress increased but was not statistically significant. The Family APGAR had no change. In qualitative results, only five families reported their results in ClassDojo, and there was no communication between the researchers and the parents of these children. Overall, the study was successful in significantly improving quality of life and caused no harm to the participants in other areas of evaluation. Future studies should consider broadening the size of the population of the next cohort, as well as promoting better communication among these families to obtain more qualitative results.

ContributorsHom, Chloe (Author) / Sargent, Emily (Co-author) / Reifsnider, Elizabeth (Thesis director) / Etheridge Woodson, Stephani (Committee member) / Barrett, The Honors College (Contributor) / College of Health Solutions (Contributor)
Created2023-05
Description

The Wonderbox research project was the product of a creative health collaboration between the Edson College of Nursing and Health Innovation and the Herberger Institute for Design and the Arts at Arizona State University, as well as the Childsplay AZ theater in Tempe, Arizona. This ongoing project began in the

The Wonderbox research project was the product of a creative health collaboration between the Edson College of Nursing and Health Innovation and the Herberger Institute for Design and the Arts at Arizona State University, as well as the Childsplay AZ theater in Tempe, Arizona. This ongoing project began in the summer of 2021. It was funded by the National Endowment for the Arts, and IRB approval was obtained for the project. Each participant signed informed consent documents prior to the start of the survey and the intervention. This research project aimed to explore ways in which stress can be alleviated in parents and caregivers who have medically complex children using creative play and interactive theater interventions. This study used surveys to determine how the Wonderbox activities impacted the perceived stress, well-being, overall family functioning, and quality of life of parents who have medically complex children. This study consisted of parents or caregivers of children between the ages of 6 and 17 with any type of medical complexity who spoke English. There were 31 families who participated in this study. The family APGAR (family functioning), perceived stress scale, quality of life evaluation, and the WHO-5 well-being index were measured before and following the intervention. The quality of life evaluation post-test measure was shown to be statistically significant, and the perceived stress increased but was not statistically significant. The Family APGAR had no change. In qualitative results, only five families reported their results in ClassDojo, and there was no communication between the researchers and the parents of these children. Overall, the study was successful in significantly improving quality of life and caused no harm to the participants in other areas of evaluation. Future studies should consider broadening the size of the population of the next cohort, as well as promoting better communication among these families to obtain more qualitative results.

ContributorsSargent, Emily (Author) / Hom, Chloe (Co-author) / Reifsnider, Elizabeth (Thesis director) / Etheridge Woodson, Stephani (Committee member) / Barrett, The Honors College (Contributor) / Edson College of Nursing and Health Innovation (Contributor)
Created2023-05